Category Archives: Cue Sheets

Scarlet Seas

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Title: Scarlet Seas

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: THEME “Blossoms” by Black
  2. Benkulen: “Pas des Echarpes from ‘La Source Ballet’” by Delibes
  3. Café: “Gypsy” by Malneck
  4. Well Romeo: “Oh Mister” by Frey
  5. Lay Off “Bozo”: “Burlesco Pomposo” by Lowitz
  6. Rose, You Know I Love You: Repeat Theme No.1
  7. Toomey At Bar: “Scherzo Serioso” by Lowitz
  8. Chandelier Falls: “Ferocity” by Carrozzini
  9. Get This Kid: “Spring Cleaning” by Bradford
  10. Daylight Flash—Rose On Deck: “Souvenir d’Antan” by Baron
  11. Old Man Playing Accordeon: “Nearer My God To Thee” by Mason
  12. I Don’t Believe In Anything: Repeat Theme No.1
  13. For Many Nights: “Haunted Nights” by Jacquet
  14. Smoke Appears From Hold: “The Burning of Rome” by Leuschner
  15. Morning: “Poem Erotique” by MacDowell
  16. All Through The Night: Repeat No.11 “Nearer My God To Thee”
  17. Vision of Ship Appears: “Dramatic Climax” by Becce
  18. Bible Seen In Bottom of Boat: “Silent Woe from ‘Three Songs from Eliland” by V. Fielitz
  19. Night Scene: “Anathema from ‘Three Songs from Eliland’” by V. Fielitz
  20. Starts To Rain: “Incantation from ‘La Source Ballet No.3’” by Delibes
  21. Donkin Sees Body Of Man On Deck: “Silent Night” by Rebikov
  22. Where You Come From: “The Jovial Rogue” by Bradford
  23. I’ve Been Waiting For A Sock: “The Captive” by Savino
  24. Come On You Baboons: “Chantyman’s March” by Sousa
  25. Donkin In Hallway: “Shadowed” by Zamecnik
  26. Open The Door, Captain: “Egmont Overture” by Beethoven
  27. Flash-Back To Crew: Repeat No.24 “Chantyman’s March”
  28. Listen Steve: “Unfinished Symphony” by Schubert
  29. Donkin and Girl Enter Hold Again: Repeat No.22 “Jovial Rogue”
  30. I Wonder What’s Happened: “Fingal’s Cave” by Mendelssohn
  31. Well, If It Ain’t: “Appassionato Lirico” by Berge
  32. I Thought You Said Donkin Was With Us: “Elegie and Appassionato” by Savino
  33. Toomey and Gang Borning Hole: “Conspiracy” by Zamecnik
  34. Hello Mr. Double Crosser: “Agitato No.3” by Rapee-Axt
  35. You Men Go Back To Work: “The Conspirators” by Sodero
  36. Steve Bending Over Rose: Repeat Theme No.1

Source: Carl Braun Collection

SFSMA ID: CVcYkRYhpi

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Say It With Sables

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Title: Say It With Sables

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “In Merry Mood” by Axt
  2. Telephone Rings: “Summer Nights” by Roberts
  3. Say Dad: “Little Man” by Bal
  4. Wait For Me: “Baker’s Boy and the Chimney Sweep” by Herbert
  5. Caswell Enters Room: “Cute and Cunnin’” by Kempinski
  6. Irma, My Son Needs A Mother: “Lamento” by Berge
  7. Door Opens—Mitchell Standing There: “Second Love Tragedy” by Savino
  8. Ten Years Slipped By: “Canzonetta” by Carrozzini
  9. Directors Meeting: “Around the Sundial” by Castillo
  10. I’ve Always Dreaded: “A Romantic Night” by Spitalny
  11. Irma Trying On Coats: Repeat No.5 “Cute and Cunnin’”
  12. Marie Receives Box of Flowers: THEME “Magic Love”
  13. Flash To Irma and Doug Entering: “Dolly Dimples” by Alter
  14. Caswell Recognizes Irma: “Valse Passionnee” by Savino
  15. Marie’s Not Well: “Amorous Adventure” by Bradford
  16. Desert Course: “The Crisis” by Pasternack
  17. Helen, There’s Something I’ve Got To Tell You: “Love Song” by Wright
  18. Irma and Doug At Door: “Valse Minor from ‘Oriental Ballet’” by Riesenfeld
  19. Irma Opens Door and Discovers Maid Rifling Desk: “Evil Intentions” by Kempinski
  20. Doug Sneaks Across Hall—Father Follows Him: “Scene d’Amour” by Baron
  21. What I Am Going To Say: “A Passionate Episode” by Engleman
  22. In The Morning: “Dramatic Allegro” by Savino
  23. Well, The Gold Digger Has Finally Dug Her Own Grave: “Ominous Moments” by Kempisnki
  24. Keep Everybody Out: “Tristesse” by Bradford
  25. Father Appears For Breakfast: “Love Triumphant” by Joels
  26. You Have Known Me A Good Many years: “Griefstricken” by Varnier
  27. May I Help You: Repeat No.17 “Love Song”
  28. I’ll Drag You and Your Whole Family: “Violent Struggling” by Roland
  29. That’s How It Might Have Happened: “Beautitude” by B…l
  30. Mitchell Leaves: Repeat Theme No.12

Source: Carl Braun Collection

SFSMA ID: 1dypN66ndJ

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Sally’s Shoulders

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Title: Sally’s Shoulders

Author: Howard T. Wood

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Howard T. Wood

OCLC Number:

Contents:

  1. At Screening: THEME “Blue Eyed Sally” by Robinson
  2. Come In And Put On The Feed Bag: “Mirth and Merriment” by Delille
  3. Why Beau, You’ve Borrowed: “Romance sans Paroles” by Louie
  4. Sally Had Still Another Burden: “Fairyland” by Herter
  5. Willie Jerome, You Never Help Sally: “Serenade” by Harris
  6. I’ve Told You Before This Is A Place: “Appassionato No.4” by Axt
  7. Sally, You Coop Yourself Up Too Much: Repeat Theme No.1
  8. Hugh and Millie Leave: “Just A Bunch of Daisies” by Baron
  9. Change of Scene—“Nite Owl” Roadhouse: “Misterioso alla Valse” by Savino
  10. Change of Scene to Sally: “Silver Lamps” by Lotter
  11. Change of Scene to Dancing: “That’s My Weakness Now” by Green
  12. Dancing Stops: “Fleeting Shadows” by Weiss
  13. After Title “ANY TIME YOU WANT A JOB”: “Andante Appassionato No.57” by Castillo
  14. Change of Scene To Sally’s House: Repeat Theme No.1
  15. Change To Hugh And Millie In Car: “Spinning Along” by Bierman
  16. Kiss The Bride Sis: “The Giggling Girl” by Delille
  17. Change To Millie and Hugh: “Fuga” by Gabriel Marie
  18. Hugh Arrives At House With Millie: “True Love” by Ketelbey
  19. Well, I Guess It Was Worth A Few: Repeat Theme No.1
  20. Next Day At Prohibition: “Dram. Tension No.9” by Andino
  21. Close-Up of Flowers—Card: “Sylvia” by Speaks
  22. Change To Men Moving Cases: “In The Dark” by Bierman
  23. Brother (Beau) Enters House: “Gallantry” by Ketelbey
  24. Prohibition Officers Arrive: “Recitative Heroique” by Rapee
  25. Even Sally’s Brave Shoulders Began: “Homeland” by Huerter
  26. I’m Mr. Cormack The Cashier: “Premonition” by Zamecnik
  27. Bank Cashier Leaves: “Evening Song” by Lind
  28. Change To Sally and Davidson: “Second Misteroso a la Valse” by Savino
  29. I Hope I’ve Convinced You: “Karma” by Herbert
  30. Dancing Seen: “Last Night I Dreamed You Kissed Me” by Lombardo
  31. Dancing Stops: “Love’s Lament” by Piquet
  32. Brother (Beau) Enters: “Dram. Andante No.1” by Rapee-Axt
  33. Nix On The Family Re-Union: “Sorry For Me” by Henderson
  34. Change To Hugh and Aunt Emily: Repeat Theme No.1
  35. Change To Prohibition Officers: “Scherzo Misterioso” by Drigo’s Cinema Classics
  36. Dancing Is Seen: “If You Don’t Love Me” by Ager
  37. This Is No Place For You: “Dram. Andante No.24” by Borch
  38. Prohibition Officers Arrive: “Disaster” by Savino
  39. Officers Break In Door: “Appassionato” by Borch
  40. Wait—I’ll Tell You Why Sally: “Love’s Awakening” by Ketelbey
  41. After Title “BEAU’S TELLING THE TRUTH”: Repeat Theme No.1

Source: Carl Braun Collection

SFSMA ID: RpBfb3lOwL

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Sal of Singapore

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Title: Sal of Singapore

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Sea Song” by O’Hare
  2. A Pacific Port: “Ragging The Waves” by Rosey
  3. Now Watch Me: “A Breezy Evening” by Howgill
  4. Baby Lying In Bottom of Boat: “Mighty Lak’ A Rose” by Nevin
  5. In Cabin With Baby: “Poupee Valsante” by Poldini
  6. Later That Evening: “L’Estudiantina” by Waldteufel
  7. I Know You’ll Be: “The Spectre”
  8. Some Day I’ll Rip His Heart Out: “Excitement” by Breil
  9. Captain Returns To Saloon: “Berceuse Comique” by Kilenyi
  10. Do You Know Anything About Babies: “Princess Pat Fox-Trot” by Herbert
  11. So Long Spend Thirft: “Pastime” by Clutsam
  12. Row Boat At Side of Ship: “Dance of the Furies” by Gluck
  13. Anchor Hauled Up: “Angosciosamente” by Gabriel Marie
  14. Baby Lying On Bed: “Wiegenlied” by Brahms
  15. Captain Enters Cabin: “Komik Quarrel” by Kilenyi
  16. Sailors Singing In Hold: “A Life On The Ocean Waves from ‘Our Jackies’” by Laurendeau
  17. Sally and Captain in Galley: “Chatter” by Kahn
  18. Captain Leaves Room: Repeat No.4 “Might Lak’ A Rose”
  19. Give Me A Knife: Repeat No.5 “Poupee Valsante”
  20. Long Shot of Ship: “Nancy Lee” from “Before the Mast” by Laurendeau
  21. Sally Bathing Baby: THEME “Sally Of My Dreams” by Kernell
  22. Sally Takes Baby From Bath: “Slumber Boat” by Gavnor
  23. Sailors In Hold: “Spring Cleaning” by Bradford
  24. Sally Attending Baby: “Cradle Song” by Hauser
  25. Mate Enters Room: “The Captive” by Savino
  26. He Walks Away: “Joyous Spirits” by Savino
  27. Sally On Deck—Mate Appears: Repeat No.25 “The Captive”
  28. Sailors Seated On Deck: “Dramatic Prelude” by Schad
  29. Deck of Ship—Fog Arising: “Pain of Sorrow” by Bradord
  30. Get Into Your Bunk: Repeat Theme No.21
  31. The Fever’s Broken: “Dramatic Andante No.2” by Axt
  32. We’re Ready To Dock, Sir: “Affection” by Berge
  33. Sally Writing Letter: Repeat Theme No.21
  34. Sally Sees Other Ship: “Impression Frivole” by Bradford
  35. Well I’m A Little Late: “Comic Misterioso” by Berge
  36. Captain Enters Cabin—Sally Missing: “Anxiety-Trouble” by Bernard
  37. He Reads Note: “The Burning of Rome” by Leuschner
  38. He’s Trying To Sink Us: “Gigue” by Bradford
  39. That’s All Boys: “Marching Song of the Foreign Legion” by Bradford
  40. What Was All This About?: Repeat Theme No.21

