Painted Ponies

Title: Painted Ponies

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Out West” by Pinard
  2. The Carnival Spirit: “Rural Flirts” by Bradford
  3. I Hear Bucky Simms Is Entering: “Characteristic No.1” by Roberts

NOTE: Catch pop shots by Beanpole.

  1. Bucky Rides Into Town: “Bermuda Blues” by Clements
  2. Do You Know Sweet Adeline: THEME “Sweet Adeline”

NOTE: Direct Music—play with Guitar and Harmonica only.

  1. Get Away From That Cow Puncher: “Symphonic Incidentals No.5” by Marquardt
  2. I Wonder If That’s Bucky Simms: “Speed” by Frey
  3. Beanpole Shoots Pinto: “La Folie” by Franceschi
  4. And Bucky Came Back: “Oh Mister” by Frey
  5. Merry-Go-Round Starts: “Mounted Police Galop” by LeThiere
  6. Sweet Adeline: Repeat Theme No.5
  7. Say, Can’t Those Painted Ponies Go Any Faster: “Zip” by Frey

NOTE: Start at moderate tempo, and work up to Vivo tempo.

  1. Beanpole Lands In Pond: “Mal de Mer” by Lange
  2. Come On, Boys: “The Skyrocket” by Frey

NOTE: Catch shots ad lib.

  1. I Didn’t Shoot Your Dad: “Daddy, You’ve Been A Mother To Me” by Fisher
  2. The Sheriff Had A New Kind of Case: “Chanson Algerian” by Bradford
  3. To The Toptown Rodeo: “The Spirit of St. Louis” by Woods
  4. First Event: “Aeroplane Galop” by Lamothe
  5. Steer Riding: “By Wireless” by Berge
  6. Steer Stopping: “Military Galop” by Barthman
  7. Ladies and Gentlemen: “Central Park” by Goldman
  8. Bucky Starts To Ride: “Derby Days” by Axt
  9. The Championship Awarded To: “On The Hunt” by Goldman
  10. Night Scene: “Underneath The Stars” by Spencer
  11. Bucky Starts to Play Harmonica: Repeat Theme No.5

NOTE: Play as Harmonica Solo—orchestra pick up “P”.

  1. Who Does Your Father Think: “Sinister Presto” by Bradford
  2. I Intend To Go: “Tragic Andante” by Savino
  3. The First Thing In The Morning: “Les Chants de la Montagne” by Elie
  4. Bucky Reads Note—Mounts Horse—Rides Away: “Emotional Agitato” by Savino
  5. Bucky Leaps From High Rock Into River: “Poursuite Dramatique” by Drigo’s Cinema Classics
  6. Beanpole Shoots Donkey: “A Chase Through The Clouds” by Lakay
  7. Bucky and Adeline Reach Shore: “Aboroso Appassionato” by Delille

NOTE: Catch pop shots by Beanpole.

  1. You Remember: “Canzonetta” by Herbert
  2. I Own A Ranch Up North: Repeat Theme No.5

Source: Carl Braun Collection

SFSMA ID: T9Dpa1oj2R

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Outlawed

Title: Outlawed

Author: Howard T. Wood

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Howard T. Wood

OCLC Number:

Contents:

  1. At Screening: “Scenic Andante” by Hilse
  2. Ann Jenkins: “Ave Aprile” by Culotta
  3. Girl Fires Pistol: “Finale from ‘Symphonette’” by Berge
  4. Girl Sees Tom: THEME “Maid of the West” by Smith
  5. For Months the Village: “Mysterious Stranger” by Kay
  6. Jenkins Enters Bank: “Dram. Tension No.36” by Andino
  7. Jim Dervish Had An Established Reputation: Repeat No.5 “Mysterious Stranger”
  8. Back to Jenkins and Banker: Repeat No.6 “Dram. Tension No.36”
  9. Shortly After Midnight: Repeat No.5 “Mysterious Stranger”
  10. Villain Shoots Banker: “Trouble” by Bierman
  11. Sheriff Enters Bank—Arrests Tom: “The Accuser” by kay
  12. Are We Going To Wait For The Law: “Allegro Precipitoso” by Savino
  13. Man Ropes Sheriff’s Gun: “Hurry No.87” by Berge
  14. Mix Is Shot, From Horse: “Sinister Agitato” by Drigo’s Cinema Classics
  15. Dawn: “Amerinda” by Smith
  16. You Were Plumb Right: “Hedge Roses” by Frey
  17. Who Fired That Shot?: “Dram. Tension No.67” by Shepard
  18. The Largest Ranch: “Autumn Gold” by Kappey
  19. The Hide-Out of Dervish’s Gang: Repeat No.5 “Mysterious Stranger”
  20. Tom Became an Ideal Domestic: “Sheep and Goat” by Guion
  21. That’s De Long The Ranch Foreman: Repeat No.5 “Mysterious Stranger”
  22. Mix Mounts—Follows De Long: “Omens” by Schad
  23. Girl’s Horse Frightened—Runaway: “Agitated Hurry” by Berge
  24. I Was On My Way: Repeat Theme No.4
  25. Ann Always Kept Her Promises: “Rambler Roses” by Wheeler
  26. Mix Enters: “Ballade d’Amour” by Sanders
  27. But I Do Believe You: Repeat Theme No.4
  28. Change of Scene To Jenkins’ Ranch: Repeat No.5 “Mysterious Stranger”
  29. Mix, Ann and Sagebrush Ride Up: “En Visite” by McDonald
  30. Interior—Jenkins and Dervish: Repeat No.5 “Mysterious Stranger”
  31. Exterior—Ann and Tom: Repeat Theme No.4
  32. Change Back To Jenkins and Dervish: “A Mysterious Event” by Zamecnik
  33. Tom Sees Dervish Sneaking: Repeat No.5 “Mysterious Stranger”
  34. Tom Struck Down: “Spirit of the Night” by Neinass
  35. Fade-Out of Dervish At Upper Window: “At Dawn” by Delje
  36. Change To Gang And Tom: “Agitato Misterioso” by Langey
  37. Ann Is Seen: Repeat Theme No.4
  38. Dervish Is Giving Us The Double Cross: “Mystery Hurry” by Berge
  39. We Got A Tip That The Man: “Poursuite Dramatique” by Drigo’s Cinema Classics
  40. Tom At Ranch—Attacks Dervish: “Angosciosamente” by Gabriel Marie
  41. Tom Jumps From Porch On To Dervish: “Dram. Agitato No.1” by Ketelbey
  42. Dervish Killed Barnes: Repeat Theme No.4

Source: Carl Braun Collection

SFSMA ID: mwl3EiR4PT

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Outcast

Title: Outcast

Author: Eugene Conte

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Eugene Conte

OCLC Number:

Contents:

  1. At Screening: “Mosso con Impeto” by Savino
  2. San Francisco: “Emotional Climax” by Becce
  3. Close-Up of Window—Man Roasting Chickens: “Polichinelle” by Rachmoninoff
  4. Insert—To My Dearest: “Sobbing” by Baron
  5. Two Men Enter Room: “Adventure d’Amour” by Bradford
  6. Exterior—Street Scene: “Allegro Buffonesco” by Kempinski
  7. Miriam Enters Room: “Ambling Along” by Axt
  8. After Two Men Leave: “Rosette” by Claypoole
  9. Miriam: “Grotesque Comedy” by Zamecnik
  10. Street Scene: “Wedding March from ‘Lohengrin’” by Wagner
  11. Miriam and Jeffrey Walk Down Aisle of Church: “O Promise Me” by DeKoven
  12. Close-Up Of Man At Organ Playing: “Wedding March” by Mendelssohn
  13. Jeffrey Stops Bridal Procession: “Prelude Dramatique” by Porret
  14. Interior of Street Car: “Forgive Me” by Ager
  15. Well, I Was Only A Poor: “A Gay Lothario” by Bierman
  16. Fade-Back To Trolley Car: “The Mischief Makers” by Carbonara
  17. Fourteen Nickels Later: THEME ”Another Kiss” by Schertzinger
  18. With The Coming: “Le Chavalier Printemps” by Jacquet
  19. Jeffrey Enters: Repeat Theme No.17
  20. Close-Up of Hand on Auto Horn: “Melodie” by Huerter
  21. Maid Sits Down At Dinner Table: “Paragraphs” by Fall
  22. Jeffrey Enters: “It Must Be Love” by Archer

NOTE: Play as a ballad.

  1. Hotel Lobby: “If You Don’t Love Me” by Ager
  2. End of Dance—People Applaud: Pause
  3. Dancing Starts Again: “The Girl In Your Arms” by Archer
  4. Orchestra Stops: “Ripples” by Lowitz
  5. Jeffrey Sits At Table—Speaks To Miriam: Repeat No.5 “Adventure d’Amour”
  6. Cooks Parade In With Trays: “The Jesters” by Carbonara
  7. Happy New Year: “Auld Lang Syne”

SEGUE: “Joyous Appassionato” by Carbonara

  1. January First: “Canzone d’Amour” by Lowitz
  2. Miriam Opens Door—Sees Jeffrey and Valentine: “Appassionato No.2” by Tyson
  3. Jeffrey Enters: “Pangs of Love” by Carrozzini
  4. Miriam, You Have Always Been: “Forsaken” by Scholz
  5. Jeffrey Leaves: “Broken Hearted” by Henderson

NOTE: Play “PP” strings only—very slow.

  1. Change to Jeffrey: Repeat No.18 “Le Chevalier Printemps”
  2. Change to Miriam: Repeat No.34 “Broken Hearted”
  3. Close-Up of Phonograph: “Hello Montreal” by Warren
  4. Three Men Singing: “Sweet Adeline from ‘Old Timers’” by Lake
  5. Change to Miriam: Repeat No.20 “Melodie”
  6. Close-Up of Dancing Feet: “Who Wouldn’t Be Blue?” by Davis
  7. Man Enters Miriam’s Room: “Appassionato in A Minor” by Savino
  8. Miriam In Street—Faints: “Souvenir” by Herbert
  9. Jeffrey and Valentine Seen: Repeat No.18 “Le Chevalier Printemps”
  10. Insert—Mr. and Mrs. Jeffrey Sherwood: “Chastity” by Kay
  11. Knock On Door: “Melancholic Appassionato” by Rapee
  12. Where Are You Going?: “Andante Tragico” by Levenson
  13. Miriam Re-Enters: Repeat Theme No.17

Source: Carl Braun Collection

SFSMA ID: QPs0cG9c0T

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Out of the Ruins

Title: Out of the Ruins

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “March Lorraine” by Ganne
  2. Railroad Platform: “Madelon” by Robert
  3. I Am Going To: “La Marsellaise” by French
  4. You Must Have A Sweetheart: Repeat No.2 “Madelon”
  5. Hospitals—Bandages: “La Guapa” by Buisson
  6. Pierre Enters Café: THEME “Douce Fievre” by Y’ener
  7. Pierre Walks From Doorway: “Hinky Dinky” by McHugh
  8. Who’s That Gorgeous: “Madame Toujours” by Hampson
  9. Now I Know What: Repeat Theme No.6
  10. In The Home Of: “Lamento” by Berge
  11. Flash-Back to Yvonne and Pierre: Repeat Theme No.6
  12. Guests Become Excited: “La Rixe” by Andrieu

NOTE: Air-plane motor effects and explosions ad lib.

  1. Glorious Days of Youth: “Patrouille Francaise” by Hosmer
  2. Paul Leaves Parents: “Lament” by Bierman
  3. Henri Enters Room: “Chatter” by Kahn
  4. Yvonne and Pierre In Doorway: Repeat Theme No.6

NOTE: Play “PP” con sordini, strings only—very plaintive.

  1. Henri Leaves Room: “An Argument” by Breil
  2. Merciless Weeks Of: “Prelude” by Chopin

NOTE: Exploding shells and whistling effects ad lib.

