Title: The Bugle Call
Author: Ernst Luz
Publisher: Thematic Music Cue Sheet, 1927
Series:
Format: Cue Sheet
Document type: Cue Sheet
All authors/contributors: Ernst Luz
OCLC Number:
Contents:
- At screening: “Assembly Call”- bugle call by trumpeter
- The bugle call: “Down South” by Myddleton
- After one scene – colored children dancing: “Shenandoah” by Bendel
- Soldier turns letter to second page: “That Wonderful Mother of Mine” by Goodwin (WHITE)
- All aboard: “Aces High” by Boulton
- Fort Rumson: “Assembly Call” by trumpeter
- Scene on: “Radio Galop” by Bub
- Horses stop: “Entrance and Dance of the Goblins” by Schertzinger (YELLOW)
- Coogan blows bugle: “Bugle Call” by trumpeter as introduction to No. 10
- One scene: “The Live Wire” by Frey
- Wait till you see: Repeat No. 8 (YELLOW)
- Fade-out as wagon drives off: “Parade of the Wooden Soldiers” by Jessel
- After Coogan sees toy soldiers: Repeat No. 4 (WHITE)
- Jackie Coogan runs out of room: “Alice” by Hauenschild
- Society notes – paper: “Laughing Eyes” by Silberberg
- Soldiers, go to sleep: “Taps” by trumpeter
- Scene well on: “Boogie Man’s Patrol” by Boehnlein
- Coogan puts bugle to lips: “Boots and Saddles” – bugle call
- One scene: “Roller Coaster” by Schertzinger
- Close-up of Coogan at window: “The Busy Bee” by Bendix
- Imitation of steps walking upstairs: “In the Middle of the Night” by Rose
- The Armee. The Armee. It’s hep, hep, hep: “American Patrol” by Meacham
- Good-bye: “Immortellen Waltz” by Gung’l
- Fade-out to potato scene: “We’re In the Army Now”
- Cook stopes playing guitar: “On the Mill Dam” by Babb
- Jackie Coogan runs into room to father: Repeat No. 4 (WHITE)
- The day that his future step-mother arrived: “Jollity” by Zamecnik
- Captain Tremayn’s regrets: Repeat No. 8 (YELLOW)
- Girl walks from Jackie Coogan: “Dagger Dance” by Herbert (BROWN)
- End of Indian scene: Repeat No. 8 (YELLOW)
- Most people think: Repeat NO. 29 (BROWN)
- My mother wasn’t afraid of Indians: “Love Secrets” by Zamecnik
- Jackie Coogan eating soup: “The Season’s Greetings” by Marquardt
- I’m sure Billy didn’t mean to hurt you: Repeat No. 4 (WHITE)
- From then on, every day: “My Lady’s Boudoir” by Schertzinger
- Let’s give them: “Hark the Held Angel’s Sing” from Five Favorite Yule-Tide Songs by Mendelssohn
- Husband and wife embrace: bugle call one scene, then segue to ‘All America” by Zamecnik
- Where’s Billy: “Vivacity” by Conterno
- Jackie Coogan crawls over tree at grave: Repeat No. 4 (WHITE)
- He called me mother: Continue No. 39, pathetic and slow
- Coogan embraces father: “Pathos – Incidental Miniatures No. 2” by Schertzinger
- Shortly after spring: Repeat No. 18 “Boots and Saddles”
- After one trumpeter scene: “Devil Dogs” by Marquardt
- Long shot of soldiers on horseback: Repeat No. 29 (BROWN)
- Coogan walks from soldier to house fence: “Tears – Indicental Miniatures No. 2” by Schertzinger
- Would you: “Indian Orgy” by Rapee-Axt
- Coogan on horseback blows bugle: Long bugle call by trumpeter
- Second scene- Coogan blowing bugle: Repeat No. 29 (BROWN)
- Coogan blows bugle again: Recall – bugle call
- Coogan stops blowing bugle: “Hurry No. 25” by Lake
- Soldiers at rescue at fort: “Battle Agitato No. 16” by Minot
- Coogan at cave rescued: Repeat No. 4 (WHITE)
Proper orchestral rest period is Nos. 27 to 36 inclusive.
NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.
Source: Carl Braun Collection
SFSMA ID: w9L0PI8Th7
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