Source: Carl Braun Collection

SFSMA ID: w7medS4Z5S

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Rough Ridin’ Red

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Title: Rough Ridin’ Red

Author: James C. Bradford

Publisher: Cameo Music Co., 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

LOVE THEME: “Underneath the Falling Leaves” by De Sylva

  1. At Screening: “Kowboy Komedy” by Aborn
  2. An Old Fashioned “Medicine Show”: “Ambling Along” by Axt
  3. Pete and Friends Drinking: “Hunkatin” by Levy
  4. I Realize Now What: “Appassionato” by Borch
  5. Hank and “Red” Appear on Horses: “Pals” by Berline
  6. Flash Back to Colonel and Thugs: “Infamy” by Conterno
  7. In Their Anxiety: “Waiting” by Byford
  8. Knock On Door: “Humorous Escapade”
  9. Shows A Little Bit Out of Our Line: “Pals” by Berlin
  10. Flash Back To Sheriff and June: LOVE THEME
  11. The Next Morning: “Rube Caprice” by Dunning
  12. “Red” Appears Starts To Dance: “Zip Coon” by Old Air
  13. He Finishes Dance: “Rural Flirts” by Bradford
  14. June Apperas: “Espanita” by Rosey
  15. Get the Medicine Ready: “Rube Caprice” by Dunning
  16. Hank Starts To Sing: “Bird In A Gilded Cage” by Von Tilzer
  17. Spectator Throws Tomato: “Spring Cleaning” by Bradford
  18. Now Is The Time To Sell Them: “Flocons De Neige” by Bradford
  19. Man Takes Drink From Bottle: “Restless Bows” by Srawley
  20. Flash To Office. Man Enters With Satchel Of Money: “Ludicia” by Caludi
  21. Dugan Climbs Into Room: “The Spectre” by Engleman
  22. That Card Must Have Dropped: “Spring Song” by Mirovitch
  23. State Line’s Only Eight Miles Away: “Hurry No.33” by Minot
  24. Guard Enters Deserted Room: “Galloping Furies” by Rapee
  25. Dugan Appears In Woods: “The Spectre” by Engleman
  26. Dugan Sees “Red”: “Dramatic Hurry” by Baron
  27. It Was Rough Going: “Furieus Poursuite” by Gabriel Marie
  28. Father Wants To See You Sheriff: “Melancholic Appassionato” by Rapee
  29. “Red” Struggling To Free Himself: “Allegro Impetuoso” by Paglia
  30. Fine Work, My Boy: “Little Man” by Ball
  31. Sheriff and Sweetheart at Tree: LOVE THEME

Source: Carl Braun Collection

SFSMA ID: UpZiGdX1bf

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Rose-Marie

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Title: Rose-Marie

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: Play 3rd and 4th Movements of “Rose Marie” Selection by Harms
  2. On the Edge Of: Play first 25 bars of “Rose Marie” Selection by Harms
  3. Sergeant Terrance Malone: Play “Hard Boiled Herman” from “Rose Marie” by Harms (YELLOW)
  4. The Village Owed: Repeat No.2 “Rose Marie” Selection
  5. Exterior Scene After Duray Throws Fur On Floor: Play “Rose Marie, I Love You” from “Rose Marie” by Harms (WHITE)
  6. Malone Grabs Rose Marie: Repeat No.3 (YELLOW)
  7. Rose Marie Hops Down From Wagon—Goes Into Garden: Repeat No.5 (WHITE)
  8. Rose Marie Breaks Out of Embrace After Subtitle “IWANT AN ANSWER”: “Sarasa” by Valverda
  9. Rose Marie Pushes Her Way Through Crowd: Play “Door of My Dreams” from “Rose Marie” by Harms (LT. GREEN)
  10. Interior After Close-Up of Malone Nodding Head Bitterly: Repeat No.8 “Sarasa”
  11. Second Time Polly Moran Is Hit With Baskey: “A.B.C. Dram. Set No.7-B2” by Luz
  12. Malone Shows At Fence After Crowd Exits From Door: Repeat No.9 (LT. GREEN)
  13. Fade-Out After Rose Marie Makes Faces At Malone: Angelus Bell by Drummer or Organist
  14. One Scene of Bell Ringing: “Douce Rencontre” by Gabriel Marie
  15. Rose Marie Exits From Room To Bedroom: “Regrets” by Kempinski
  16. Rose Marie Exits To Left Through Door: “Dragon-Flies” by Stafford
  17. Don’ Fear This So Big Barbarian: Repeat No.3 (YELLOW)
  18. Malone Takes Letter—Starts To Read It: “A.B.C. Dram. Set No.7-A1” by Luz
  19. Malone Talks To Constable: Repeat No.3 (YELLOW)
  20. Constable Exits From Room: Repeat No.18 “A.B.C. Dram. Set No.7-A1”
  21. Winter Still Lingered: “Cocheco” by Reeves (Introd.)
  22. Group on Porch—Man Runs Up Road To Them: “Venetian Barcarolle” by Golden
  23. Always The Spring Voyage: “Merry Chase” by Fassunge
  24. Canoes Beaching—Trappers Getting Out: “Ninette” by Christine
  25. Rose Marie At Canoe—Trapper Walks On To Her: “Constance” by Golden
  26. In A Twinkling: “Bacchanale de Montmartre” by Ketelbey
  27. Exterior Of Church—Pastor Greeting Parrishioners: Repeat No.25 “Constance”
  28. Church Bell When Rose Marie Is Seen Lying On Ground Fighting Kenyon: Church Bell by Drummer
  29. One Scene: “Sans Sommeil” by Whitol
  30. Rose Marie Gets Up and Walks Up Path: Repeat No.21 “Cocheco”
  31. Evening Brought: Play “Totem Tom Tom” from “Rose Marie” by Harms
  32. Black Bastien Bites Girl’s Toe: “Dame e Cavalieri” by Frontini
  33. Cornet Player Stops—Exterior Scene: “Incid. Symphony No.7” by Kempinski
  34. It’s All Very Tiring: “Death of a Great Red Warrior” by Riesenfeld
  35. From What They Say: “Cocheco” by Reeves
  36. Tom Tom as Rose Marie Hears Something: Repeat No.31 (BROWN)
  37. Long Shot of Riotous Dancing To Kenyon Approaching Porch Through Trees: “Recompense d’Amour” by Kempinski
  38. Rose Marie Starts To Walk Away From Post: “Recompense d’Amour” by Kempinski
  39. And There You Have It: Repeat No.5 (WHITE)
  40. Reason? Maybe Because: Repeat No.33 “Incid. Symphony No.7”
  41. So It’s You: Repeat No.31 (BROWN)
  42. Long Shot of Street After Subtitle “MALONE”: Repeat No.33 “Incid. Symphony No.7”
  43. Not So Fast, Kenyon: “Mysterioso No.1” by Luz
  44. Silhouette Of Dagger Striking Constable In Back: Repeat No.33 “Incid. Symphony No.7”
  45. Fade-Out To Inquest Insert: “Love’s Ecstasy” by McElwain
  46. Etienne Enters Room—Speaks To Coroner: Repeat No.9 (LT. GREEN)
  47. Street Scene: “A.B.C. Dram. Set No.7-A1” by Luz (Slow)
  48. They Got One: “Anguish of Soul” by Eggert
  49. Fade-Out After Dead Man’s Face Shows: “Anguish of Soul” by Eggert (From No.3)
  50. Kenyon Lying On Ground Awakes and Begins To Rise: Repeat No.5 (WHITE)
  51. Tell Me, Is It True: “Imprecations” by Baron
  52. Indian Brave Shows On Hillside: Play “Indian Love Call” (DK. GREEN) (Song Orch. By Russell Bennett)
  53. Indian On Rock Singing After Title “THIS INDIAN BRAVE”: Continue Chorus of No.52
  54. Rose Marie’s Lips Moving After Subtitle “IN ENGLISH IT MEAN”: Church Bells by Drummer
  55. The Angelus: Repeat No.5 (WHITE) (Chorus Only)
  56. Many A Weary Mile: Repeat No.48: “Anguish of Soul” (from beginning)
  57. Fade-Out After Title “TAKE HIM BACK TO POST, DURAY”: Repeat No.49 “Anguish of Soul” (From No.3)
  58. Rose Marie Talks to Indian: Repeat No.5 (WHITE)
  59. Rose Marie and Kenyon in Embrace Before Title “OH, JEAM, JEAM”: “Canzone d’Amour” by Lowitz
  60. Maybe Life Owes Me Something: Repeat No.5 (WHITE)
  61. Fade-Out After Rose Marie Exits From Kenyon: “Ombres d’Automne” by Mayne
  62. Night, The Looming Mountain: Repeat No.5 (WHITE)
  63. Exterior of Rose Marie’s Home—Etienne Comes Down Sidewalk Towards Gate: “Coeur Meurtri” by Gabriel Marie
  64. Rose Marie Puts Right Hand To Her Ear and Sings After Title “I MARRY YOU ETIENNE”: Play “Indian Love Call” from “Rose Marie” by Harms (DR. GREEN)
  65. End Of Rose Marie Singing—Etienne Puts Hand In Air: “Recompense d’Amour” by Kempinski
  66. Fade-Out of Rose Marie Looking Over Etienne’s Shoulder To Wedding Scene: “Recompense d’Amour” by Kempinski
  67. Long Shot of Large Group of People At River Bank: Repeat No.9 (LT. GREEN)
  68. In The Upper Lakes: “Cocheco” by Reeves
  69. At The Lower End of The Island: “Appassionato Dramatico” by Berge
  70. Kenyon Stands Up and Calls—Drops His Hand To Side—Ice Churns Through Channel: “Incid. Symphony No.19” by Schertzinger
  71. Etienne Rescued From Ice Flood: “Dreams” by Crist
  72. Horse Gazing In Brush: Repeat No.43 “Mysterioso No.1”
  73. Black Bastien Exits From Scene After He Feels His Sore Shoulder: “A.B.C. Dram. Set No.4-B2” by Luz
  74. And It Was To Save You: Repeat No.5 (WHITE)
  75. Door Bolt Moves: “Incid. Symphony No.15” by Thomas
  76. I—Forgot—You Didn’t Know: Repeat No.5 (WHITE)
  77. Malone Smiles and Exits to Left From Rose Marie: “Prelude in G Minor” by Rachmaninoff
  78. Rose Marie Putting Up Blanket Closing Door: “Mysterioso No.1” by Luz