  1. While At Home: “Evil Intentions” by Kempinski
  2. Yvonne Alone At Table: “Patrie” by Bizet
  3. Pierre Reading Letter: “Reproach” by Zamecnik
  4. Pierre Leaves Officer: “An Argument” by Breil

NOTE: Produce effect of pop shots ad lib from German trench.

  1. What’s The Difference: Repeat Theme No.6
  2. Commander Enters: “Indecision” by Snoek
  3. But Love Was Stronger: “Passionato” by Borch
  4. Commander Telephoning: “March Scenes Pittoresque” by Massenet
  5. Yvonne and Woman: “Misterioso Patetico” by Brunelli
  6. Yvonne and Pierre Meet: Repeat Theme No.6
  7. Officers Appear on Street: “March of the Phantom Hosts” by Axt
  8. It Was the Only Way: “Chant D’Amour” by Frommel
  9. A Few Happy Hours: Repeat Theme No.6
  10. Wounded Marching Past: “Tenebres” by Ourdine
  11. God Forgive Me: “Appassionato” by Clutsam
  12. You Can Stay Here: “Heartaches” by Pasternack
  13. Pierre Starts To Run: “Robespierre” by Litoff
  14. Pierre Marching With Squad: “Lamento from ‘Pique Dame’” by Tschaikowsky
  15. Yvonne In Chair: “Sicilian Vespers” by Verdi

NOTE: Play first movement only.

  1. With Nations Exhuasted: “Implorations” by Pasternack
  2. Yvonne Looks From Window: “Chanson Algerian” by Bradford
  3. Dark Street—Pierre Walking: “Rythmic Mysterioso” by Damesek
  4. Don’t You Know Me: “My Buddy” by Donaldson
  5. That Must Be Yvonne: “Conspiration” by Fosse
  6. Pierre’s Alive: Repeat Theme No.6

Source: Carl Braun Collection

SFSMA ID: TZTRLhHAcc

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Our Dancing Daughters

Title: Our Dancing Daughters

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Introd. And THEME No.1” by Luz
  2. Feet & Slippers Show On Screen: “Feelin’ Good” by Ager
  3. End of Dancing Feet: “Serenade Galante” by Beghon
  4. After Girl Drinks From Boys’ Glasses: “Lt. Romantic THEME No.3” by Luz
  5. Mind You and Mother: “Sirene” by Viola
  6. Don’t Worry: “Untold Secrets” by Hauenschild (WHITE)
  7. Girl’s Legs On Screen: “Cupid’s Conquest” by Kahn
  8. Mother Opens Box: Repeat No.5 “Sirene”
  9. Girl Walks From Room: “Cabaret Capers” by Allen
  10. Orchestra Begins to Play: “She’s A Great Great Girl” by Woods
  11. That’s A Private Party: “The Varsity Drag” by Henderson
  12. End of Dance: “If You Don’t Believe Me” by Ager
  13. Play Once and Segue: “Last Night I Dreamed I Kissed You” by Lombardo
  14. Girls Form Ring On Floor: “Comedy Excitement” by Zamecnik
  15. I Must Go: “The Trysting Place” by Schertzinger (LT. GREEN)
  16. Fade-Out to Exterior: Repeat No.6 WHITE
  17. No Don’t Tell Me: “Carnival Frolics” by Lakay
  18. Stop Short As Boy Kisses Girl: Repeat No.15 LT. GREEN
  19. Girl Goes Upstairs: “Try Me” by Schertzinger (Chorus Only)
  20. Week-End: “Moment Gal” by Leien
  21. Would You Mind: Repeat No.15 LT. GREEN
  22. I Know It: Repeat No. 20 “Moment Gai”
  23. Ocean Beach Shows: Repeat No.15 LT. GREEN
  24. Fade-Out After Girl Leaves Boy On Cliff: “Constantinople” by Carlton
  25. Action Stops As Girls On Floor: “Doloris” by Viola
  26. Boy Looking At Necktie: Repeat No.24 “Constantinople”
  27. Fade-Out of Scene Showing Necktie in Boy’s Hand: “Frinstance” by Cohn
  28. Girl At Yacht Rail: “Babylon Suite Part 2”
  29. I’ll Get Ben: “Nettuno” by Viola DARK GREEN
  30. Diana Enters Her Bedroom: Repeat No.19 “Try Me”
  31. Mother and Daughter Show: Repeat No.29 DARK GREEN
  32. After Letter Written: Repeat No.6 WHITE
  33. I Must Hurry: “My Abode” by Schubert
  34. And I’ve Lost: Repeat No.4 Lt. Romantic Theme
  35. Letter on Screen: “Little Flower Garden” by Breil
  36. Your Daddy Brought Me: Repeat No.6 WHITE
  37. After Post Card On Screen: “Violetta” by Olman
  38. I Heard From Ann: “Smiles” by Somerville
  39. Here’s To The Husbands: “The Lure of Crimson” by Marquardt (RED)
  40. Norman, You Must Forgive: Repeat No.6 WHITE
  41. Two Girls Sit Down: Repeat No.4 Lt. Romantic Theme
  42. Fade After “You Can Thank God”: Repeat No.29 DARK GREEN
  43. Mother Leaves House: Repeat No.5 “Sirene”
  44. Stop Short As Door Opens: Repeat No.29 DARK GREEN
  45. Just Because Mother: “Melodic Appassionato No.1” by Marquardt
  46. Fade-Out Husband At Door: “Because My Baby Don’t Mean Maybe Now” by Donaldson
  47. After Girl Goes Upstairs: “Romance Sans Paroles” by Marquardt
  48. Girl Gets Out of Auto: “In the Evening” by Hanley
  49. Bon Voyage, Diana: Repeat No.19 “Try Me”
  50. Drunken Girl Appears In Door After Title “But I Thought There Was”: Repeat No.45 “Melodic Appass”

NOTE: Not too noisy at opening.

  1. Play Once and Segue: “Agitated Appassionato” by Frey
  2. Not Me, I Don’t Crave: Repeat No.39 (RED)
  3. Exterior Scene—Lovers Meet: Repeat No.19 “Try Me”
  4. Fade-Out As Auto Drives Up: Repeat No.39 (RED)
  5. Drunken-Girl At Head Of Stairs: “Scherzo Silhouette” by Marquardt
  6. Girl Rolls Upstairs: Repeat No.6 WHITE

NOTE: End with Drum Roll and Crash

NOTE:—The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: hEfYas09ec

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Orphan of the Sage

Title: Orphan of the Sage

Author: Howard T. Wood

Publisher: Cameo Music Company, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Howard T. Wood

OCLC Number:

Contents:

THEME: “Maid of the West” by Smith

  1. At Screening: “Over the Hills” by Logan
  2. Boy Wakes—Sees Girl: THEME
  3. Jefferson Perkins: “Silver Fingers” by Mallory
  4. Kern Valley, The Starting Place: “From Mount Rainer” by Reiser
  5. Shot Is Fired—Runaway: “Angosciosamente” by Gabriel-Marie
  6. You Are A Big Boy: THEME
  7. You’ve Got The Reputation: “Villian” by Kay
  8. Weeks Later Found the Little: “Pastoral Play” by Herrmann
  9. Boy Takes Basket to Girl: THEME
  10. Life Held Many Cares: “A Little Dance” by Beaumont
  11. Man Strikes Boy: “Insurrezione” by Becce
  12. Evening—And Light Feet Danced: “Virginia Reel” by Hildreth

NOTE: Play ‘PP’ for scenes with villain.

  1. Friends, I’m Sure Glad To: “The Land of Dreams” by Driffill
  2. The Night Watch: “Misterioso #1” by Rapee-Axt
  3. Hank Wakens Nevada: “Threatening Elements” by Schad
  4. I’m Stickin’ With My Pardner: “He’s Me Pal” by Edwards
  5. The Valley of Fire: “Scenic Andante” by Hilse
  6. I’m Going To Scout Around: “Mysterious Stranger” by Kay
  7. Hank Followed Nevada Up The Canyon: “Premonition” by Zamecnik
  8. Night Scene: “Dance of the Furies” by Gluck

NOTE: Start ‘PP’ and play to action.

  1. Perkins: “Dram. Tension #1” by Levy
  2. I’m Going To Try To Get Past: “Mysterious” by Ketelbey
  3. Red’s Gone For Help: “Hurry #33” by Minot
  4. Dawn: “Allegro Precipitoso” by Savino
  5. I’m Out Of Powder: “Dram. Tension #6” by Zamecnik
  6. Out of Ammunition: “Silent Night” by Rebikov
  7. Indians Charge Camp: “The Ambush” by Patou
  8. Soldiers Seen: “Stars and Stripes” by Sousa (Trio Only, “FF”)
  9. I Just Worried About You: THEME
  10. Oregon: “Pastorale” by Langey
  11. Do You Hafta Leave Us: THEME

Source: Carl Braun Collection

SFSMA ID: wkZdgz305Y

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One Glorious Scrap

Title: One Glorious Scrap

Author: M. Winkler

Publisher: Belwin Inc., 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: M. Winkler

OCLC Number:

Contents:

THEME: “Lovelette” by Levy

In the event the above THEME is not in your Library or unknown to you, you may substitute:

“Capricietta” by Varley (allegretto melody)

“Rendezvous d”Amour” by Casadesus (Serenade)

  1. At Screening: “Desert Monotony” by Aborn (Not Oriental)
  2. But Water Or No Water: “Burlesque of Bizet’s ‘Toreador Song’” by Kempinsky
  3. It’s Kramer and His Dude: “Comedy Allegro” by Berg
  4. Meanwhile at the Bar None Ranch: “Babillage” by Castillo (Entr’Acte)
  5. I Control All The Water: “Recitative Patetico” by Peele
  6. You Need Coolin’ Off: “Farcical Allegro” by Abron
  7. Next Time Try Someone: “Anticipation of Danger” by Becce (Tension)
  8. Fired—Because Honest Ralph: Theme
  9. Parker: “Galop No.7” by Minot

NOTE: Begin pp then to action

  1. Me and Genevieve Just Escaped: “Burlesque on Verdi’s ‘Miserere’” by Verdi
  2. Meanwhile Kramer Schemes: “Disturbance” by Shepard (Dram. Agitato)
  3. We’ve Hired The Rainmaker: Theme
  4. Midnight—While Honest Citizens: “Pizzicato Misterioso” by Minot
  5. I’m Having Smith Hold Up The Weather Report: “Gruesome Misterioso” by Borch
  6. We Win Either Way: “Allegro Infernale” by Aborn
  7. Have You Seen The Professor: “Dramatic Finale” by Smith
  8. Fight In Cabin: “Commotion” by Minot (Fight Agitato)
  9. Move, Sweet One: “Light Agitato” by Noyes
  10. Young Kramer’s Got Joan In His Car: “Chariot Race” by Becce (Galop)
  11. Close-Up of Rainmaker On Top of Wagon: “A Critical Moment” by Becce

Don’t Sign! It’s Going to Rain: “Storm Music” by Haines

Source: Carl Braun Collection

SFSMA ID: tRB9EI24ZG

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On To Reno

Title: On To Reno

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At Screening: “Reno, I Hear You Calling Me” by Marsales
  2. Be It Ever So: “In A Little World For Two from ‘Princess Pat’” by Herbert
  3. I Can’t Bear To: “I Love A Little Cottage” by O’Hara
  4. Vera Goes Into Kitchen: “Love In Aready” by Wood
  5. Insert—Newspaper: “Listen To This” by Kaufman
  6. Insert—Office Door: “Vanity” by Jackson
  7. Just Heard You Could: “There’s A Trick In Picking a Chick-Chick-Chicken” by Tobias
  8. Man and Two Women Seated At Desk: “You Don’t Like It—Not Much” by Miller
  9. I’m Foolish Enough: “Cinderella” by Loraine
  10. Insert—Office Door—Buddy Appears: “Dream Buddy” by Herscher
  11. Exterior of House: “Heart Beats” by Miles
  12. Insert—Photo: “Oh What I’d Give To Bring You Back” by Oakland
  13. On To Reno: Repeat No.1 “Reno, I Hear You Calling Me”
  14. Colored Man Seen: “Sweet Georgia Brown” by Bernie
  15. Paying Mrs. Herbert Holmes: “Caprice” by Somerville
  16. All Aboard: “Jolly Jingles” by Powell

NOTE: Train effects ad lib.

