A Man’s Man

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Title: A Man’s Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Twinkling” by Hauenschuld
    2. Picture studio—two girls seen: “On the Mountain” by Frommel
    3. Have you it: “Serenade” by White
    4. Take your time: “Allegro Seintillante” by Kempinski
    5. Hours later: “Frills and Frivolities” by Bath
    6. Greta Garbo walks from microphone: “Devil Dogs” by Marquardt
    7. Haines meets girl in crowd: “When I Dream Of You” by Schoenfeld (WHITE)
    8. Haines stops auto at house: “A Perfect Day” by Bond
    9. Fade-out after Haines carries girl up house stairs: “Speed” by Frey
    10. Meet Violet Primrose: Repeat No. 7 (WHITE) (Chorus only)
    11. Gee you’re a fast worker: Repeat No. 9 “Speed”
    12. They were married later: “Basier d’Amour” by Lodge
    13. Will an unknown: “By Firelight” by Grunn
    14. Girl smells something: “Parade of the Toys” by Schertzinger
    15. Haines enters room: “When I Dream Of You” by Schoenfeld (WHITE) (Chorus only)
    16. The place smells like: “Pine Tree Echoes” by Schoenfeld
    17. It started out to be your dinner: Repeat No. 15 (WHITE)
    18. Haines turns on radio: “A Night in May” by Lincke
    19. “There you are: “Canzone d’Amore” by Lowitz
    20. Wife slaps Haines in face: “Cavatina” by Baron (DARK GREEN)
    21. Haines and man leave billiard room: “Flirting Lovers” by Kempenski
    22. Fade-out of Haines and wife: “Oh Mister” by Frey
    23. Haines and mand drink: Repeat No. 20 (DARK GREEN)
    24. I won five hundred dollars last week: “Heigh Ho! Everybody Heigh Ho” by Woods
    25. Second exterior scene: “Peter Rabbit” by Schoenfeld
    26. Are you drinking lemonade: “T’ Ain’t Nobody’s Fault But My Own” by Lawnhurst
    27. Please me: “Uproar” by Neinass
    28. Haines sits down in chair: “Cavatina” by Baron (DARK GREEN)
    29. Dish-gusting: Repeat No. 27 “Uproar”
    30. Fade-out to bed scene: Repeat No. 28 (DARK GREEN)
    31. Mel was like most of us: “Lovelight” by Adams
    32. Fade-out of billiard room: Repeat No. 28 (DARK GREEN)
    33. But Peggy didn’t meet the director: “Lament” by Herrmann
    34. Woman rings bell: “Recitativo No. 1” by Rapee-Axt (RED)
    35. Stick close to home kid: “Sunny Hours” by Rich
    36. Grabbed another: “Bonds of Love” by Roth
    37. Charlie told her she looked like Garbo: Repeat No. 34 (RED)
    38. Man rings doorbell: “Mignonette” from Ballet of Flowers by Hadley
    39. You’ve only got to slip me another hundred: “Cavatina” by Baron (DARK GREEN)
    40. Well get this: “Appassionata” by Clutsam
    41. Good-bye Greta Garbo: “Recitativo No. 1” by Rapee-Axt (RED)
    42. What did he mean: Repeat No. 40 “Appassionata”
    43. Haines throws picture on floor: “Elegie and Appassionato” by Savino
    44. I will kill him: “Dramatic Andante No. 3” by Axt
    45. Haines knocked down in street: “Sadness” by Engleman
    46. Did you get hurt: Repeat No. 44 “Dram. Andante No. 3”
    47. Haines walks out of room from wife: Repeat No. 45 “Sadness”
    48. Girl takes Venice pennant from wall: “Speed” by Frey
    49. Fade-out of bathing scene: Repeat No. 45 “Sadness”
    50. Wife sits on suitcase: “Humorous Escapade” by Delille
    51. Suitcase closed: “When I Dream Of You” by Schoenfeld (WHITE) (Chorus only)
    52. But you can protect me: “Incid. Symphony No. 23” by Kempinski
    53. Haines and wife leave room: “Cavatina” by Baron (DARK GREEN)
    54. Come here, you big stiff: “Hurry No. 1” by Lake
    55. End of fight—man lying on pool table: Repeat No. 51 (WHITE) (Chorus only)

    Proper orchestral rest period is Nos. 27 to 37 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 7FAMVnDx17

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