SEGUE: “Superstition” by Varnier

  1. Rose Marie Enters Through Blanketed Door: “Cocheco” by Reeves
  2. Frying Pan of Food On Fire: “Grand Appassionato” by Becce
  3. Malone Standing With Drawn Knife At Window—Door Latch Moves: “Mysterioso No.1” by Luz

SEGUE: “Symphonic Incidentals No.3” by Marquardt

  1. Malone Lifting Rock To Window: “Agitated Appassionato” by Kilenyi
  2. Rose Marie Starting To Rise To Her Feet: “Incid. Symphony No.19” by Schertzinger
  3. Knife Hits Black Bastien In Back: “Cocheco” by Reeves
  4. Several Nights Later: Repeat No.5 (WHITE) (Chorus Only)

NOTE: “Rose Marie, I Love You” should not be played slow or Ballad style until use, for Rose Marie and Kenyon. All the color themes are taken out of “Rose Marie” Selection published by T.B. Harms Co. “Incid. Symphony No.7” should always be played in Moderato tempo—1st strain only.

The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: Z8RNBYQHGU

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Romance of the Underworld

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Title: Romance of the Underworld

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: THEME “Judy” by Norman
  2. Florist Sign Seen: “Forsaken” by Scholz
  3. Lady Leaves Florist Shop: “Auld Lang Syne” by Seredy (One Strain)

SEGUE: “I Can’t Give You Anything But Love” by McHugh

  1. “Evening Star Club” Door Seen: “Here’s That Party Now In Person” by Ager
  2. Tell Him Derby Dan: “Red Hot Momma” by Rose
  3. Where’s Judy: “Good News” by Henderson
  4. Derby Dan Sits Down At Table With Judy: “Dramatic Tension” by Luscomb
  5. Old Man Seen At Table With Girls: “The Big Butter and Egg Man” by Friend
  6. Flash-Back To Derby Dan and Judy At Table: “Disperazione” by Gabriel Marie
  7. Judy Walks Over To Bar: Repeat No.8 “Big Butter and Egg Man”
  8. Why Play With That: Repeat No.5 “Red Hot Momma”
  9. I’m Taking No Chances: “Jazz Agitato No.1” by Carbonara
  10. I’m Through With This: “Protestation” by Kay
  11. Rolling Doors Are Drawn Together: “Are We Downhearted? No!” by Davis
  12. Close-Up of Three Faces: “Ten Little Miles From Town” by Kahn
  13. Dance Is Over: “Two In A Bar” by Copping
  14. I’ve Been Robbed: “Astir” by Berge
  15. Detective Calls Dan Over To Him: “Stalking the Prey” by Kempinski
  16. Detective Enters Evening Star Club: “Second Misterioso a la Valse” by Savino
  17. “Champagne Joe” Takes Wallet Out of His Pocket: “A Mysterious Fable” by Juon
  18. Detective Empties Champagne Bottle: “A Prohibition Episode” by Aborn
  19. What’re You Doing: “Anxiete” by Srawley
  20. Girl Leaves Club Room—starts Crying: “A Tender Thought” by Granfield
  21. Insert—“Help Wanted” Bulletin: “Iris” by Reynard
  22. Change of Scene To Restaurant: “Hustle-Bustle” by Delille
  23. Fade-Out of Judy Picking Up Tip from Table: Repeat No.4 “Here’s That Party”
  24. Door of “Eastern Importing and Exporting Co.” Seen: “Ripples” by Lowitz
  25. Young Man Overturns Vase On Desk: Repeat Theme No.1
  26. A New Secretary: “Frivolous Coquette” by Kempinski
  27. Change of Scene to Cabaret: Repeat Theme No.1
  28. Change of Scene to Courtroom: “Symphonic Incidentals No.13” by Marquardt
  29. I’m Awful Glad For You: “Rosemary” by Reynard
  30. Change of Scene To Home: Repeat Theme No.1
  31. Judy Walks Away From Husband: “Dainty Miss” by Barnes
  32. Judy and Husband Leave Child’s Room: Repeat Theme No.1
  33. Close-Up Of Man Reading Newspaper; “Snake in the Grass” by Srawley
  34. Judy Sees Derby Dan: “Love Tragedy” by Savino
  35. After Derby Dan Leaves: “Prelude” by Rachmoninoff (Play subdued)
  36. Close-Up of Shoes Being Shined: “Emotional Agitato” by Savino
  37. Ransom Leaves Detective: “Chansonnette” by Huerter
  38. Close-Up of Door of Evening Star Club: “Fleeting Shadows” by Weiss
  39. Change of Scene to Apartment: Repeat No.5 “Red Hot Momma”
  40. Did You Think I’d Be: “Ferocity” by Carrozzini
  41. Detective Seen In Coroner’s Office: “A Mysterious Event” by Zamecnik
  42. “Champagne Joe” Seen Walking Upstairs: “Tense Misterioso” by Berge
  43. You’re A Great Pal: “Vengeance” by Baron
  44. Change of Scene Back To Coroner’s Office: “Contrapuntal Misterioso” by Schad
  45. Judy Seen In Home: Repeat Theme No.1
  46. Just A Minute Dear: “Exultation” by Hosmer
  47. Detective Leaves Judy: “A Perfect Day” by Bond

Source: Carl Braun Collection

SFSMA ID: wIMwU8FffU

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Road House

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Title: Road House

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: “Rain Or Shine” by Ager
  2. Ashton—A Typical: “Hustle Bustle” by Delille
  3. Court Room Scene: “The Tragic Discovery” by Patou
  4. Fade-In To Young Man At Home: “Feelin’ Good” by Murphy
  5. Auto Drives Up: “Hail, Hail, the Gang’s All Here” by Lake
  6. Young Man Comes Into Mother’s Room: “Zigzag” by Ferber
  7. Flash-Back To Crowd In Automobile: “We Love It” by Warren
  8. Young Man Takes Out Flask: “Blue Law Blues” by Lake
  9. Boys Go Over To Grandma: “Paderewski Rag” by Klickmann
  10. Two Boys Leave Grandma: “A Hot Time” by Beyer
  11. Flash-Back To Grandma In Home: “Dream Kisses” by William
  12. The Frat Dance: “Oh Baby!” by Murphy
  13. Couple Leave Frat Dance: “Get Out and Get Under The Moon” by Shay
  14. Girl Slaps Young Man’s Face: “Gay Deceivers” by Claypoole
  15. Close-Up of Girl’s Leg: “Maria Posa” by Rapee
  16. Orchestra Scene: Loud Drum Roll as for announcing

SEGUE: “Oh Mister” by Frey

  1. The Mob—Parasites: Repeat No.1 “Rain or Shine”
  2. The Better Government: “Reunion” by Gruenwald
  3. The Hip Pockets: “Burlesque on ‘How Dry I Am’” by Kempinski
  4. Another Deadly Vice: Repeat No.18 “Reunion”
  5. Change of Scene To Card Game: “Jingles” by Zamecnik
  6. Close-Up of Drinking Glasses Seen: “Oh, You Have No Idea” by Dougherty
  7. Boy and Girl Leave Roadhouse: “Step On It” by Kaufman
  8. Father Rings Bell: “Moon Sprites” by Jacquet
  9. Automobile Drives Up To House: “Three O’Clock In The Morning” by Robledo
  10. Aren’t You Ever Going: “A Bedtime Tale” by Swinnen
  11. The Hide-Out of the Mob: “Lazy” by Berlin
  12. Knock On Door: Short pause, then “The Gold Digger” by Hanley
  13. Is That Junk The Best: “Seduction” by Baron
  14. Do It For Me: “Appassionato No.1” by Kempinski
  15. Boy Leaves Apartment: “Third Misterioso a la Valse” by Savino
  16. Fade-In To Father: “Affection” by Schad
  17. Change of Scene To Mother and Grandma In Home: “Dramatic Andante” by Kempinski
  18. Young Man Seen At Girl’s Apartment Door: “Dramatic Suspense” by O’Hare
  19. Don’t You Just Like Me: “Passion Slave” by Jacquet
  20. She’ll Give You A Chance: “Agitated Misterioso” by Langey
  21. Fade-In To Card Game: “A Gay Lothario” by Bierman
  22. Change of Scene To Dancing: “Angela Mia” by Rapee
  23. Larry Takes Drink: “Ondes Mysterienses” by Franceschi
  24. Pistol Shot: “Agitated Hurry No.2” by Berge
  25. Gang Reaches Apartment: “Misterioso Drammatico” by Savino
  26. Father Arrives At Apartment: “Story Moments” by Bierman
  27. Fade-In To Court Room: Repeat No.3 “Tragic Discovery”
  28. The Jury’s Verdict: “Accuser” by Kay
  29. Therefore, I Parole: “Dear Little Boy of Mine” by Ball