  1. Insert—Music Notes: Repeat No.1 “Reno, I Hear You Calling Me”
  2. Vera Kisses Photo: “Sweet Man” by Pinkard
  3. I Never Saw Such: “Stop It” by Kaufman
  4. Women Singing: Repeat No.1 “Reno, I Hear You Calling Me”
  5. Reno, Where Discontented: “In and Out” by Samuels

NOTE: Train effects ad lib.

  1. Buddy In Breakfast Nook: “The Cat” by Jones
  2. Vera and Maid Seen: “Tender Heart” by Baga
  3. Man Arrives At House: “Say It With A Red, Red Rose” by Greer
  4. Motor Car Arrives: “Punchinello” by Herbert
  5. Man Sees Vera In Bathroom: “She’s Got ‘It’” by Davis
  6. Door Opens—Vera Sees Man: “Gee Whiz” by Losch
  7. Buddy Packing Suitcase: “Spirit of Youth” by Dahlquist
  8. Women Seen In Room: “The Apache Dance” by Offenbach
  9. Buddy Outside With Officer: “Sakes Alive” by Howard
  10. Two Motor Cars Arrive At House: “Playful Rondo” by Greene
  11. Vera and Buddy Meet: “Le Secret” by Gautier
  12. They Kiss: “Let’s Make Up” by Golden
  13. Buddy Sees Cigar: “Fairy Tales” by Komzak
  14. I’d Like To: “Waltz-Scherzo” by Strauss
  15. Holmes Sees Vera and Buddy: “Swing Along” by Cook
  16. Holmes Crawling On Lawn: “Creeping Shadows” by Baron
  17. Womanhood Triumphs: “The Joker” by Srawley
  18. Holmes Arrives: “Cupid’s Surprise” by Gross
  19. Vera and Mrs. Holmes Upstairs—Buddy Enters Room: “Defiant Love” by Schad
  20. Holmes Seen: “Don’t Blame It All On Me” by Morse
  21. Did You Say: “They’re Off” by Steinhauser
  22. Hey Vera, I Got The: “No Wonder I’m Happy” by Davis

Source: Carl Braun Collection

SFSMA ID: TA77VMWT7D

Download: PDF

Oh Kay

Title: Oh Kay

Author: Eugene Conte

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Eugene Conte

OCLC Number:

Contents:

  1. At Screening: Play “Oh Kay” by Gershwin (Harms)
  2. It Was Tag Day: “Down The Stretch” by Balfmoor
  3. Rutfield Hall: “Cute and Cunnin’” by Kempinski
  4. Bragott Who Is My: “Ripples” by Lowitz
  5. Lady Kay Leaves House: “En Mer” by Holmes
  6. The Sea Had Begun: “Storm Music” by Ketelbey
  7. Lucky For Kay: “Fourteen Fathoms Deep” by Lake
  8. Destination: “Heave Ho” by Copping
  9. Mate Leaves Lady Kay: “Characteristic No.1” by Roberts
  10. You Look Dumb: “Two In A Bar” by Copping
  11. Off Long Island: “Third Misterioso a la Valse” by Savino
  12. Lady Kay in Bathing Suit: “Grotesque Comedy” by Zamecnik
  13. The First House on the Right: “Hidden Perils” by Varnier
  14. You May Return to Town: Repeat No.12 “Grotesque Comedy”
  15. Kay Found America: “Distress” by Breil
  16. Fade To Interior of House: “Prelude to ‘Parlor Comedy’” by Baron
  17. Exterior of House: “Omens” by Schad
  18. Revenue Officer Leaves Jimmie and Lady Kay: “Cherro” by Finck
  19. Revenue Officer Enters: Play “Fidgety Feet from ‘Oh Kay’” by Harms
  20. Revenue Officer Leaves Again: “Gigue” by Bradford
  21. After A Hard Night: “The Mischief Makers” by Carbonara
  22. Jimmie Starts To Call Across Room: Play “Do-Do-Do from ‘Oh Kay’” by Harms
  23. Revenue Officer Enters: Repeat No.17 “Omens”
  24. Lady Kay Enters: Repeat No.19 “Fidgety Feet”
  25. Where Did You Get That Dress?: “Frivolities” by Carbonara
  26. Auto Scene: “Potato Bug Parade” by Cobb
  27. What Are You Maniacs: “The Jesters” by Carbonara
  28. Constance Enters: “Caprice” by Somerville
  29. Close-Up of Door Knob: “Humoresque” by Mikuliez
  30. Jimmie and Constance Leave: Repeat No.1 “Oh Kay”
  31. Exterior Scene: “Tell Me Pretty Maiden” by Stuart
  32. Lady Kay and Jimmie: Repeat No.1 “Oh Kay”
  33. Constance and Father Appear: Repeat No.29 “Humoresque”
  34. Butler Comes Up: “Pattering Feet” by Dreier
  35. Revenue Officer Appears: Repeat No.27 “The Jesters”
  36. Exterior Scene: “Paragraphs” by Fall
  37. Jimmie and Lady Kay Alone: “A Game of Tag” by Trinkaus
  38. She’s Impossible: Repeat No.27 “The Jesters”
  39. Constance Eating Soup: “Essence Grotesque” by Lake

SEGUE: “A Ticklish Tale” by Finck

  1. We’ve Had Enough Of This: Repeat No.27 “The Jesters”
  2. Exterior Scene: “Wedding Blues” by Friml
  3. Bridal Procession: “Bridal Chorus from ‘Lohengrin’” by Wagner
  4. Interior—Butler and Kay: “Carnival Grotesque” by Savino
  5. Jimmie, You’ve Deceived Us: Repeat No.17 “Omens”
  6. Relax Folks—The Patrol: “A Gay Lothario” by Bierman
  7. I’m Not A Revenue Officer: “Marche Mignone” by Poldini
  8. May I Use Your Telephone?: Repeat No.1 “Oh Kay”

Source: Carl Braun Collection

SFSMA ID: Y2RWaw7kJq

Download: PDF

None But The Brave

Title: None But The Brave

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: THEME “You’re Wonderful” by Ash
  2. Diplomas Were Invented: “College Life” by Hinrichs
  3. “Slug” Rafferty: “Funny Faces” by Ring-Hager
  4. And Now It Is My Honor: “Gaudemus Igittur from ‘College Life’” by Hinrichs
  5. Another Award Goes: “Yankee Doodle Boy” by Cohan
  6. You Can’t Shake Me: “He’s Me Pal” by Edwards
  7. Charlie Decided To Give: “En Visite” by McDonald
  8. Charles Banning Enters Private Office: Repeat No.5 “Yankee Doodle Boy”
  9. All The Hatred: “I Want What I Want When I Want It” by Herbert
  10. Selling Insurance: Repeat No.5 “Yankee Doodle Boy”
  11. Banning Rings Fire Gong: Drummer watch clang of bell, then “Hurry No.7” by Lake
  12. There’s No Fire: “Yankee Doodle Boy” by Cohan (Last 8 bars)
  13. Benton Harbor: “Old Man Sunshine” by Warren
  14. Banning Sees Name-Plate Of Dudley Craig In Car: “Gay Deceivers” by Claypoole
  15. Beautiful Care—Is It: Repeat No.5 “Yankee Doodle Boy”
  16. Girl’s Car Stops On Railroad Track: “Hurry No.2” by Simon
  17. When You Buy Your Next: Repeat No.5 “Yankee Doodle Boy”
  18. The J. Dudley Craig Hotel: “That’s My Weakness Now” by Green
  19. Phone The Garage: “Hustle-Bustle” by Delille
  20. Swimming Pool Is Seen: “Feelin’ Good” by Murphy
  21. Look Out Below!: Repeat No.5 “Yankee Doodle Boy”
  22. Youngster Walks Over To Banning: Repeat No.6 “He’s My Pal”
  23. I’ve Got A Swell Summer: Repeat No.3 “Funny Faces”
  24. You Must Have Found: Play “Lucky Day” by Harms
  25. How Long Are You Going: Repeat Theme No.1
  26. Swimming Instructor Comes Over To Girl: “Comic Hurry” by O’Hare
  27. Crowd Rushes Into Hot Dog Stand: “Burlesque On Chopin’s Funeral March” by Kempinski
  28. How Can I Repay You: Repeat Theme No.1
  29. Youngster Seen: Repeat No.3 “Funny Faces”
  30. Close-Up of Alarm Clock: “Twinkling” by Hauenschild
  31. Kid Seen Sleeping In Front of Door: Repeat No.6 “He’s Me Pal”
  32. Kid Gets Into Bed: Repeat No.3 “Funny Faces”
  33. Kid Turns Off Light: Repeat No.6 “He’s Me Pal”
  34. Charlie’s Whole Bankroll: “Tin Pan Parade” by Whiting
  35. Charlie and Kid Enter Hot Dog Stand: “Jingles” by Zamecnik
  36. Why Don’t You Go In: Repeat Theme No.1
  37. An Alluring Beach: “Oh Baby!” by Murphy
  38. New Hot Dog Stand Seen: “Sweet Lavender” by Wheeler
  39. The International Pageant: “Screening Preludes No.1” by Rapee-Axt
  40. Holland!: “Holland National Song” by Mammoth Collection
  41. Italy!: “O Mari!” by di Capua
  42. Germany!: “O Katharina” by Fall
  43. Scotland!: “I Love A Lassic” by Lauder
  44. Erin!: “When Irish Eyes Are Smiling” by Ball
  45. Japan!: “Cho-Cho-San” by Puccini
  46. The United States: “Stars and Stripes” by Sousa (Trio)
  47. Britannia!: Play “Keep the Home Fires Burning” by Chappell
  48. France!: “Oh! Frenchy” by Conrad
  49. Spain!: Play “Valencia” by Harms
  50. Miss Liberty!: “She Knows Her Onions” by Ager
  51. You May Start Eliminating: “The International Rag” by Berlin
  52. There Must Be Some: “Heart to Heart” by Trinkaus
  53. Introducing J. Dudley Craig: “Razzing Theme” by Rapee
  54. Two Men and Kid Walk Into Room: Repeat No.52 “Heart To Heart”
  55. Freckles! Freckles!: Repeat No.6 “He’s Me Pal”

NOTE: Play very quietly.

  1. Change of Scene to Old Hot Dog Stand: “Dramatic Scene” by May
  2. Banning Leaves Mary: Repeat Theme No.1
  3. Change of Scene To Dudley Craig: “Emotional Agitato” by Savino
  4. Swimming Instructor Comes Over To Dudley Craig: “Characteristic No.2” by Roberts
  5. Please Let Me Drive: Repeat No.5 “Yankee Doodle Boy”
  6. The Event of the Season: “Gangway” by Kaufman
  7. Pistol Shot: “The Get-Away” by Frey
  8. Banning’s Boat Upsets: “S-O-S” by Herkan
  9. I Tried To Win, Freckles: Repeat No.6 “He’s Me Pal”
  10. I’m Sorry, Mr. Craig: “Reverie d’Amour” by D’Aquin
  11. There’s Nothing More: Repeat Theme No.1

Source: Carl Braun Collection

SFSMA ID: hvXCkDSgZT

Download: PDF

No Place To Go

Title: No Place To Go

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Dancing Nymphs” by Braine
  2. Night In The Jungle: “Jungle Drums” by Ketelbey
  3. Girl Starts To Dance: “N***** Heaven Blues” by Oppenheimer

NOTE: Play Tom-Tom ad lib throughout entire sequence.