Source: Carl Braun Collection

SFSMA ID: UPLkruUFM7

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Riley The Cop

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Title: Riley The Cop

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: RILEY THEME “The Irish Have A Great Day Tonight” by Herbert
  2. For Twenty Years: “Fall In Line” by Rosey
  3. It Iss By Police Regulations: KRAUSMEYER THEME “Where Is My Meyer?” by Profes
  4. Krausmeyer Leaves Riley: Repeat Riley Theme No.1
  5. Riley Gets On Boot Black Stand: “Darkies’ Shuffle” by Rollinson
  6. Riley Gets Off Boot Black Stand: Repeat Riley Theme No.1
  7. Man Seen Hopping In Boxes: “Two In A Bar” by Copping
  8. Drunkard Leaves Riley; Repeat Riley Theme No.1
  9. Riley Turns Water Hydrant On: “Our Boys and Girls” by Ring-Hager (Play lively)
  10. Close-Up of Girl On Stairway: LOVE THEME “Pretty, Petite, and Sweet” by Archer
  11. Riley Enters Basement: Repeat Riley Theme No.1
  12. Riley Puts Pushcart On Krausmeyer’s Beat: Repeat Krausmeyer Theme No.3
  13. Fade-In To Girl and Boy: Repeat Love Theme No.10
  14. Mid-Summer With Mary: “Badinage” by Herbert
  15. It’s From Mary: Repeat Love Theme No.10
  16. Children Seen Playing Baseball: “Take Me Out To the Ball Game” by Norworth
  17. Ball Smashes Window: “Gigue” by Bradford
  18. The Auditors Report: “Dramatic Tension” by Luscomb
  19. Poster of Steamship Seen: “Lady of My Heart” by Order
  20. The Cop. Seen: Repeat Riley Theme No.1
  21. Riley Throws Brick: “Comedy Allegro” by Haines
  22. Fade-In To Police Captain’s Office: Repeat Riley Theme No.1
  23. Munich, Germany: “Bierwalzer” by See
  24. Krausmeyer!: “Under the Double Eagle” by Wagner (2nd Strain)
  25. Riley Leaves Krausmeyer: Repeat Riley Theme No.1
  26. Riley Enters Prison Cell: “Tears” by Zamecnik
  27. Riley and Boy Leave Prison: “Exaltation” by Coerne
  28. Beer Barrels Seen: “Immer Noch Ein Tropfchen” by Hinsch
  29. All My Life I’ve Been Searching: “Down Deep In An Irishman’s Heart” by McHugh
  30. Be Yourself, Big Boy: “Don’t Be Like That” by Pinkard
  31. Don’t Forget I’m Your Prisoner: Repeat No.28 “Immer Noch Ein Tropfchen” (very quietly)
  32. Telegraph Ticker Seen: “Police Parade March” by Lincke
  33. Riley Leaves German Policemen After Receiving Telegram: “Garden Frolics” by Pasternack
  34. Just When I Was Beginning: Repeat No.30 “Don’t Be Like That”
  35. Girl Puts Hat On: “O Katharina” by Fall
  36. Davy Sees Mary: Repeat Love Theme No.10
  37. Riley And Girl Sit Down At Table: Repeat No.29 “Down Deep In An Irishman’s Heart”
  38. Riley Sits Down At Table With German Man: Repeat No.28 “Immer Noch Ein Tropfchen”
  39. Davy, Me Boy, You’re Too Young: Repeat Riley Theme No.1
  40. German Yodelers Greet Lena: “Hi-le, Hi-lo from ‘Deutscher Walzer’” by Kaine
  41. German Yodelers Start To Sing: “O, Du Lieber Augustine from ‘Deutscher Walzer’” by Kaine
  42. Davy and Cabman Enter Café: “German Patrol” by Schrader
  43. Argument And Fighting Starts: “Jollifications” by Noyes (Very lively)
  44. German Police Appear: Repeat No.32 “Police Parade”
  45. Riley and Davy Enter Aeroplane: Repeat Riley Theme No.1
  46. Davy, I Seem To Think: “Forsaken” by Lake
  47. Paris—Whose Main Street: “A La Paree” by Verdin
  48. Widow Seen With Two Men: “Priere Tendre” by Mouton
  49. After Riley Kisses Widow: “Paris Life” by Mosay
  50. Riley! Mr. Riley!: Repeat Riley Theme No.1
  51. See You Tomorrow: “French Pastry” by Lakay
  52. Dancing Starts: “Doin’ the New Low Down” by McHugh
  53. Davy Is Seen Outside Of Café: “Mam’selle Caprice” by Baron
  54. Curtain Goes Up: “Pomanola” by Henderson
  55. Terrible! They’re Trippin’: “St. Louis Blues” by Handy
  56. Riley Seen In Bed: “The Morning After The Night Before” by Pollack
  57. Riley Sees Two Women: “Mariette” by Sterny
  58. Lena Seen Talking To Man In Street: “En Visite” by McDonald
  59. Flash-Back To Riley In Bed: “L’Amour” by Christine
  60. Lena Enters Riley’s Room: Repeat No.58 “En Visite”
  61. Policeman’s Brogans: “Hustle Bustle” by Delille
  62. Davy Enters Room: “Horse Radish” by Ring-Hager
  63. I’ve Got To Get Him Home: “Pal Of My Cradle Days” by Piantadosi
  64. Change of Scene To Cabby In Hallway: Repeat No.62 “Horse Radish”
  65. Riley Returns To His Room: Repeat No.63 “Pal of My Cradle Days”
  66. I’m Goin’ To Stay Right: “La Marse’llaise” by De L’Isle
  67. Taxi Seen On Road: “Taxi” by Kaufman
  68. Auf Widersehn!: “Auf Wiedersehn” by Romberg
  69. Lena, Darlint! What’s Your: Repeat Krausmeyer Theme No.3
  70. Stewards Seen On Boat: “Burlesque On ‘How Dry I Am’” by Kempinski
  71. Mary! I’ve Been Chasing: LOVE THEME “Pretty, Petite, and Sweet” by Archer (Last 8 bars)
  72. Officer Riley?: Repeat Riley Theme No.1
  73. Change of Scene Back To Davy and Mary: LOVE THEME “Pretty, Petite, and Sweet” by Archer
  74. Fade-In To Wedding Procession: “The Bells Are Ringing For Mary” by Colby (Chimes)
  75. Stop!: Repeat Krausmeyer Theme No.3
  76. Sixty Million Men: Repeat Riley Theme No.1

Source: Carl Braun Collection

SFSMA ID: STMR92Hfqi

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Red Lips

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Title: Red Lips

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Campus Ditties” by Recker
  2. So You’re The Farrell: “Myrta” by Mambour
  3. The Nu Delto Hold Their Housewarming: “Polly” by Zamecnik
  4. Buddy In Bed—Phone Rings: “Berceuse Comique” by Ktlenyi
  5. Just Say Cynthia Grey Called: “I Think You’re Wonderful” by Richman
  6. Boys Sound Alarm: “Animated Agitato” by levy
  7. Flash-Back To Party: “Collegiana” by McHugh
  8. Bring That Meadow Lark Here: “Sarabande Perpetuelle” by Bradford
  9. Cynthia and Buddy Close-Up: THEME “The Sweetheart of Sigma Chi” by Vernor
  10. Freshman, We Want You: “Dolly Dimples” by Alter
  11. The Next Afternoon: “Hop-A-Long” by Herman
  12. Buddy Stopped By Auto: Repeat Theme No.9
  13. The Most Important: “Marionette” by Arndt
  14. Never Mind Honey: “Stepping On The Ivories” by McLaughlin
  15. Buddy Enters Room: “Impression Dramatique” by Bradford
  16. Ten O’Clock Lights Out: “Longing” by Heymann
  17. Car Stops On Road: Repeat Theme No.9
  18. Cynthia in Boudoir Alone: “Amorous Adventure” by Bradford
  19. Gladstone Holds Its Meet: “College Capers” by Zamecnik
  20. You’re Not Running Today: “Love Triumphant” by Joels
  21. Pop Saw Buddy Farrell Last Night: “Melody of Love” by Demangale
  22. Hotel Desk—Buddy Appears: “Celebrated Canzonetta” by Mendelssohn
  23. Miss Grey Checked Out: “Eventide” by Elliott
  24. During The Following Semester: “Say ‘Yes’ Today” by Donaldson
  25. Buddy Looking At Burnt Match: “Reproach” by Zamecnik
  26. Buddy and Pal in Room: “A River Lullaby” by Stanford
  27. The Day of Days: “Frat” by Barth
  28. Race Starts: “Zip” by Frey
  29. Great Work, Boy: “Sky Line” by Bowers
  30. Dance: “Among My Souvenirs” by Nicholls
  31. Hello Cynthia: “Was It A Dream?” by Spier
  32. What Right Had You To Kiss Her?: “Tinkle Tot” by Murphy
  33. The Next Dance Will Be: Repeat Theme No.9

Source: Carl Braun Collection

SFSMA ID: nln1KNBwQI

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Rawhide Kid

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Title: Rawhide Kid

Author: Eugene Conte

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Eugene Conte

OCLC Number:

Contents:

  1. At Screening: “Prelude to ‘Western American Drama’” by Baron
  2. The Day After: “The Ridin’ Kid” by Stahlberg
  3. Old Man Leaves Coach: “Hebrew Melody” by Achron
  4. Fade-Out of Jackson and Hebrew: THEME “A Bit O’Blarney” by Helf
  5. Wild Cat On Tree: “Emotional Agitato” by Savino
  6. Empty Jones: “The Village Clown” by Axt
  7. Fade—Hebrew and Daughter: Repeat Theme No.4
  8. O’Hara Dismounts From Horse: Repeat No.2 “The Ridin’ Kid”
  9. Jackson and Men: “Creeping Shadows” by Baron
  10. Auction Sale Starts: “The Burlesquer” by Hartz
  11. You Beat Me In: “Second Misterioso a la Valse” by Savino
  12. Jones With Radio: Repeat No.6 “The Village Clown”
  13. O’Hara and Jackson At Table: “Agitated Misteroso” by Rapee
  14. Fade-Out of Hebrew On Bed: Repeat No.6 “The Village Clown”
  15. 2nd Shot of Jackson In Girl’s Room: “Agitato Misteroso” by Becce
  16. Dark Scene: “Wistful Longings” by Baron
  17. Horse Runs Up To O’Hara: “Storm Clouds
  18. So A Fighting Irishman: “Evening On The Ranch” by Stahlberg
  19. Hebrew With Donkey: Repeat No.6 “The Village Clown”
  20. But In The Spring: “Wild and Woolly” by Minot
  21. The Day Was: “Agitato Drammatico” by Savino
  22. That Horse Belongs To Me: “Infamy” by Conterno
  23. Jackson On Horse: “The Posse” by Lucas
  24. The Annual Cross: Repeat No.22 “Infamy”
  25. Exterior Scene: “Dramatic Allegro” by O’Hare
  26. Jackson And Men: “The Hour of Ghosts” by Becce
  27. O’Hara Enters Room: Repeat Theme No.4
  28. Jackson and Sheriff Enter: Repeat No.22 “Infamy”
  29. Jones With Radio: “The Gawky Rube” by Lakay
  30. The Annual Race: “Western Allegro” by Riesenfeld
  31. Shot—Race Starts: “Western Allegro” by Rapee-Axt
  32. O’Hara Wins: “Eruption” by Dubensky
  33. Court Scene: Repeat No.3 “Hebrew Melody”
  34. Court Cleared: “Ballade d’Amour” by Sanders

Source: Carl Braun Collection

SFSMA ID: v72tS6fxZ6

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Ransom

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Title: Ransom

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Battle Agitato No.48” by Shepherd
  2. In The Hope of Peace: “Reverie d’Amour” by D’Aquin
  3. Louise Brewster: “Joyous Spirits” by Savino
  4. Louise Sits On Desk: “Shannon River” by Friml
  5. Oliver Lincoln: “Whistling Rufus” by Mills
  6. News of Meredith’s Discovery: GANG THEME “Looms of Fate” by St. Saens
  7. Child At Window: “Poupee Valsante” by Poldini
  8. Bobby Saying Prayers: “Mighty Lak’A Rose” by Nevin
  9. After Dinner: LOVE THEME “All Day Long” by Stanley
  10. Telephone Rings: “Anxiete” by Srawley
  11. Oliver Telephoning: “Agitated Hurry” by Berge
  12. There’s Nothing We Can Do: “Sicilian Vespers” by Verdi
  13. Wu Fong and Gang: Repeat Gang Theme No.6
  14. Early The Next Evening: “La Foret Perfide” by Gabriel Marie
  15. Bobby, I Can’t Find Him: “Astir” by Berge
  16. Chinaman Appears: “Reproach” by Zamecnik
  17. On A Deserted Street: “Implorations” by Pasternack
  18. A New Poison Has Been Invented: “Silent Night” by Rebikov
  19. Bruce In Laboratory: “Dramatic Scene” by May
  20. Oliver Sees Shadow: “Treacherous Knave” by Zamecnik
  21. Oliver Starts To Pursue Chinaman: “Sarabande Perpetuelle” by Bradford
  22. Chinaman Tinkering With Latch On Door: “Witchcraft” by Becce
  23. That Night Was Like: “Chinatown, My Chinatown” by Schwartz
  24. Louise Enters Room: “Fingal’s Cave” by Mendelssohn
  25. Chinaman Enters Doorway: “Implorations of Neptune” by Massenet
  26. Good Evening: “Furioso No.4” by Bergunker
  27. Police Appear: “Wild Chase” by Becce
  28. Oliver, What Are You Going To Do?: Repeat No.5 “Whistling Rufus”

Source: Carl Braun Collection

SFSMA ID: 6o85KWEZRL

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Ramona

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Title: Ramona

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Ramona” by Wayne (WHITE)
  2. Early California: Angelus Bells on Organ or by Drummer
  3. Add Orchestra At End of Second Bell Scene: “Cloister-Chimes” by Borch
  4. Where Adventurous: “A.B.C. Dram. Set. No. 14-A1” by Luz
  5. The Hacienda: “Serenata de la Noche” by Burks
  6. Servant Makes Sign Of Cross After Title ‘WHERE IS RAMONA’: “Tambourine Dance” by Dunhill
  7. Stop With Crash As Ramona Falls Off Mule: “Ramona” by Wayne (WHITE)
  8. Boy Carries Ramona Into Garden: “Intermezzo Perpetual” by Lowitz
  9. Woman Sees Ramona—Calls To Her: “The Enchanted Castle” by Marquardt (RED)
  10. Mother and Son At Dining Room Table: “Ramona” by Wayne (WHITE) (Introd.)
  11. It Was Sheep Shearing Time: “Julio of the Argentina” by Olsen
  12. And Now Ramona, The Dance You Promised: “La Furlana” by Roberts (YELLOW)
  13. Two Farm Hands Take Off Hats: Repeat No. 9 (RED)
  14. Crowd Gets Ready for Dance: Repeat No.12 (YELLOW)
  15. Crowd Disperses When Seeing Mother: Repeat No. 9 (RED)
  16. Fade As Boy Begins Playing Guitar: “Be Thou My Guide” by Lowell
  17. Monk Blesses Ramona: “Indian Patrol” by Geehl
  18. Indian Enters to Monk and Lady: “Indian Dawn” by Zamecnik (BROWN)
  19. I Make Camp: Repeat No. 7 (WHITE)
  20. The Morning Hymn: “Hark! The Herald Angels Sing” by Mendelssohn
  21. Monk Makes Sign of Cross: “Southwestern Idyl” by Berge
  22. Alessandro Leaves Gate After Ramona Is Seen At Bird Cage: “Los Toros” by Lacome
  23. The First Sight of Ramona: Repeat No.18 (BROWN)
  24. Yes, Senorita: “Ramona” by Wayne (WHITE)
  25. Days Drifted Into Weeks: “La Media Noche” by Aviles
  26. Ramona Walks Off From Boy: Repeat No.18 (BROWN)
  27. In Three Days: Repeat No.24 (WHITE)
  28. Lovers Show After Woman In Black On Screen: “Treachery and Vengeance” by Fletcher
  29. Woman Pushes Ramona Back Screen: “The Enchanted Castle” by Marquardt (RED)
  30. In This Trunk: “Adagio Cantabile” by Ketelbey
  31. Ramona Has Handkerchief: “Appassionato in A Minor” by Savino
  32. You Have Been Cruel: “Tomahawk Dance” by Herman
  33. Ramona Packing Bundle: “Pelermage” by Franceschi
  34. Good-Bye Felipe: Repeat No.24 (WHITE)
  35. Good-Bye Ramona: “Affection” by Berge
  36. Ramona Gets Up After Praying: “La Golondrina” by Lake
  37. Felipe, I Have Never Heard You Sing: “Indian Dawn” by Zamecnik (BROWN)
  38. Alessandro On With Ramona: Repeat No.24 (WHITE)
  39. One Chorus And Segue: Repeat No.37 (BROWN)
  40. Fade-Out As Ramona Goes to Sleep: Repeat No.29 (RED)
  41. After Three Years: “Morning On The Plains” b y Wheelock
  42. Ramona On With Alessandro: Repeat No.37 (BROWN)
  43. Fade-Out of Ramona and Alessandro on Porch: Play “Two Miniature-Plaintive” by Harms
  44. Grave Scene: “La Furiana” by Roberts
  45. Vision of Dance: “Agitato Misterioso” by Becce
  46. Alessandro Enters Room: “The Last Lullaby” by Baron
  47. Alessandro Leads Horse To Door of House: “Redemption” by Zamecnik
  48. Interrupt With Sawing Wood Effect: Imitate Sawing Wood Effect on Organ or by Drummer
  49. Two scenes: “Melody of Peace” by Martin
  50. Into the Peaceful Valley: “Symphonic Color Classic No.1” by Kempinski (RED)
  51. Anticipate Outlaws Attack On Village: “Symphonic Color Classic No.1” by Kempinski (BLUE)
  52. Ramona Shows On Screen: Repeat No.50 “Symphonic Color Classic No.1” (RED)
  53. Ramona Drags Alessandro Back Into House: Repeat No.51 “Symphonic Color Classic No.1” (BLUE)
  54. House Shown Burning In Distance: “Symphonic Color Classic No.1” by Kempinski (GREEN and YELLOW)
  55. From San Diego: “Paroles d’Amour” by Tobani
  56. Far Above The Clouds: Repeat No.37 (BROWN)
  57. Close-Up of Horse On Screen: Repeat No.54 “Symphonic Color Classic No.1” (GREEN and YELLOW)
  58. Ramona Leaves House With Bucket: Repeat No.50 “Symphonic Color Classic No.1” (RED)
  59. Stop With Two Shots: Repeat No.51 “Symphonic Color Classic No.1” (BLUE)
  60. Ramona On With Alessandro: “Indian Dawn” by Zamecnik (BROWN)
  61. Fade-Out of Ramona and Alessandro: Repeat No.51 “Symphonic Color Classic No.1” (BLUE)
  62. Close-Up of Ramona Crying For Help: “Prayer at Eventide” by Elie
  63. Fade-Out of Sick Room: “The Wanderer’s Return” by Ketelbey
  64. Ramona Begins To Remember: “La Furiana” by Roberts (YELLOW)
  65. End of Dance: “Ramona” by Wayne (WHITE)

Proper rest period is Nos. 25 to 35 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: oJFYsvXEsF

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Quick Triggers

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Title: Quick Triggers

Author: M. Winkler

Publisher: Belwin Inc., 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: M. Winkler

OCLC Number:

Contents:

THEME: “Frangrance Lane” (Romance Melodique) by Fresco

In the event the above mentioned THEME is not in your Library or unknown to you, you may substitute:

“Love’s Acclaim” (Valse Melodique) by Andino

“Sleeping Rose” (Valse Lente) by Borch

  1. At Screening: “Western Rodeo” by Minot (Cowboy Allegro)
  2. The Ranch Riders of the Three X: “Stampede” by Simon (Western Allegro)
  3. Take My Horse, Dad: Theme
  4. Looks Like Larry’s Horse: “Hurray For Pursuit” by Minot
  5. Horse Is Caught: Theme
  6. You Know Your Father: “Dramatic Tension” by Andino
  7. Reckon It Belongs To One Of: “Early Roses” by Baron (Allegretto Melody)
  8. I’m Afraid, Colonel, You’re Fighting: “Recitative Patetico” by Peele
  9. Dad, I Want To mingle With: “Dramatic Climax” by Becce
  10. Riderless Horse Starts To Run: “Wild Chase” by Becce (Allegro Vivare)
  11. Dad, Brown Beauty’s Come Back: “The Crook” by Peele (Misterioso
  12. Better Get Your Hat: “Agitated Misterioso” by Rapee
  13. Girl Mounts Horse: “Jocoso” by Finck (Galop)
  14. Girl Knocking At Door: Theme
  15. You Didn’t Expect Me: Continue PP
  16. The Night of the Dance: “Burlesque on ‘Lange’s Flower Song’” by Kempisnki
  17. Close-Up of Musicians: “Creepy” by Hoff (Half-tone One Step)
  18. Music Stops Playing: Tacet
  19. Music Starts Playing Again: “Criptic Shadows” by Becce (Agitato Mysterioso)
  20. Get the Sheriff, Quick: “Charmaine” by Rapee (Waltz)
  21. Game’s Up, Mr. Horse Thief: “Lynch Law” by Becce (Agitato)
  22. Sheriff Arrives: Theme FF

Source: Carl Braun Collection

SFSMA ID: Y0APn8qbf2

Download: PDF

Quality Street

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Title: Quality Street

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Drink To Me Only With Thine Eyes” by Marquardt
  2. The Time—Late Afternoon: “A State Procession” by Ketelbey
  3. Doorbell Rings: “Gossip” by Marquardt
  4. Susan In House Shows On Screen: “Chatterbox” by D’Amresio (YELLOW)
  5. Marion Davies Sits Down: “Drink To Me Only With Thine Eyes” by Marquardt
  6. Susan Begins To Wind Wool: “Storm Galop” by Komzak
  7. Three Girls Turn From Window: “Love’s Impuslse” by Jacquet
  8. One Hundred: “Storm Galop” by Komzak
  9. Go Back: “Shepherd’s Pipe from ‘Romantic Suite’” by Gregh
  10. Do My Eyes Behold Phoebe: Repeat No.1 “Drink To Me Only With Thine Eyes”
  11. Invitation To Dance Shown On Screen: “Viennese” by Komzak

SEGUE: “Shepherd’s Pipe” by Gregh

  1. Susan Begins To Sew Dress: “Gossip” by Marquardt
  2. No, Not Yet, But We Expect It Hourly: “The Festivities from ‘Romantic Suite’” by Stanley (BROWN)
  3. Phoebe And Doctor Walk Down Stairs From Dance Pavillion: Repeat No.8 “Storm Galop”
  4. Marion Davies Seated In Garden—Doctor On With Two Glasses of Lemonade: “Storm Galop” by Komzak (Trio)
  5. Cloud Scene: “Perpetuum Mobile” by Rapee
  6. Phoebe and Doctor Stop Walking: Repeat No.3 “Gossip”
  7. Marion Davies Runs Into House: “Drink To Me Only With Thine Eyes” by Marquardt
  8. Marion Davies Runs Out of Room: “Gossip” by Borch
  9. Interior Scene After Gossipers Cross Street: “Drink To Me Only With Thine Eyes” by Marquardt
  10. Fade-Out Of Sisters To Men On Street: “Symphonic Color Classic No.8” by Schoenfeld (RED)
  11. And Napoleon: “Robespierre Overture” by Litolff
  12. Fade-Out of Napoleon Camp Scenes: Repeat No.21 (RED)
  13. Fade-Out of Close-Up of Men In Rain Moving To Camera: “Chatterbox” by D’Ambrosio (YELLOW)
  14. I’ve Got A Happy Surprise For You: “Symphonic Color Classic No.8” by Schoenfeld (WHITE)
  15. Fade-Out As Girls Embrace: Repeat No.3 “Gossip”
  16. Fade-Out of Mouth Moving: “A State Procession” by Ketelbey
  17. Doctor Sees Sisters As Maid Opens Door: Repeat No25 (WHITE)
  18. I Mean, I Think: Repeat No.10 “Drink To Me Only”
  19. I’m Glad: Repeat No.21 (RED) 4 bars only very slow
  20. Phoebe and Doctor Stand Up: “Drink To Me Only With Thine Eyes” by Marquardt
  21. I’ll Tell Susan: “Broken Vows” by Kempisnki
  22. Doctor Shakes Hands With Susan: Repeat No.20 “Drunk To Me Only”
  23. Doctor Leaves Room—Close-Up Of Two Sisters: “Drink To Me Only” by Marquardt (Plaintive Minor)
  24. Phoebe Puts Dress In Chest: Repeat No.3 “Gossip”
  25. Gossipers On With Susan At Organ—Susan Shows Despair In Face: “British Grenadiers from ’12 English Songs’” by De Witt
  26. Marion Davies Lying on Floor After Two Gossipers Wave Hands Slowly Through Window: Repeat No.34 “Drink To Me Only” (4 bars)
  27. Then For Many Years: Trumpet and Open Drum Roll
  28. Fade-Out of Subtitle: “Gavotte in G” by Gluck
  29. Girls Put Feet On Boy’s Knees: “The Joy Riders” by Patou
  30. Unhappy Boy, Why Did You Fight: “An English Tune” by Geehl
  31. Phoebe Walks From School Into Room At Piano: Repeat No.20 “Drink To Me Only”
  32. Close-Up of Phoebe’s Face In Bright Mirror: “Drink To Me Only” by Marquardt
  33. Two Soldiers In Tally Ho Shake Hands: “Posthorn Galop” by Koenig
  34. Soldiers Get Out of Tally Ho: Repeat No.2 “State Procession”
  35. Doorbell Rings: Repeat No.3 “Gossip”
  36. Captain About To Knock On Door—Children Exit: “Symphonic Color Classic No.8” by Schoenfeld (WHITE)
  37. Housekeeper Opens Second Door—Captain Sees Susan: “Chatterbox” by D’Amresio (YELLOW)
  38. Where’s Miss Phoebe: Repeat No.47 (WHITE)
  39. Phoebe Sees Captain Behind Door: Repeat No.43 “Drink To Me Only”
  40. Phoebe Motions Captain To Sit Down: “Farewell” by Howgill
  41. Phoebe Walks From Captain Brown: Repeat No.20 “Drink To Me Only”
  42. Phoebe Lays Head On Desk After She Cries: “Sweet Thoughts Of Love” by Alu
  43. Phoebe, Phoebe, You Must Not Give Way: “Symphonic Incidentals No.9” by Marquardt
  44. Phoebe Undressing After She Throws Up Right Arm Second Time: “Viennese” by Komzak
  45. Phoebe Stops Dancing When Seeing Captain Brown: Repeat No.43 “Drink To Me Only”

SEGUE: “Shepherd’s Pipe” by Gregh

  1. Marion Davies Sits Down At Piano: “Gavotte In G” by Gluck
  2. Captain Walks Out of Room: “Constance” by Golden
  3. Marion Davies Begins To Play Piano: Repeat no. 57 “Gavotte In G”
  4. Marion Davies’ Fingers Stop Playing Piano: Play “Lilac Time” from (May Days Are Gray Days) by Harms
  5. Captain Walks From Phoebe: Repeat No.5 “Drink To Me Only”
  6. Marion Davies Runs To Door: Repeat No.20 “Drink To Me Only”
  7. Marion Davies Lifts Leg At Door: “Storm Galop” by Komzak
  8. Captain Catches Marion Davies At Tree: Repeat No.18 “Drink To Me Only”
  9. Susan Shows On Screen—Interrupts Lovers: Repeat No.55 “Viennese”

SEGUE: “Shepherd’s Pipe” by Gregh

  1. Fade-Out of Susan and Phoebe With Veil At Door: “The Festivities” by Stanley (BROWN)
  2. Gossipers Show: “Sunshine and Flowers” by Schoenfeld
  3. Marion Davies and Captain Come Down Stairs: Repeat No. 14 “Storm Galop”
  4. Phoebe Sits Down On Bench In Garden—Captain On With Two Glasses of Lemonade: “Sunshine and Flowers” by Schoenfeld

SEGUE: “Sunshine and Flowers” by Schoenfeld

  1. ‘Tis Most Agreeable: Repeat No.20 “Drink To Me Only”
  2. Captain Kisses Phoebe: Symphonic Incidentals No.9” by Marquardt
  3. Phoebe Kneels At Susan’s Chair: Repeat No.18 “Drink To Me Only”
  4. Fade-Out of Phoebe And Susan: “Recompense d’Amour” by Kempinski
  5. Fade-Out Of Marion Davies and Susan in Close-Up: Repeat No.48 (YELLOW)
  6. Phoebe Walks Through Door From Room To Captain: Repeat No.12 “Gossip”
  7. Susan Comes Through Door To Captain: Repeat No.21 (RED)
  8. Please To Wait: “Love’s Impulse” by Jacquet
  9. Footsteps Going Upstairs: Repeat No.12 “Gossip”
  10. Captain Brown Speaks To Mind: Repeat No.21 (RED)
  11. ‘Tis All Your Own Fault: Repeat No.47 (WHITE)
  12. But Now That She Started This Horrid Livvy: Repeat No.3 “Gossip”
  13. Feet Coming Down Stairs: Repeat No.12 “Gossip”
  14. Susan Opens Door For Sick Phoebe: “Dance of the Goblins” by Schertzinger (Introd.)
  15. Captain Places Chair For Sick Phoebe: “The Trysting Place” by Schertzinger
  16. Doctor Stands Up Facing Camera—Talks To Susan: Repeat No.21 (RED)
  17. Susan Walks To Door: Repeat No.83 “Dance of the Goblins”
  18. Captain Re-enters Room—Sees Phoebe Gone From Chair: “Dance of the Goblins” by Schertzinger
  19. Doctor Pauses In Door When Carrying Model Out of Room: Repeat No.18 “Drink To Me Only”
  20. Sisters Embrace—Carriage Shows: “Gossip” by Marquardt

SEGUE: “Symphonic Color Classic No.8” by Schoenfeld (WHITE)

  1. Gossipers Close Curtains After Captain Bows To Them: Repeat No.1 “Drink To Me Only”

Proper rest period is Nos. 39 and 51 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: JTmxensuhx

Download: PDF

Put ‘Em Up

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Title: Put ‘Em Up

Author: M. Winkler

Publisher: Belwin Inc., 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: M. Winkler

OCLC Number:

Contents:

THEME “Ludicia” (Intermezzo) by Caludi

In the event the above mentioned THEME is not in your Library or unknown to you, you may substitute.