  1. Curtains Close-In: “Someday You’ll Say O.K.” by Donaldson
  2. Dancers Stop On Dance Floor: “Mon Plaisir” by Roberts
  3. Ambrose Playing Bass Violin: “He Knows His Groc’ries” by Breau

NOTE: Play on Bass or imitate on Cello—lower register.

  1. In Due Time: “Our Jackies” by Laurendeau
  2. The South Sea: “Ain’t We Got Fun” by Whiting

NOTE: Play on Bass or imitate on Cello.

  1. It’s After Twelve: “Goodnight Ladies” by Adams
  2. Ambrose Starts To Play Bass Again: “Sweet Adeline” by Lake

NOTE: Play on Bass or imitate on Cello.

  1. He Stops Playing Bass: “Mosquito Parade” by Cortelyou
  2. One O’Clock: “Second Misterioso a la Valse” by Savino
  3. Flash-Back To Ambrose: “The Hobbledehoy” by Olsen
  4. Flash-Back To Sally and Hayden: Repeat No.12 “Second Misterioso a la Valse”
  5. Ambrose Smoking: “Elopement” by Carrozzini
  6. I Hope There’ll Be An Osteopath: “Impression Dramatique” by Bradford
  7. The Next Morning: “Love In Aready” by Wood
  8. Sally Starts Phonograph: “Sa-Lu-Ta” by Donaldson
  9. Hayden, Don’t You Fell Romantic?: Repeat No.5 “Mon Plaisir”
  10. Flash To Yacht: “Scherzando Hurry” by Frey
  11. Breakfast The Zero Hour: “Chatter” by Kahn
  12. It Starts To Rain: “Oh, Didn’t It Rain” by Leonard

NOTE: Storm and rain effects ad lib.

  1. The Only Thing More Capricious: Repeat No.5 “Mon Plaisir”
  2. Uncle and Mother: “Gossip” by Borch
  3. Flash-Back To Sally and Hayden: Repeat No.5 “Mon Plaisir”
  4. You Never Know What’s Over The Hill: Repeat No.2 “Jungle Drums”

NOTE: Tom-Toms ad lib.

  1. Two Cannibals Appear At Sally’s Side: “A Cannibal Carnival” by Levy
  2. So Sorry We Must Be Going: “Fourteen Fathoms Deep” by Lake
  3. Vision of Dance: Repeat No.3 Girl Starts To Dance: “N***** Heaven Blues”

NOTE: Play Tom-Toms ad lib throughout sequence.

  1. They Escape From Dancing Natives: “Dramatic Hurry No.1” by Baron
  2. Yacht Appears: “Pandora” by St. Clair
  3. There’s Only One Way: “Butterfly” by Densmore
  4. So Mrs. Montgomery: “Bridal Chorus” by Wagner

NOTE: Play “PP”—Organ Solo.

  1. Two Japanese Servants Standing At Attention: “Rendez-vous” by Aletter
  2. That’s Fine Now See That You Stay: “Lazy Bones” by Edwards
  3. Hayden Puts On Record—Starts Machine: “I Wonder What’s Become of Sally?” by Ager

NOTE: Thump Piano with both hands against phonograph.

  1. The Next Morning: “Hello Baby” by Whiting
  2. Telephone Rings: “The Woodland Flirt” by Ring-Hager
  3. Phone Rings Second Time—Chainman On Wire: “Otaki” by Bereny
  4. At Midnight: “Twelve O’Clock At Night” by Handman
  5. Hayden Grabs Sally By Arm: “Symphonic Incidentals No.5” by Marquardt
  6. I Wish That Were True: “Broken Hearted” by Henderson
  7. Sally’s Dream of Romance: Repeat No.2 “Jungle Drums”

NOTE: Tom-Tom ad lib throughout sequence.

  1. Sally Rushes From Bedroom: “March Burlesque” by Gillet
  2. Insert—The Robinson Crusoe Roof: “Cute and Cunnin’” by Kempinski
  3. Sally, What Do You See: Repeat No.5 “Mon Plaisir”

Source: Carl Braun Collection

SFSMA ID: JyPVC3lcbJ

Download: PDF

No Other Woman

Title: No Other Woman

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: “Marcheta” by Schertzinger
  2. France—On The Sands: “L’Amour” by Christine
  3. Carmelita De Granados: Repeat No.1 “Marcheta”
  4. Change of Scene to Men Playing Handball: Repeat No.2 “L’Amour”
  5. Carmelita, Let Me: “Alice” by Hauenschild
  6. That Night Albert De Chegney: “March of the Siamese” by Lincke (Trio)
  7. This is the Happiest: “C’est Vous” by Greenberg
  8. Orchestra Starts Playing: “Lucky in Love” by Henderson
  9. Yvette Recognizes Carlos: “Le Reve de L’Apache” by Donaldson
  10. Carmelita Comes Over To Carlos And Yvette: “Appassionata” by Clutsam
  11. Listen to Me, Carmelita: Repeat No.1 “Marcheta”

NOTE: Play softly when Yvette and Albert are seen.

  1. I’m Trying On My: “Chanson Francaise from ‘Franco-Espano Suite’” by Marquardt

NOTE: Play very quietly.

  1. Carmelita Sees Yvette in Bedroom: “Dolores” by Kay
  2. Wait Till I Change: “Joy” by Zamecnik
  3. Carlos Enters Room: “The Awakening” by Zamecnik
  4. Carmelita and Friends Seen Leaving: Repeat No.7 “C’est Vous”
  5. Change of Scene To Carlos: “Laughing Love” by Christine
  6. Carlos Knocks On Carmilita’s Door: “Priere Tendre” by Mouton
  7. Two Years Later: “The Sparkling Trot” by Lynde
  8. They’re Off: “En Devalant” by Pouget
  9. Carmelita Enters Automobile: “Escapade” by Mouton
  10. Carlos Calls Carmelita: Repeat No.1 “Marcheta”
  11. You Ask Me That After: Repeat No.13 “Dolores”
  12. If You Would Hold Her Love: Repeat No.1 “Marcheta”
  13. Carlos Leaves: “Imprecations” by Baron
  14. Change of Scene to Night Time: “Darkness” by Brunelli
  15. A Sleepless Night and Morning: “Seuls” by Franceschi
  16. Husband Enters: “Disperazione” by Becce
  17. Bank Messenger Leaves: “The Crisis” by Pasternack
  18. Carlos Answers Telephone: “Desperation” by Schad
  19. Close-Up of Doorbell: “Demande d’Amour” by Drigo
  20. Husband Enters Carlos’ Apartment: “Symphonic Incidentals No.6” by Marquardt
  21. Let’s Be Sensible: “Fate” by Bierman
  22. You’ve Lost, De Chegny: “Molto Drammatico e Grandioso” by Borch
  23. Husband Leaves Carlos’ Apartment: “Gage d’Amour” by Janssen
  24. A Condition Went With The Key: Repeat No.1 “Marcheta”
  25. Door Knob Seen Turning: “Symphonic Incidentals No.13” by Marquardt

NOTE: Tympany Rumble for pistol shot

  1. After Pistol Shot: “Protestation” by Kay
  2. Carlos Kisses Carmelita’s Hand: Repeat No.1 “Marcheta”

Source: Carl Braun Collection

SFSMA ID: ZuvOeyF2jZ

Download: PDF

No Man’s Law

Title: No Man’s Law

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “In The Night” by Noack
  2. Galloping Horses Appear: “Agitated Hurry” by Berge
  3. Sharkey Nye: “Spooky Spooks” by Dalton
  4. Nobody’s Horse: “La Seigneur de Kermor” by Gabriel Marie
  5. White Horse Appears: “My Baby Knows How” by Davis
  6. Jackass Appears: “Animal Cartoonix No.2” by Aborn
  7. Serpiente Springs: “Tensive Misterioso” by Peele
  8. Snake Appears In Water: “Intermezzo from ‘Sigurd Jorsolfar’” by Grieg

NOTE: Catch pistol shot.

  1. Sunrise: “Spirits of the Trees” by Hadley

NOTE: Start from the beginning; play introduction Lento with muted brass very dreary

  1. Jake Belcher: JAKE THEME “Characteristic No.1” by Roberts
  2. Rex Had Two Ideas: “The Chatterbox” by Sanders
  3. Rex Wouldn’t Admit: “My Buddy” by Donaldson
  4. Jake Jumps In Pool: Repeat Jake Theme No.10
  5. Outlaws At Claim: “Silent Night” by Rebikov
  6. Flash-Back to Jake In Pool: Repeat No.11 “Chatterbox”
  7. Toby At Pool—Dives In: “Abandon” by Siewert
  8. Outlaws: “The Shiny Viper” by Borch
  9. Flash-Back To Pool: “Elves in the Moonlight” by Lindgreen
  10. Sharkey Sees Toby in Pool: “Film Theme No.11” by Nicode-Roberts
  11. Rex Pursues Sharkey: Repeat No.11 “Chatterbox”
  12. Rex At Toby’s Side: “That’s What I Cal a Pal” by Nelson
  13. Dreaming: “I’m Always Chasing Rainbows” by Carroll
  14. Two Asses Appear: Repeat No.6 “Animal Cartoonix No.2”
  15. Flash to Jake: Repeat Jake Theme No.10
  16. Sharkey Draws Revolver: “Weird Misterioso” by Kilenyi
  17. Cave-In Occurs: “Sinister Presto” by Bradford
  18. Night: “Weird Night” by Axt
  19. Instinct: “Sinister Misterioso” by Berge
  20. Toby Removes Stockings: “Misterioso Dramatico” by Aborn
  21. Men’s Thoughts: “The Prowling Schemers” by Carbonara
  22. Jake Gets Out of Bed: Repeat Jake Theme No.10

NOTE: Play very quietly.

  1. Spider Outside—Toby In Window: LOVE THEME “Trail of Dreams” by Swan
  2. Sharkey Attacks Spider: “Agitato” by Noyes
  3. One of Us Has Got to Hit the Trail: “L’Angoissante aventure” by Gabriel Marie
  4. You’ve Lost: “In a Critical Situation” by Becce

NOTE: Catch pistol shot, then silence for 15 seconds.

  1. Spider Embraces Toby: Repeat Love Theme No.32
  2. Jake and Sharkey On High Rock: “Evil Plotter” by Zamecnik
  3. Rex Appears: “Fury” by Zamecnik

NOTE: Catch effect of struggle in cabin, and Rex kicking cabin to pieces.

  1. Spider Finally Finds Gun: “Galloping Furies” by Rapee
  2. Spider on Ground Lights Cigarette: “Adriana Lecouvreur” by Cilea
  3. Rex Pursuing Sharkey: “Situazione Pericolosa” by Becce
  4. Flash-Back To Spider and Toby: Repeat Love Theme No.32

Source: Carl Braun Collection

SFSMA ID: QPQtHn8x4h

Download: PDF

No Control

Title: No Control

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At Screening: THEME “I’ve No Control of My Heart” by Hagen
  2. Marriage Is Like: “The Joker” by Srawley
  3. Douglas Takes Dog From Cradle: “Pretty Little Baby” by Bernie
  4. Douglas Jr. Seen At Radio: “Oh Mister” by Frey
  5. The Colossus Circus: “Animal Crackers” by Rich
  6. Girl Seen Cooking: “Spangles” by Bratton
  7. Noah and Men Seen: “Punch and Judy” by Herbert

NOTE: Catch donkey kick and fall.