“Love’s Enchantment” (Entr’Acte) by Brookes

“Mirabilis” (Int) by Smid

  1. At Screening: “Aeroplane Galop” by Winter
  2. The Old Stage Coach: “Anticipation of Danger” by Becce (Agitated)
  3. This Stage Is Running Through: “Radio Message” by Baron (Galop
  4. Why, Tommy Evans: Theme
  5. Jake Lannister: “Dramatic Recitative No.3” by Aborn
  6. There’s The Stage: “April Bloom” by Ansell (Entr’Acte)
  7. There’s Lannister’s Men: Theme
  8. Take Care of Evans: “Agitato In D Minor” by Boehnlein
  9. Some Benighted Bozo: “Allegro Con Moto” by Borch
  10. This Will Make Mr. Mullins: “Farcical Allegro” by Aborn
  11. It Would Make A Nice Present: Theme
  12. Roused By Tom’s Open Rebellion: “Dramatic Recitative No.2” by Aborn
  13. Ever Day At A Certain Time: Theme
  14. It’s Really None of Your Business: “Agitato No.37” by Andino
  15. Tom’s Horse, Something’s Gone Wrong: “Agitato No.69” by Minot
  16. Round Up Dad Turner: “Agitato No.6” by Kiefert
  17. Lanister’s Men: “Dramatic Climax” by Becce
  18. Anyone Wantin’ To Fight Lannister: “Mournful Agitato” by Hilse
  19. Helen, You’re Being Forced: “Furioso No.60” by Shepherd
  20. After The Fight: Theme FF

Source: Carl Braun Collection

SFSMA ID: G955MCIJ0L

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Publicity Madness

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Title: Publicity Madness

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: THEME “I Can’t Believe That You’re In Love With Me” by McHugh
  2. Uncle Elmer: “Happy Moods” by Marquardt
  3. Exterior: “The Joker” by Srawley
  4. Uncle Elmer Comes Out of House: “Gaily Thro’Life” by Schad
  5. Come On, Stranger: “Joyful Hurry No.1” by Baron
  6. Don’t Waste Your Time: “Mirth and Merriment” by Delille
  7. Uncle Elmer Reads Newspaper: “Oh Mister” by Frey
  8. Uncle Elmer’s Offices: “Screening Preludes No.1” by Rapee-Axt
  9. The Banning Soap Co.: “Fluffy Ruffles” by Green
  10. Edmund Lowe Walks Into Private Office: “My Baby Knows How” by Davis
  11. Stenographer Leaves Private Office: “Garden Whispers” by Herkan
  12. Lowe Leaves Office: “An Argument” by Breil
  13. Lowe Enters Office Of The Saturday Night Soap Co.: “Sweet Lavender”
  14. The Efficiency Man: Repeat No.8 “Screening Preludes No.1”
  15. Man With Brief Case Enters Office: “April’s Lad” by Ancliffe
  16. Efficiency Expert Is Led Out of Office: “La Comedienne” by Hosmer
  17. Office Boy Announces That Miracle Man Has Arrived: Repeat No.8 “Screening Preludes No.1”
  18. Well, Boys, What: ”Listen To This” by Kaufman
  19. Pete Leaves Board of Director’s Room: “Babillage” by Castillo
  20. After Pete Gives Office Boy I.O.U.: “Alice” by Hauenschild
  21. Uncles Elmer Walks Into Pete King’s Office: “Hasty Moments” by Savino
  22. What Was Your Mother’s Name: “The Glad Girl” by Lampe
  23. And Now I’ve Got Another Idea: “Hilo” by Lake
  24. Pete Leaves Office: “Merry Pranks” by Rapee-Axt
  25. Change of Scene to Barber’s Shop: “Dotty Dimples” by Green
  26. Girl Gets Off Barber’s Chair: “When I Look At You” by Friend
  27. Pete King and Violet In Office: “Moon Glow” by Barth
  28. Listen, Big Boy: “Intermezzo” by Arensky
  29. Now I Know Why The Business: “Melodious Agitato” by Lakay
  30. I’m Crazy About You: Repeat Theme No.1
  31. Bill Collector Enters: Repeat No.3 “The Joker”
  32. Collector Takes Hat Off Uncle Elmer’s Head: “Comic Hurry” by O’Hare
  33. Pete King In Office: “A Funny Story” by Kay
  34. A Week Later: Repeat No.25 “Dotty Dimples”
  35. Change of Scene to Banning Soap Company’s Office: “A Critical Moment” by Becce
  36. Violet Seen Walking In Street: “Excitement and Hurry” by Hoffman
  37. I Would Not Have My Girl’s Picture: “Emotional Agitato” by Savino
  38. Change of Scene To Banning Office: “Symphonic Incidentals No.1” by Marquardt
  39. I’ve Got A Great Idea: “Joyous Allegro” by Borch
  40. Pete’s Hawaiian Idea: Repeat No.8 “Screening Preludes No.1”
  41. Change of Scene to Street: “Lucky Lindy” by Baer
  42. Change of Scene Back To Board Meeting: Repeat No.8 “Screening Preludes No.1”
  43. What’s The Matter, Peter?: Repeat Theme No.1
  44. Newspaper Seen: “Eagles of America” by Godfrey
  45. Airplane Starts: “The Joy-Riders” by Patou
  46. You Have Ruined My Father: “Panicy Agitato” by Berge
  47. Banning Airplane Starts: “Flying Hurry” by Carbonara
  48. Maybe We Should Have Kept Him: “Scherzando Hurry” by Frey
  49. After A Dizzy Night: “Hello, Aloha! How Are You?” by Baer
  50. Everybody’s Downtown: “Farewell to Thee” by Lake
  51. After Pete Reads Telegram: Repeat Theme No.1

Source: Carl Braun Collection

SFSMA ID: wja1M2eDfY

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Prowlers of the Sea

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Title: Prowlers of the Sea

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Manzanillo” by Robyn
  2. Headquarters of General Hernendez: “March Carnavalesque” by Friml
  3. Carlos Enters: “La Giralda” by Juarranz
  4. The Garrison Alganus: “Famabella” by Grimm
  5. Captain Carlos Enters: “A Bunch Of Roses” by Chapi
  6. The Schooner “Eagle”: “Stalking The Prey” by Kempinski
  7. Perhaps Your Sister May Accomplish: MERCEDES THEME “En La Osteria” by Gabriel Marie
  8. The Following Night: “March of the Phantom Hosts” by Axt
  9. Mercedes Enters Captain’s Headquarters: Repeat Mercedes Theme No.7
  10. Sanchez Apperas: “Second Misterioso a la Valse” by Savino
  11. They Enter Café: “Bodadilla” by Luna
  12. A Beautiful Woman: LOVE THEME “Red Red Rose” by Shauer
  13. Flash To Schooner “Eagle”: “Diabolical Allegro” by Bergunker
  14. Mercedes and Carlos In Garden: Repeat Love Theme No.12
  15. Sanchez Appers: “Si! Senorita” by Sanders
  16. Rocky Coast—Girls Appear: “Third Misterioso a la Valse” by Savino
  17. Mercedes and Carlos: Repeat Love Theme No.12
  18. Cantina: “Espana Waltz” by Waldteufel
  19. Beach Scene: “Melodious Agitato” by Lakay
  20. Flash-Back To Mercedes and Carlos: Repeat Love Theme No.12
  21. Beach Scene—Smugglers Landing Crates of Guns: “Beware” by Bizet
  22. Officer Fires Gun: “Fighting The Flames” by Pasternack
  23. The Next Morning There Was A Turmoil: “Implorations” by Pasternack
  24. Mercedes Close-Up-Vision of Execution: Repeat Love Theme No.12
  25. Carlos!: “Love’s Impulse” by Jacquet
  26. General At Desk: “Frivolous Patrol” by Goublier
  27. Mercedes Enters: “The Accusation” by Patou
  28. Carlos Confronts Mercedes In Office: Repeat Love Theme No.12

Source: Carl Braun Collection

SFSMA ID: xlN0i5RvVN

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Prep and Pep

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Title: Prep and Pep

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: “Military Tactics” by Rosey
  2. Cannon Shot: “Assembly Call from ‘Trumpet and Drum Book’”

NOTE: Play Twice; Drummer watch cannon.

SEGUE: “Cadets March” by Wagner

  1. All Present: “Dismissal from ‘Trumpet and Drum Book’”
  2. Change of Scene to Office: “Chief of Staff” by Axt
  3. Dorothy—Daughter Of: DOROTHY THEME “Underneath The Falling Leaves” by Sherman
  4. What’s The Matter?: Repeat No.4 “Chief of Staff”
  5. Change of Scene To Military Grounds: “Military Tactics” by Rosey
  6. Cyril Reade: CYRIL THEME “Sweet Lavender” by Wheeler
  7. “Flash” Wells: “Speedy Boy” by Greer
  8. Girl Walks Over To Cyril: Repeat Dorothy Theme No.5
  9. Cyril Leaves Girl: Repeat Cyril Theme No.8
  10. Change of Scene To Military Mess Hall: “Step With Pep” by Kaufman
  11. “Flash” Starts To Shake Cyril: “Puck” by Grieg

NOTE: Play very lively.

  1. Change of Scene To Woods: “He’s Me Pal” by Edwards

NOTE: Play as a One-Step.

  1. Cyril Gets Into Ring: “Stand Up and Fight Like H—” by Cohan
  2. Gong Rings: “Ouch” by Kaufman

NOTE: Drummer watch gong.

  1. Gong Rings—Round is Over: Repeat No.14 “He’s Me Pal”

NOTE: Play as a One-Step; Drummer watch gong.

  1. Gong Rings For Next Round: “Warming Up” by Kaufman

NOTE: Drummer watch gong.

  1. Jiggers Fellows: “Comedy Allegro” by Berg
  2. Cyril Sees Colonel and Dorothy: Repeat No.4 “Chief of Staff”
  3. Young Man Seen On Tree Top: Repeat No.14 “He’s Me Pal”

NOTE: Play as a One-Step.