  1. By the Time: Repeat No.6 “Spangles”
  2. Douglas Jr. Sees Nancy: Repeat Theme No.1
  3. Nancy In Elevator: “Lost a Wonderful Girl” by Hanley
  4. Nancy Enters Broker’s Office: “Could I?” by Ager
  5. Douglas Jr. Rushers Into Broker’s Office: “Dance of the Furies” by Gluck
  6. Man With Feather Duster Seen: “He Loves It” by Wendling
  7. Douglas Jr. Sees Nancy In Mirror: Repeat Theme No.1
  8. You Don’t Have To: “Idilio” by Lack
  9. Asthma, Play Some Jazz: “Keep a Goin’” by Gay
  10. Douglas Jr. Arrives: “Here I Am” by Henderson
  11. Broker Seen—Noah Joins Him: “Princess Pat Fox-Trot” by Herbert
  12. Get In Dat Bath: “The Goose Waddle” by Weidt
  13. Noah and Broker In Barn: “Comedy Capers” by Steele
  14. Nancy on Trapeze: Repeat Theme No.1
  15. She Jumps Off Trapeze: “Hi-Diddle-Diddle” by Coon
  16. Father Came Home: “In Merry Mood” by Axt
  17. You’re Fired: “There’ll Be Some Changes Made” by Higgins
  18. By The Third Day: “Nobody Worries ‘Boy Me” by Whiting
  19. Horse Runs Away: “The Get-Away” by Frey
  20. Group of Men in Barn: “Johnny on the Spot” by Roberts
  21. Before the Rehearsal: Repeat Theme No.1
  22. Well If It Isn’t: “By Heck” by Henry
  23. Noah’s Horse Starts To Run: “Sawdust and Spangles” by Bratton

NOTE: Play in much slower tempo at title: “What’s the Matter.”

  1. Truck Starts: “A Joy Ride” by Biermann

NOTE: Play to action—effects ad lib.

  1. Truck Stops: “Carnival” by Savino
  2. Station Y.A.P.: “Spring Morning” by Cazabon
  3. The Afternoon of: “Aurora” by Von der Mehden
  4. Douglas Jr. Enters Radio Room: Repeat Theme No.1
  5. Lion Jumps Out of Cage: Repeat No.5 “Animal Crackers”

NOTE: Catch comedy effects.

  1. Douglas Jr. In Radio Room: “Shoot” by Kaufman
  2. Horses Start Race: “The Skyrocket” by Frey

NOTE: Play slower at title: “False Start.”

  1. Asthma Enters Radio Room: “Entry of the Gladiators” by Fucik
  2. Horses on Track: “The Ringmaster” by Whiting
  3. Flash of Jazz Band Playing: “Carolina Stomp” by Bloom
  4. Lion Jumps Into Room: “Bye Bye Blackbird” by Henderson

NOTE: Play Allegro until horses on track are seen, then segue.

SEGUE: “The Speed Demon” by Bub

  1. We Win: “Triumph” by Roberts
  2. And The Wedding: Repeat Theme No.1

Source: Carl Braun Collection

SFSMA ID: FU7GgXADPF

Download: PDF

Night Life

Title: Night Life

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Pierrot and Pierrette” by Lehar
  2. Vieena Before The War: “Fingertanz” by See
  3. Nick Enters Wearing High Hat: “L’Encore” by Herbert
  4. Applesause: “Bierwalzer” by See
  5. Our Anniversary, Nick: “Paragraphs” by Fall
  6. Champagne Bottle Opens: Repeat No.4 “Bierwalzer”
  7. Bell Tolling: “Austrian Hymn” by Haydn

NOTE: Produce tolling of bells, trumpet calls, etc.

  1. Vienna After The War: “Darkness” by Brunelli
  2. After Hungry People Walk Away In Despair: COMRADE THEME “The Old…[]
  3. Max Starts To Perform Trick: “Novelette” by Gade
  4. I Must Have Been Crazy: Repeat Comrade Theme No.9
  5. The First Footsteps of Spring: “Cute and Cunnin’” by Kempinski
  6. If You Want The Time, Ask For It: “Misery” by Jacquet
  7. You’re So Pretty—Let Me See You Smile: “Cupids Frolic” by Miles
  8. Amusement Park: “Olga” by Ring-Hager
  9. He Places Arm Around Anna: ANNA THEME “Viennese Melody” by Kreisler
  10. Dial of Clock: “Sleepy Head” by Davis
  11. Nick In Bed: “In Poppyland” by Albers
  12. It’s The First Time In Five Years: “Adventure d’Amour” by Bradford
  13. Anna Appears At Door: “Le Chevalier Printemps” by Kempinski
  14. Anna Appears All Dressed Up: Repeat Anna Theme No.10
  15. Nick Sits At Table: “Animal Caroonix No.2” by Aborn
  16. Knock On Door: “On the Lagoon” by Schad
  17. A Good Friend: “Artist’s Life” by Strauss
  18. Exterior—Anna and Max: Repeat Anna Theme No.16
  19. Frauline Is Here To Serve Beer: “Animal Cartoonix No.1” by Aborn
  20. Where Have You Been?: “Love and Life In Vienna” by Komzak
  21. Anna Sees Max Lift Necklace: “Reproach” by Zamecnik
  22. I Broke Some Dishers: “Broken Dreams” by Spitalny
  23. Let’s Go Away: “Chanson Melancholique” by Collinge
  24. So You Came Between Me, and My Pal: “Dram. Andante No.1” by Rapee-Axt
  25. Anna In Jail: “Anguish” by Vrionides
  26. I’m Sorry For You: “Second Love Tragedy” by Savino
  27. Such A Disgrace: “Appassionato No.1” by Kempinski
  28. Nick Knocks Him Out: Repeat Comrade Theme No.9
  29. Nick Revives: “After Twilight” by Steindel
  30. Anna Appears: “The Swan” by St. Saens
  31. You Rehearse With Max: Repeat Comrade Theme No.9

Source: Carl Braun Collection

SFSMA ID: x7yZFFt65V

Download: PDF

Ned McCobb’s Daughter

Title: Ned McCobb’s Daughter

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Love Motive” by Clutsam
  2. Insert—CARRIE’S SHORE DINNERS: “Dreamland Bells” by Howgill

NOTE: Cover appearance of car with Tympany Roll.

  1. Hey, You Big Lunk: “Hunkatin” by Levy

NOTE: Play slowly in tough style.

  1. They Enter Dining Room: THEME “Love Song” by Wright
  2. Carrie Enters Cellar: “Serenade” by Rachmaninoff
  3. Where’s The Scoundrel: “Infernal of Witch Scene” by Borch
  4. Father Lying In Carrie’s Arms: “Lamento from Pique Dame” by Tschaikowsky
  5. What Did You Do With That Money: “Love Scene” by Borch
  6. Babe Enters Room: “Andante Amoroso” by Axt
  7. It’s Butterworth And Kelly: “Misteroso-Patetico” by Brunelli
  8. Carrie Closes Shutters: “Pleading” by Wood
  9. George Sneaks Into Kitchen: “Evil Spirits” by Varnier
  10. Struggle Between George & Jennie: “Commoition” by Conterno
  11. Babe’s Racketeers Ruled: “Agitato No.3” by Langey

NOTE: Start quietly and gradually work up for shooting , then diminish for close of sequence.

  1. You’re A Great Girl Carrie: Repeat Theme No.4
  2. I Ain’t A Bit Jealous Babe: “Vehement Desire” by Bradford
  3. Exterior—Revenue Men Watching House: “Rhythmic Miserioso” by Damesek
  4. Kelly Opens Cellar Door: “Symphonic Incidentals No.9” by Marquardt
  5. Babe Enters Cellar: “Terror” by Cacciola
  6. Carrie Descending Stairs: “La Foret Perfide” by Gabriel Marie
  7. Blood Stain On Floor: “Prelude from First Suite ‘Carmen’” by Bizet
  8. I Owe You More Than: Repeat Theme No.4
  9. Revenue Men Discussing Case: “Anxiete” by Srawley
  10. Two Drunks Appear: “Rushing Waters” by Savino

NOTE: Catch rifle shots, exploding tire.

  1. Flash To Babe And George: “Mysterious Tension” by Axt
  2. Wagon Starts Off: “Coriolan” by Beethoven

NOTE: Motor effects throughout.

  1. Tug Appears—Whistle Blows: “Dance of the Furies” by Gluck

NOTE: Motor effects throughout.

  1. Carrie Wasn’t Wise: “Amorous Adventure” by Bradford
  2. Flash to Carrie & Children: “The Swan” by St. Saens
  3. Is That Babe?: Repeat Theme No.4

Source: Carl Braun Collection

SFSMA ID: ZsZXrQsxDp

Download: PDF

Naughty Baby

Title: Naughty Baby

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: GIRL THEME: “Pretty Little Baby” by Bernie
  2. The Stone Age in New York City: “Streets of New York from ‘The Red Mill’” by Herbert
  3. Polly O’Toole: “A Bit O’Blarney” by Helf
  4. Rosie Puts On Coat: “Allies from ‘Princess Pat Waltzes’” by Herbert
  5. Bonnie Le Verne: “Boola-Boo” by Friml
  6. Why, There’s My Coat: “Sarabande Perpetuelle” by Bradford
  7. Bring Along Your Brunch: “Flapperette” by Greer
  8. Flash To Coat Room Girls: “He Will Understand” by Friml
  9. Clothes Make The Woman: “Waltz of the Season” by Eysler
  10. Colored Man Parts Curtains: “Intermezzo Gentile” by Browne
  11. Say, You’re Lucky: Repeat Girl Theme No.1
  12. Entrance to Hotel: “Contrary” by Barnes
  13. Odd Man Takes Rosie: BOYS THEME “Hay-Straw” by Hammerstein
  14. Children At Motor Car: “Sweet Ida Joy” by Abrahms
  15. Flash To Beach: “By the Beautiful Sea” by Carroll
  16. You Boys Get Into Your Bathing Suits: Repeat Girl Theme No.1
  17. Three Boys Rush From Auto: “Dance of the Serpents” by Ahrends
  18. Rosie and Terry Together: “Baker’s Boy and the Chimney Sweep” by Herbert

NOTE: Play two strains of the waltz.

  1. Why Last Week: “Hunting Scene” by Zamecnik
  2. What Do you Say To A Little Swim: “Happy Go Lucky” by Kaufman
  3. Look! They’re Calling For Help: Repeat No.6 “Sarabande Perpetuelle”
  4. Let’s Have A Look: “The One Girl” by Harmmerstein
  5. Insert—Terry Bolton: “Floretta from ‘Babes in Toyland’” by Herbert
  6. Rosie Was In A Hot Spot: Repeat No.4 “Allies”
  7. Terry Recognizes Rosie: Repeat Girl Theme No.1
  8. Rosie Had Never Ridden A Horse: “Horses” by Gay
  9. Terry Rides Up: “Chasonnette” by Huerter
  10. Horse Starts Balking: “Gossip” by Borch
  11. After Fall—Terry Embraces Rosie: “Andante Appassionato” by Soro
  12. Rosie Takes Hold of His Hand: LOVE THEME “Why Do I Care” by Ford
  13. Who Did You Want To See?: Repeat No.4 “Allies”
  14. Terry and Boy Friend: “Reverie d’Amour” by D’Aquin
  15. And Rosie was Certainly There: “Miss Dolly Dollars” by Herbert
  16. Rosie Speaks To Girl Friend: “I Want a Good Man” by Williams
  17. Dance Stops—Applause: “Chatter” by Kahn
  18. I’ll Just Have A Chocolate Soda: Repeat No.3 “A Bit O’Blarney”
  19. Now Bonnie, What’s The Party: “Passionato” by Borch
  20. Flash To Three Boys: Repeat Boys Theme No.13
  21. Rosie Back At Table: “Gloriana” by Pollack
  22. Dancing Stops: “Never Mind Bo-Peep from ‘Babes in Toyland’” by Herbert

NOTE: Play first two strains only—not the Trio

  1. Detective Stops Her: “Ferocity” by Carrozzini
  2. They Enter Room: “Adventure d’Amour” by Bradford
  3. I’m Disappointed In You: “Melodie Poetique” by Huerter
  4. I Don’t Care: “Life and Love from ‘The Velvet Lady’” by Herbert
  5. Just As I Expected: “Impression Dramatique” by Bradford
  6. I’m Dugan: Repeat Love Theme No.30
  7. Let’s March: Repeat Boys Theme No.13
  8. Vision of Wedding: “Bridal Chorus from ‘Lohengrin’” by Wagner
  9. Before Clergyman: “The Swan” by St. Saens
  10. Who Givith Away: Repeat Love Theme No.30

Source: Carl Braun Collection

SFSMA ID: ydDc3LEmuG

Download: PDF

Napoleon

Title: Napoleon

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “French National Defile March” by Turlet (BROWN)
  2. In the Winter of 1871: “Qui Vive” by Ganz
  3. End of Snow Fight—Boy Places Flag On Fort: Repeat No.1 (BROWN)
  4. Bonaparte Shared His Attic Room: “Dramatic Andante” by Noyes
  5. Boy Let Eagle Out of Cage: “Incid. Symphony No.40” by Hintz
  6. End of Fight—Men On Screen: “Despair” by Kalbe
  7. Years Passed: Repeat No.1 (BROWN)
  8. The Idlers: “Gallantry” by Ketelbey (WHITE)
  9. Girl (Josephine) Drops Flowers On Ground: “Cruelle Angoisse” by Fonteille
  10. Not Far Off: “Dramatic Finale” by Noyes
  11. Boy Begins to Sing: “La Marseillaise” by Luz
  12. End of Song: “French National Defile March” by Turlet (BROWN) (Play quietly)
  13. In 1972: “Elements Unbound” by Eggert (RED)
  14. At The Inn: Continue No.13
  15. No, Our Country Is France: “Incid. Miniatures No.7” by Hauenschild
  16. If You Knew What Dream: “Lament” by Herrmann
  17. Exterior Scene: “Hurry No.7” by Armandola
  18. Capatello Tower: “Dramatic Allegro” by Savino
  19. I Will Bring It Back To You: “Insurrection” by Schertzinger
  20. On The Following Day: “Allegro con Moto” by Borch
  21. Napoleon Brought Aboard Ship: Repeat No.15 “Incid. Miniatures No.7”
  22. Returning to France: “Agitato No.3” by Rapee-Axt (DARK BLUE)
  23. In December, 1793: Repeat No. 15 “Incid. Miniatures No.7”
  24. Approaching Midnight: “Schlachtmusik” by Armandola
  25. The Commanding Officer Decided: “Incid. Miniatures No.7” by Hauenschild
  26. Horseman Delivers Note: Continue No.25
  27. Battle Started again: Repeat No.24 “Schlactmusik” (Drums)
  28. The News of Napoleon’s Success: “Pressentiments” by Fosse
  29. After the Fall of Danton: “French National Defile March” by Turlet (BROWN)
  30. In the Frenzy of Reaction: “Gay Gallantry” by Fletcher
  31. Napoleon’s Popularity: “Pomp and Circumstance” by Elgar
  32. Madame Josephine: “Gallantry” by Ketelbey (WHITE)
  33. After Josephine Is Introduced She Walks To Camera: “Ardent Affection” by Marquardt
  34. Fans Madame: “La Gaiete” by Ewing
  35. Napoleon Places Foot Rest For Josephine: Repeat No.32 (WHITE)
  36. Two Hours Later: Repeat No.33 “Ardent Affection”
  37. He Was Young: Repeat No.32 (WHITE)
  38. Then In The Peacefulness: “Joyful Hurry No.1” by Baron
  39. Love and Duty: Continue No.38
  40. Then Tonight At Ten: “Ardent Affection” by Marquardt
  41. While At Napoleon’s Home: Repeat No.38 “Joyful Hurry No.1”
  42. Quick, Wake Up: “Melodic Appassionato No.1” by Marquardt
  43. I’m Frightened: “Gallantry” by Ketelbey (WHITE)
  44. War Does Not Wait: Continue No.43
  45. On The Road: “Symphonic Incidentals No.10” by Marquardt
  46. At Albenga: “Agitato No.3” by Rapee-Axt (DARK BLUE)
  47. Napoleon Appears Before Generals: “Incid. Miniatures No.7” by Hauenschild
  48. And In April, 1796: “Elements Unbound” by Eggert (RED)
  49. There You Will Find: “French National Defile March” by Turlet (BROWN)
  50. Ragged Drummers Seen On Screen: “La Marseillaise” by Luz
  51. Two Days Later: “Schalcimusik” by Armandola
  52. Close-Up of Napoleon: “Gallantry” by Ketelbey (WHITE)
  53. Fade-Back To Battle: “Schalcimusik” by Armandola
  54. Idol Of Paris: “Marche Heroique” by St. Saens

Proper orchestral rest period is Nos. 17 to 28 inclusive

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 8LYyY4iFNJ

Download: PDF

Name The Woman

Title: Name The Woman

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Siegfried Paraphrase” by Wagner
  2. Yes, There Was A Woman: “La Foret Perfide” by Gabriel Marie

NOTE: Absolute silence when doors swing open until masked woman appears.

  1. Masked Woman Appears: “The Mystic Rover” by Berge
  2. On A Piece of Paper: “Second Love Tragedy” by Savino
  3. A Story That Began: “Spring Cleaning” by Bradford
  4. Florence Marshall: THEME “Love Triumphant” by Joels
  5. I’ve Told You Before I Don’t Like Your Friends: “Reproach” by Zamecnik
  6. Insert—“Governor Criticized By”: “Sorrow” by Macat
  7. Florence Telephoning: “Changing Moods” by Jacquet
  8. Florence Enters Room: “Premier Amour” by Benoist
  9. Marshall Is In The Garden: “Camorra” by Joels
  10. The Marshalls Leave: “Serenade a Colombine” by Benoit
  11. Marshall and Florence Alight From Auto: “In The Twilight” by Felix
  12. Florence Standing Alone At Gate: Repeat Theme No.6
  13. Man Reading Newspaper: “Scenes Infernales (A)” by Lake
  14. Man Appears At Window: “The Captive” by Savino
  15. New Year’s Eve: “Horse Radish” by Ring-Hager
  16. Room 200 Door: Repeat Theme No.6
  17. The Next Time: “Coasting” by Ring-Hager
  18. Bells Ringing: “Auld Lang Syne” by DeWitt

NOTE: Produce effect of ringing bells, blowing horns and whistles

  1. Joe Opens Door—Body Falls Into Room: “Commotion” by Conterno
  2. New Year’s Morning: “Chanson Algerian” by Bradford
  3. And Those Were The: “Adagio Pathetique” by Godard
  4. Send In Mr. Marshall and Mr. Palmer: “Elegie” by Ernst
  5. Woman Removes Mask: “Love Tragedy” by Savino
  6. Marshall In Garden—Liberates Pigeons: Repeat Theme No.6

Source: Carl Braun Collection

SFSMA ID: xruelQbMnK

Download: PDF

My Friend From India

Title: My Friend From India

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At Screening: “Kismet” by Henlere
  2. Tommy Valentine: “Didn’t Know Exactly What To Do from ‘Prince of Pilsen’” by Luders
  3. Bedelia Smith: “Lace and Ruffles” by Schertzinger
  4. Tommy Sees Barbara: “Isn’t She the Sweetest Thing” by Donaldson
  5. Barbara and Tommy Seated on Curb: “Side by Side” by Woods
  6. Aunt and Barbara Leave Tommy: “Somebody Stole My Gal” by Wood
  7. The Home of Aunt Bedelia: “In The Clover” by Thurban
  8. Man Seen In Bed: “Lazy Bones” by Edwards
  9. Aunt Seen—Man Joins Her: “Old Bogie” by Gruenwald
  10. Girl and Butler Seen: “Waltz-Scherzo” by Straus
  11. ‘Twas A Night In: “Sing Ling Ting” by Cobb
  12. The Swami Kasha Murti: “Hindoo Priests” by Bendix
  13. Tommy Outside In Street: Repeat No.11 “Sing Ling Ting”
  14. Motor Car Arrives: “Poursuite Comique” by Goddard
  15. Tommy and Charlie Close Window: “Fairyland” by Huerter
  16. Two Fat Women Seen: “Pretty Little Baby” by Bernie
  17. Flash—Policeman Outside Window: “Queer Antics” by Zamecnik
  18. Now Girls Will Do: “Skirt Dance” by Brooks
  19. Girls Lying on Floor: “Pastime” by Clutsam
  20. So Sorry To Be Late: “Keep Going” by Kleinecke
  21. The Next Morning: “Valse Caprice” by Rubenstein
  22. Tommy Wakes Up: “Intermezzo d’Arlequine” by Bohm
  23. Swami Kasha Burti Appears: Repeat No.12 “Hindoo Priests”
  24. Aunt Bedelia Appears: “Happy Hectic Hours” by Schad
  25. Judge Sees Tommy: “Little Trifler” by Barnard
  26. Judge Falls On Floor: “Siss-Boom-Ah” by Smith
  27. Aunt Seen At Dresser: “Isn’t She the Sweetest Thing” by Donaldson
  28. Aunt Bedelia Leaves Mirror: “Playful Rondo” by Greene
  29. Tommy Gets In Bed: “Merry Pranks” by Rapee-Axt
  30. Auntie, This is Prince: Repeat No.1 “Kismet”
  31. This Is My Nephew’s Friend: “Imam” by Mann

NOTE: Stop short when Tommy falls on floor

  1. Tommy Falls on Floor: “Zallah” by Loraine
  2. Yesterday I Met: “Thinking of You” by Donaldson
  3. Charlie Appears: “Listen To This” by Kaufman
  4. Door Opens—Swami Kasha Murti Appears: Repeat No.12 “Hindoo Priests”

NOTE: Play tempo to action when Tommy and others dance in circle

  1. Maid Seen—Two Men Enter: “The Interrupted Rendezvous” by Goublier
  2. Swami Hides In Clock: “Quick, Let Us Hide Us” by De Taeye
  3. I’m Not A Hindoo: “Folly Dance” by Haines
  4. Tommy Comes Down Stairs: Repeat No.33 “Thinking of You”

Source: Carl Braun Collection

SFSMA ID: MhAKKSSZGD

Download: PDF

Mother Machree

Title: Mother Machree

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: “Mother Machree” by Olcott
  2. Ireland—In The Year: “Kerry Down” by Rother
  3. Close-Up of Man and Woman Embracing: “Molly” by Herbert
  4. Two Policemen Seen: “Irish Patrol” by Puerner
  5. After Policemen Leave: Repeat No.2 “Kerry Down”
  6. Children Seen Reading At Fireside: “Glory, Glory Hallelujah” by Steffe

NOTE: Storm effects.

SEGUE: “Legend of the Sea” by Zamecnik

NOTE: Storm effects.

  1. The Rain-Drops Look: “Every Teak Is A Smile” by Carlo

NOTE: Storm effects.

  1. Light-House Seen: “Storm Scene” by Weber

NOTE: Storm effects.

  1. Mother and Son At Fireside: “Looms of Fate” by St. Saens
  2. Policemen Enter Home: “Andante Patetico e Doloroso” by Borch
  3. Fade-In To The Wake: “Misterioso Infernale” by Borch (Play “PP”)
  4. Weeks It Took Ellen To: “Off to Philadelphia from ‘The Emerald Isle’” by Langey
  5. Dwarf Seen: “March of the Dwarfs” by Grieg
  6. Your Servant, Ma’am!: “Paddy Whack from ‘The Emerald Isle’” by Langey
  7. Man Seen With Harp: “The Harp That Once Thro’ Tara’s Halls” by Ascher
  8. Is It A Widow Woman: “Irish Tune from County Derry” by Grainger
  9. Change of Scene to Midget: Repeat No.13 “March of the Dwarves”
  10. Wagon Leaving: “The Low Back’d Car” by lake
  11. I’ll Be After Saying: “Come Back to Erin”
  12. I’m Hoping There’ll: Repeat No.14 “Paddy Whack”
  13. America: “Chastity” by Kay
  14. Comedian Seen: “A Bit O’ Blarney” by Heli
  15. Bowl of Shamrock Seen: “Dear Little Shamrock from ’12 Irish Songs’” by DeWitt
  16. And You’ll Always Remember: Repeat No.1 “Mother Marchee” (Play last 8 bars)
  17. Comedian Seen In Doorway: Repeat No.22 “A Bit O’ Blarney”
  18. I’m In A Circus: “The Blarney Stone” by Engleman
  19. Earman’s Circus: “Acrobatie” by Wilbert

NOTE: Circus effects.

  1. Fifteen Dollars A Week: “Lords and Ladies” by Salzer
  2. Please, Ma’am: “The Breath of An Irish Smile” by Bowers
  3. Change of Scene to Children Dancing: “Minuet” by Suk
  4. Back to Teacher and Ellen: Repeat No.29 “The Breath of An Irish Smile”
  5. At Last America: “All For Joy Gallop” by Fahrbach

NOTE: Circus effects.

  1. Woman Leaves Pedastal: “Eccitamento” by Retlaw
  2. Tattood Man Locks Door: “The Irish Have A Great Day Tonight from ‘Eileen’” by Herbert
  3. Tattood Man Enters Ellen’s Home: Repeat No.26 “The Blarney Stone”
  4. Ellen McHugh: “Macushla” by MacMurrough
  5. Comedian Seen On Stairway: “Tobias Green” by Luscomb
  6. Lady Enters Room: “Thought” by Deyo
  7. Do You Think It Was: “Aiden” by Karganoff
  8. Close-Up of Mother At Son’s Bedside: “Dear Little Boy of Mine” by Ball

NOTE: Start at refrain—go back to verse, then two refrains.

  1. That Shamrock, Brian!: Repeat No.23 “Dear Little Shamrock”
  2. It Was A Week Or So: “Twilight Reverie” by Thome
  3. Ellen Enters Nursery: “Cradle Song” by Grieg
  4. Sure and You’ve: “Marionette” by Arndt
  5. Nurse-Maid Enters: “Uneasiness” by Borch
  6. Ellen Grabs Baby Out of Nurse’s Hands: “Dear Little Boy of Mine” by Ball (Play “PP”)
  7. And So With The Passing: Repeat No.1 “Mother Machree”
  8. Girl and Boy Enter: “The Doll Dance” by Brown
  9. Isn’t It About Time: “My Song of Love For You” by Albers
  10. Second Man Enters: THEME “Thine Alone form ‘Eileen’” by Herbert
  11. Boy Starts Playing Piano: Repeat No.1 “Mother Machree”
  12. Boy Leaves Piano: “Forget Me Not” by Macbeth
  13. Close-Up of Mother Machree: Repeat No.1 “Mother Machree”
  14. Change of Scene to Dining Room: “Iris” by Reynard
  15. Perhaps Because I’ve: Repeat No.1 “Mother Machree”
  16. Never Had A Happier: “Eileen Selection (Introd)” by Herbert
  17. Mother Machree Dances: “St. Patrick’s Day”
  18. After Dance Mother Machree Runs To Open Door: “Love’s Wilfulness” by Barthelemy
  19. Mother Machree Sees Brian On Sofa: Repeat No.40 “Dear Little Boy of Mine”
  20. Automobile Drives Up: “There’ll Be A Hot Time” by Beyer
  21. Brian and Edith Gets on Bus: Repeat Theme No.50
  22. You’re Still Loving: Repeat No.36 “Macushla”
  23. Change of Scene to Mother Machree: Repeat No.58 “Love’s Wilfulness”
  24. An April Night: “Climbing Up the Ladder of Love” by Greer
  25. Mother and Daughter Come Down Stairs: Repeat Theme No.50
  26. Brian Approaches Mother Machree: Repeat No.1 “Mother Machree”
  27. Newsboy Seen: “Battle Music” by Riesenfeld
  28. Bagpipes Seen: “The Campbells Are Coming” by Lake

SEGUE: “Semper Fidelis March” by Sousa

  1. ‘Tis Only Your Sweetheart: Repeat Theme No.50
  2. Brian Embraces Mother Machree: Repeat No.1 “Mother Machree” (Play last half)
  3. Brian Leaves Mother Machree: Repeat Theme No.50
  4. Oh, It’s Too Terrible!: Repeat No.1 “Mother Machree”
  5. Say, Are We Goin’ To Fight: “Semper Fidelis March” by Sousa
  6. Lovers Seen: Repeat Theme No.50
  7. Goodbye—Goodbye, Brian: “Mother Machree” by Olcott
  8. Are You Terence O’Dowd: Repeat No.36 “Macushla”
  9. God Keep You, Terence O’Dowd: Repeat No.1 “Mother Machree”

NOTE: Drum marching very softly.

  1. War! Months It Went On: “Liberty Overture” by Langey
  2. Peace—At Last: “Home Again” by Lake
  3. Fade-In To Brian Embracing Mother: Repeat No.1 “Mother Machree”
  4. Brian Leaves Mother Machree: Repeat No.36 “Macushla”

SEGUE: “Mother Machree” by Olcott (Play last half)

Source: Carl Braun Collection

SFSMA ID: Qe9kh8sxFR

Download: PDF

Mother Knows Best

Title: Mother Knows Best

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: “Sally of My Dreams” by Kernell
  2. Quail’s Drug Store: “My Home Town Is A One Horse Town” by Silver
  3. Close-Up Of Hand Grabbing Money: “Reproach” by Zamecnik
  4. Child Runs Out of Store: “Sunshine of Paradise Alley from ‘Old Chestnuts’” by Lake
  5. Sally’s Not Going To: “Heart to Heart” by Trinkaus
  6. Change of Street Again: Repeat No.4 “Sunshine of Paradise Alley”
  7. Mark My Words: “Vanity” by Jackson
  8. Change To Electric Sign “Casino”: “Happy Days” by Levi
  9. It Should Have: Repeat No.7 “Vanity”
  10. Toe Dancer Starts To Dance: “Nalia” by Delibes
  11. After Toe Dancer Is Finished: Repeat No.7 “Vanity”
  12. Little Sally Walks Out On Stage: “The Band Played On From ‘Old Timers’” by Lake
  13. Announce Her Again: “She May Have Seen Better Days from ‘Old Timers’” by Lake
  14. You Shouldn’t Disappoint: “Despondency” by Williams
  15. With The Death of An: “By-Gone Days” by Pintel
  16. Change of Scene to Exterior: “Extase” by Ganne
  17. On The Threshold Of: “If You Were the Only Girl” by Chappell
  18. Shadow of Woman in Private Office Seen: “Chatter” by Kahn
  19. Isn’t She A Nice Little: Repeat No.17 “If You Were the Only Girl”
  20. Secretary Seen During Drawing Up of Contract: “En Visite” by McDonald
  21. Close-Up of Girl and Boy: Repeat No.17 “If You Were the Only Girl”
  22. Close-Up of Magazine: “Ah! Sweet Mystery of Life” by Herbert
  23. Second Time Pianist Is Seen: Repeat No.1 “Sally of My Dreams”
  24. Young Man Runs Away From Piano: Repeat No.1 “Sally of My Dreams” –with orchestra
  25. Young Man Sits Down At Piano: Repeat No.1 “Sally of My Dreams” (Piano Solo)—Last 8 Bars of Chorus

SEGUE: “Salley of My Dreams” by Kernell (played by orchestra)

  1. Mother Walks Up After Sally: “Love’s Impulse” by Jacquet
  2. Young Man Returns To His Room: Repeat No.1 “Sally of My Dreams”
  3. “Sally Quail” Seen In Electric Lights: Repeat No.1 “Sally of My Dreams”—in a different key
  4. Sally Goes Out On Stage To Do Her Act: “For She’s Ma Daisy” by Lauder
  5. Sally Finishers Lauder Impersonation: Repeat No.1 “Sally of My Dreams”
  6. Sally Goes On Stage To Do Jolson Impersonation: “My Mammy” by Donaldson
  7. Sally Finishes Jolson Impersonation: Repeat No.1 “Sally of My Dreams”
  8. Sally Goes On Stage To Do Anna Held Impersonation: “I Just Can’t Make My Eyes Behave” by Edwards
  9. Sally Finishes Anna Held Impersonation: “Sally Of My Dreams” by Kernell (Verse)
  10. Mother and Sally Return To Dressing Room: “Enthusiasm” by Schad
  11. Bessie and Ben: “Gee, But It’s Great to Meet a Friend” by McGavisk
  12. Bessie and Ben Leave: Repeat No.1 “Sally of My Dreams”
  13. Mother Sees Sally and Bert: “Love Tragedy” by Savino
  14. Manager Enters Sally’s Dressing Room: Repeat No.18 “Chatter”
  15. Change of Scene to Mother in Bed: “Mother Croons a Tune” by Copping
  16. Soda Fountain Seen: Repeat No.1 “Sally of My Dreams”
  17. Mother Seen In Bed Again: “Dilemma” by Savino
  18. Change of Scene Back to Soda Fountain: Repeat No.1 “Sally of My Dreams”
  19. Mother Seen In Bed Again: Repeat No.42 “Dilemma”
  20. Sally Enters Dressing Room: Repeat No.34 “Sally of My Dreams” (Verse)
  21. Mother Enters Sally’s Dressing Room: “Dramatic Finale” by Noyes
  22. You Had To Wait Until: “Tears” by Zamecnik
  23. Ocean Liner Seen: Repeat No.1 “Sally of My Dreams”
  24. Paris—After A Triumphal: “Princess Enchanting” by Hadley
  25. Tell the Stage-Door: “L’Amour” by Christine
  26. Sally Enters Dressing Room: “Amorous Adventure” by Bradford
  27. Sally Takes Ring Off Her Finger: Repeat No.1 “Sally of My Dreams”
  28. Close-Up of Mobilization Announcement: Robespierre Overture (Litolff)
  29. A World At War: “When Yankee Doodle Learns to Parlez Vous” by Nelson
  30. Among Other Famous Stage: “Who Will Buy My Violets” by Harms

NOTE: Play a la burlesque.

  1. Do Lauder—Harry Lauder: Repeat No.29 “For She’s Ma Daisy”

NOTE: Play with Piano predominating—orchestra quietly.

  1. Group of Soldiers Seen On Wagon: Repeat No.54 “When Yankee Doodle Learns to Parlez Vous”
  2. After Colored Fellow Smokes Cigarette: Repeat No.29 “For She’s Ma Daisy”
  3. Sally Leaves Soldiers After Impersonation: Repeat No.34 “Sally of My Dreams” (Verse)
  4. Change to Violin Solo: Repeat No.1 “Sally of My Dreams”

NOTE: Start as Violin Solo in a different key, then orchestra continue on second half.

  1. Here Comes The Chief of Police: “Hinky Dinky Parlay Voo” by McHugh
  2. Close-Up of Lovers: Repeat No.1 “Sally of My Dreams”
  3. Mother Walks Over To Sally and Bert: “Hell Hath No Fury” by Carr
  4. She’s Right, Sally: Repeat No.1 “Sally of My Dreams”
  5. Change to Exterior—Officers Waiting In Automobile For Sally: “Yankee Rose” by Frankl
  6. Sally Puts Coat On: “Second Love Tragedy” by Savino
  7. Fade-Out of Mother: “Anelante” by Gabriel Marie

NOTE: Drummer watch marching soldiers—drum beat

  1. Close-Up of Bert Marching With Troops: “Appassionato Patetico” by Bradford
  2. Morning—After A: “Recitativo Patetico” by Bradford
  3. Armistice!: “Broadway Blues” by Morgan

NOTE: Play syncopated.

  1. Little Girl Seen: “Dainty Miss” by Barnes
  2. Sally Embraces Baby: “Mother’s Lullaby” by Rosenblatt
  3. You’ll Have To Excuse: Repeat No.71 “Dainty Miss”
  4. Bessie, Ben and Children Leave: “Requited Love” by Rollnson
  5. –And Mother Knows Best: “Affizione” by Gabriel Marie
  6. Fade-Out of Sally and Mother: “Nocturne” by Krzyzanowski
  7. Mother Kneels At Sally’s Bedside: “Sobbing” by Baron
  8. Bert Appears: “Midsummer Night’s Serenade” by Albeniz
  9. Sally Sees Bert: Repeat No.1 “Sally of My Dreams”

Source: Carl Braun Collection

SFSMA ID: 5Sz96XpOtM

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Morgan’s Last Raid

Title: Morgan’s Last Raid

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Yearning” by Schoenfeld
  2. Girls and Officer on Lawn: “From the Canebrake” by Gardner
  3. Wedding Scene: “Wedding Dreams” by Marquardt
  4. Man Opens Letter: “Tears” by Zamecnik
  5. This Man Is A Deserter: “Astir” by Berge
  6. That’s One Traitor: “Dramatic Adagio” by Berge
  7. Soldier Jumps Over Bridge: “Playful Allegro” by Savino
  8. Fade To Camp Scene: “Ruritania” by Schertzinger
  9. Soldier Takes Off Coat: “Hurry No.4” by Finck
  10. Morgan’s Raiders: “The Bold Raiders” by Carbonara
  11. Stop At Bugle Call: “Battle Agitato” by Schoenfeld
  12. Raiders Ride Away: “Film Theme No.1” by Tschaikowsky
  13. Map On Screen: “Symphonic Incidentals No.14” by Marquardt (RED)
  14. Fade To Girl In Hammock: “Rosa Mystica” by Walton
  15. Locate His Position: Repeat No.13 (RED)
  16. Soldiers Eating At Long Table: Repeat No.8 “Ruritania”
  17. By The Way: “Memories” by Kussner
  18. Fade To Girl At Piano: “Yearning” by Schoenfeld
  19. Girl Rises From Piano: Repeat No.17 “Memories”
  20. Girl Kisses Letter: Repeat No.13 (RED)
  21. Soldier Pushed Into Cell: Drums alone to screen
  22. Fade To Girl At Church Exterior: “The Conspirators” by Sodero
  23. Fade-Back To Soldier In Cell: “Potato Bug Parade” by Cobb
  24. Girl Standing By Small Bridge: Repeat No.22 “The Conspirators”
  25. Girl With Latern: “Incid. Symphony No.23” by Kempinski
  26. Soldiers Leave Girl and Lover Alone In Room: “Love’s Reward” by Hauenschild
  27. Bland: “Symphonic Incidentals No.14” by Marquardt (RED)
  28. If You Think: “Tensive Allegro” by Aborn
  29. I Have A Cure: “Presto No.27” by Lake
  30. Spy Knocked Out—End of Fight: “Allegro Moderato” by Lake
  31. Girl Signals With Lamp: “Symphonic Incidentals No.18” by Marquardt
  32. After Explosion: “Yearning” by Schoenfeld

Proper orchestral rest period is Nos. 12 to 17 inclusive

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: RAnQNOJvsZ

Download: PDF

Ten Modern Commandments

Title: Ten Modern Commandments

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Petite Suite de Concert” by Taylor
  2. Perhaps It Is Because New York: “Happy Hectic Hours” by Schad
  3. Don’t Feel Bad Kitten: KITTY THEME “She’s Got ‘It’” by Davis
  4. Girl Sees Snake Under Pillow—Screams: “Moto Perpetuo” by Bergunker
  5. Sometimes When A Composer: “Animal Cartoonix No.2” by Aborn
  6. Kitty Appears On Stairs: “Marceline” by Trinkaus
  7. Guess We Can Manage: “Side by Side” by Woods
  8. Insert—Envelope: “I’m Sitting On Top of the World” by Henderson
  9. Insert—We Beg To Inform You: “Lonesome” by Bergman
  10. Girl Ironing: Repeat Kitty Theme No.3
  11. Sharon and Disbrow in Office: “That Red Hat Gal” by Lodge
  12. Kitty Enters Office: “Hello Cutie” by Friend
  13. Flash-Back To Disbrow and Sharon: “Ya Gotta Know How To Love” by Warren
  14. Sharon Leaves Office: “I’m Walking Around In Circles” by Phillips
  15. Sharon Enters Room Again: “She Knows Her Onions” by Yellen
  16. Kitty Appears At Auto: Repeat Kitty Theme No.3
  17. Kitty Enters Home All Dressed Up: “So Blue” by Henderson
  18. There Were Two Kinds: “Me and My Shadow” by Jolson
  19. Kitty Enters Office: Repeat Kitty Theme No.3
  20. I Tried The Song, It’s A Wham: “Shoot” by Kaufman
  21. Tod In Outer Office Starts To Whistle: TOD THEME “Tinkle Tot” by Murphy
  22. Dressing Room of Chorus: “Roll ‘Em Girls” by Heath
  23. Girl Starts To “Rough House” Kitty: “Zip” by Frey
  24. Disbrow and Detective: “Chatter” by Kahn
  25. A Few Short Hours Rehearsal: “Marionette” by Arndt
  26. Pianist Starts to Rehearse: Repeat Tod Theme No.21
  27. Disbrow’s Office—Detective Enters: “Prattle” by Lowitz
  28. Tod At Stage Door: “Sittin’ Around” by Sanders
  29. Flash-Back to Rehearsal: Repeat Tod Theme No.21
  30. Where Would You Be: “Effervescence” by Wolf
  31. Rehearsal Starts Again: Repeat Tod Theme No.21
  32. Tod Falls From Ladder: “Elopement” by Carrozzini
  33. Tod and Kitty in Dark: “It Ain’t Gonna Rain No Mo’” by Hall
  34. Tod Enters Car—Sharon Follows: “Smile A Little Bit” by Morton
  35. Tod Leaves Auto: “Gigue” by Gretry-Mottl
  36. Theatre Orchestra Playing: “Hum Your Troubles Away” by Woods
  37. Tod Enters Hallway: “Oh, How I Miss You Tonight” by Davis
  38. Tod Sees Detective: “Intermezzo Perpetual” by Lowitz
  39. Detective Opens Bathroom Door: “The Skyrocket” by Frey
  40. Kitty Grabs Headpiece: Repeat Tod Theme No.21
  41. Your Song Is Over: “Somebody” by Little
  42. Disbrow Turns and Sees Sharon: “Hard Hearted Hannah” by Yellen
  43. Flash To Kitty And Tod: Repeat Kitty Theme No.3

Source: Carl Braun Collection

SFSMA ID: 1wtWBFv6tn

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Mockery

Title: Mockery

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Symphonic Color Classic No.2” by Schoenfeld (RED)
  2. In Siberia: “Troyka Paraphrase”
  3. Girl Hands Man Her Parcel To Carry: “Symphonic Color Classic No.2” by Schoenfeld (WHITE)
  4. Girl and Sergei Get Up To Walk Away—Soliders Show: Repeat No.1 (RED)
  5. Girl and Sergei Pass Soldiers: “Visions of the Dance” by Wallace
  6. It Is Very Quiet Here: Repeat No.1 (RED)
  7. Girl Sits Down To Take Off Boots: “Symphonic Color Classic No.2” by Schoenfeld (WHITE)

SEGUE: “La Bas” by Francschi

  1. Girl Lying on Couch Asleep: Repeat No.1 (RED)
  2. Man Takes Shawl From Woman’s Head: “Evil Plotter” by Zamecnik (LIGHT BLUE)
  3. Men Ride Off After Title THE SOLIDERS ARE COMING: “Film Theme No.1” by Tschaikowsky
  4. In Novakursk: “The Cossack Battalion” by Schoenfeld
  5. Captain, Go To The Hospital: “Symphonic Color Classic No.2” by Schoenfeld (DARK GREEN)
  6. When Sergei Left The Hospital: “Polina” by Easton
  7. We Are All Pleased: Repeat No.7 (WHITE)
  8. Countess Walks Upstairs: “A Regret” by Byford
  9. The Master of the House: “La Czarine” by Ganne
  10. Girl Sits Down At Piano: Continue No.16 (Piano Alone)
  11. Flash to Sergei and Gate-Keeper: Repeat No.12 (DARK GREEN)
  12. Lovers Kiss and Embrace: “Symphonic Color Classic No.2” by Schoenfeld (RED)
  13. Sergei Walks Away From Lovers: “Symphonic Color Classic No.2” by Schoenfeld (WHITE)
  14. And So Sergei’s Dull Pleasant Mind: “Pomp and Circumstance No.2” by Elgar (BROWN)
  15. Like You, How Could She Help It: “Symphonic Color Classic No.2” by Schoenfeld (DARK BLUE)
  16. Girl In Window Waves to Soldier: Repeat No.19 (RED)
  17. With Military Protection: “Evil Plotter” by Zamecnik (LIGHT BLUE)
  18. Countess Hands Note to Gaidaroff: Repeat No.21 (BROWN) (Not slow)
  19. Servant Passes Countess on Balcony: Repeat No.24 (LIGHT BLUE)
  20. Servants Leaving House—Sergei Shows: Repeat No.21 (BROWN) (Not slow)
  21. The Revolution Is On The Stairs: “Incid. Symphony No.14” by Luz (Letter A)
  22. Is That Old Sea Lion Barking At You Again: “Incid. Symphony No.14” by Luz (Letter B) (Play “PP”)
  23. Sergei Goes Upstairs Again: Repeat No.28 “Incid Symphony No.14”
  24. Sergei, Come Here: “Symphonic Color Classic No.2” by Schoenfeld (RED)
  25. Sergei Goes Out of Room: Repeat No.24 (LIGHT BLUE)
  26. Shooting In Street—Open Cellar Door Shows: Repeat No.31 (RED)
  27. Two Women and Man Show After Sergei Closes Cellar Door: “Stealthy Escape” by Zamecnik
  28. Man and Wife Show As Countess Passes Sergei: “Evil Plotter” by Zamecnik (LIGHT BLUE)
  29. Sergei Is Not The Fool Any More: Repeat No.31 (RED)
  30. Go Downstairs Where You Belong: “Symphonic Color Classic No.2” by Schoenfeld (DARK BLUE)
  31. Lovers Meet After Title TATIANNA: “Lonely Hours” by Kempinski
  32. He Was The Only One That Stayed To Protect Me: “Symphonic Color Classic No.2” by Schoenfeld (WHITE)
  33. Barrel On Door Moves After Sergei Is Seen Kneeling To Countess: Repeat No.31 (RED)
  34. Don’t You Try To Touch Her: Repeat No.37 (DARK BLUE)
  35. Hands Go From Sergei’s Throat: Repeat No.39 (WHITE)

Proper rest period is Nos. 25 to 34 inclusive

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: S8vVbTN0cP

Download: PDF