  1. Dorothy Comes Over To Boys: Repeat Dorothy Theme No.5
  2. Change of Scene To Dorothy’s Home: “Just A Night For Meditation” by Pollack
  3. “Flash” Is Seen: Repeat No.9 “Speedy Boy”
  4. Colonel Appears After Hammock Breaks: Repeat No.4 “Chief of Staff”
  5. The Regimental Track Meet: “Speed” by Frey
  6. “Flash” Runs Against You: Repeat Cyril Theme No.8
  7. Pistol Shot For Start Of Race: “Pins and Needles” by Kaufman
  8. Race Is Over: Play “Pack Up Your Troubles” by Chappell
  9. Change of Scene To Barracks: “Me-Ow” by Kaufman

NOTE: Play introduction and Trio.

  1. Glee Club Seen Singing In Barrack: “Hail America” by Drumm
  2. Cyril Walks Away From Glee Club: “Despondency” by Williams
  3. I—I’m Going To Develop: “Cheer, Boys, Cheer” by Lake
  4. Dorothy Comes Over To Father: Repeat Dorothy Theme No.5
  5. Room-Mate Seen: Repeat No.29 “Pack Up Your Troubles”
  6. Cyril Enters Room: Repeat No.14 “He’s Me Pal”

NOTE: Play as a One-Step.

  1. Cyril Picks Up Napoleon’s Bust: “La Marseillaise” (last half)
  2. I’m Going To Manage You: Repeat No.14 “He’s Me Pal”

NOTE: Play as a One-Step.

  1. “Flash” Enters Room: Repeat No.9 “Speedy Boy”
  2. “Flash” Leaves: Repeat No.14 “He’s Me Pal”

NOTE: Play as a One-Step.

  1. The Famous Black Horse Troop: “The Black Horse Troop” by Sousa
  2. You All Better Stay Off: Repeat Cyril Theme No.8
  3. Change of Scene To Men On Horseback: Repeat No.41 “Black Horse Troop”
  4. Here He Comes: “Galloping Furies” by Rapee
  5. Cyril Finished Riding And Hurdling: Repeat No.9 “Speedy Boy”
  6. Cyril’s Room-Mate Enters Room: Repeat No.14 “He’s Me Pal”

NOTE: Play as a 2/4 One-Step.

  1. Dress Parade: “Snappy Strides” by Lakay
  2. Inspect Your Guard: “Bugle Call Rag” by Blake
  3. After “Flash” Goes Into Barrack: Repeat Dorothy Theme No.5
  4. Change of Scene To Barrack: “Sh! Not So Loud” by Barret
  5. Cyril Enters Room: Repeat No. 15 “Stand Up and Fight Like H—”
  6. Dorothy Seen On Horseback: “Symphonic Incidentals No.18” by Marquardt

NOTE: Trumpeter play Assembly Call—Drummer watch room bell.

  1. Cadets Leave After Title: “THE VILLAGE IS BEING SWEPT”: “Fury” by Zamecnik
  2. Reade Saves Us Both: “Joy” by Zamecnik
  3. Graduation Day: “Chevrons” by Donaldson
  4. Three Cadets Seen Walking: “Comrades from ‘Old Timers’” by Lake
  5. One For All: Repeat Dorothy Theme No.5

NOTE: Play last eight bars—“FF” for finish.

Source: Carl Braun Collection

SFSMA ID: wOjduZzD3A

Download: PDF

Power

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Title: Power

Author: Howard T. Wood

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Howard T. Wood

OCLC Number:

Contents:

  1. At Screening: “Prelude in G Minor” by Rachmaninoff
  2. Little Peter Rabbit: “Ripples” by Lowitz
  3. And Now Little Kiddies: “Speedy Boy” by Greer
  4. Close-Up of Whistle: “Happy Hectic Hours” by Schad
  5. Hotel Bachelor Seen: “The Evening Hour” by Kussner
  6. A Dame Or Two Later: “Down by the Winegar Woiks” by Donovan
  7. Fight Starts: “Agitato No.6” by Kiefert
  8. After Fight: Repeat No.3 “Speedy Boy”
  9. On This Side of the Street: “Oh! You Have No Idea” by Dougherty
  10. “Handsome” At Door Of House: “Jealous” by Little
  11. Change To Boyd and Dude: “Lila” by Pinkard
  12. Change To Truck Load of Men: “Pixie Pranks” by Loud
  13. Boyd Sees Girl With Two Plates: Repeat No.10 –play in song tempo
  14. Listen Pain In The Neck: “Flamin’ Mamie” by Whiteman

NOTE: Play in song tempo.

  1. Change to Dude and Girl: “The Show-Off” by Sanders
  2. Your Life Work’s Waiting For You: “Rural Flirts” by Bradford
  3. Not So Much Later: “Could I?” by Ager
  4. Two Men Grab Suitcase: “A Good Man Is Hard To Find” by Green
  5. And So Dear Kiddies: “Summer Showers” by Logan
  6. “Handsome” Sees Dance Hall: “Feelin’ Good” by Murphy

NOTE: Play in “Charleston” rhythm.

  1. Two Men Sneak Out: “Puppets” by Bierman
  2. Change To Girl and Dude: “The Gold Digger” by Hanley

NOTE: Play in song tempo.

  1. Dancing Seen: “Changes” by Donaldson
  2. Dancing Stops: “Ting-A-Ling” by Little
  3. I’m Sure You Don’t Mind: “Sweet Sue—Just You” by Young
  4. Dancers Leave Floor: “Beloved” by Kahn
  5. Change of Scene To Dam: “Allegro Precipitoso” by Savino

NOTE: Start slowly and “PP”.

  1. Boyd Rescues “Handsome”: “He’s My Pal” by Edwards
  2. After A Hard Day At The Dam: “And Then You Came Along” by Fain
  3. Lights Thrown On Petting Parties: “Hard-To-Get Gertie” by Ager
  4. Girl Stops Car With Her Foot: “She Knows Her Onions” by Yellen
  5. I Think You’re Awfully Nice: “Is It Gonna Be Long” by Abbott
  6. I Shouldn’t Have Let You Say That: “Hearts and Flowers” by Tobani
  7. Baby, I’m Goin’ Right To My Room: “Enthusiasm” by Schad
  8. “Handsome” Arrives At Hotel: “A Love Lesson” by Fresco
  9. Change To Torn Photos On Floor: “Joy Bells” by Santly
  10. Boyd Joins “Handsome”: “No Wonder I’m Happy” by Akst
  11. I Forgot To Ask You: “The Chatterbox” by Sanders
  12. Boyd Leaves “Handsome”: “Agitato in D Minor” by Boehnlein (Start “PP”)
  13. Boyd and “Handsome” See Girl and Dude: “Hurry No.87” by Berge
  14. Two Men Stop Running: “After My Laughter Came Tears” by Tobias
  15. Would It Be Bothering You: “That’s My Weakness Now” by Green

Source: Carl Braun Collection

SFSMA ID: sO5mMX7PbA

Download: PDF

Plastered In Paris

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Title: Plastered In Paris

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: “Madelon” by Robert
  2. It Seems There Was: “Military Scene” by O’Hare
  3. Sammy Nosenbloom: JEWISH THEME “Mozel Tof” by Fleischmann
  4. Private Benson: Repeat No.2 “Military Scene”
  5. They Should Give A Guy: Repeat Jewish Theme No.3
  6. Bomb Shells Exploding: Tympany Rumble and Battle Effects by Drummer
  7. Sammy Nosenbloom Is Brought Into Hospital: “Tragic Andante” by Savino
  8. Fade-In To Vision Of Devil and Angel Fighting: “March of the Dwarfs” by Grieg

NOTE: Play very lively.

  1. Ten Years Have Gone: “National Emblem March” by Bagley
  2. Close-Up of Sammy Outside of Building: Repeat Jewish Theme No.3
  3. Sammy Gets Kleptomaniac Spell: SAMMY THEME “Morning from ‘Peery Gynt Suite No.1’” by Grieg
  4. Marcelline: Repeat No.1 “Madelon”
  5. Flash-Back To Lovers: “Diane” by Rapee
  6. Another Girl! I Hate You!: “Ferocity” by Carrozzini
  7. Flash-Back To Sammy and Pal: “Paris Life” by Mosay
  8. Girl Puts Her Compact In Bosom: Repeat Jewish Theme No.3
  9. Sammy Gets Kleptomaniac Spell: Repeat Sammy Theme No.11
  10. Thank You, Doctor: “Alice” by Hauenschild
  11. Change of Scene To Waiting Room: Repeat Sammy Theme No.11

NOTE: Play a la burlesque—brass “FF”.

  1. Flash-Back To Doctor and Sammy: Repeat Jewish Theme No.3
  2. Sammy Gets Kleptomaniac Spell: Repeat Sammy Theme No.11
  3. My Sweetheart!: Repeat No.1 “Madelon”
  4. Doctor Finds Waiting Room Empty: “Comic Hurry” by O’Hare

NOTE: Start slowly, then play to action

  1. Officer Leaves Sculptor: “Allegro Buffonesco” by Kempinski
  2. Change of Scene To French Café: “L’Amour” by Christine
  3. Apache Dancers Seen: “Apache Dance” by Offenbach
  4. Close-Up of Sammy’s Nose: Repeat Jewish Theme No.3
  5. Now You Will Pay Zis: “La Marseillaise”

SEGUE: “Nola” by Arndt

  1. Sammy Has Kleptomaniac Spell: Repeat Sammy Theme No.11

NOTE: Strings and bird whistle by Drummer only.

SEGUE: JEWISH THEME “Mozel Tof” by Fleischmann

  1. You’re Wrong, Soldier: “Let’s Talk About My Sweetie” by Donaldson
  2. That Necktie: “Stop It” by Kaufman
  3. After Lights Go Out: “Jollifications” by Noyes
  4. Vive Le Legion!: Repeat No.28 “La Marseillaise”

SEGUE: “Blue Devils” by Levy

  1. Change of Scene To Desert: “Marche Des Zonaves” by Coventry

NOTE: Play to action—watch for Trumpet call on screen.

  1. Sergeant Coucou! Am I: “Le Pere de la Victoire” by Ganne

NOTE: Watch for Trumpet call on screen.

  1. Sammy Gets Kleptomaniac Fit: Repeat Sammy Theme No.11

SEGUE: “Stop It” by Kaufman

  1. Orderly! Meet My: “French Nat’l Defile March” by Turlet
  2. Segeant Coucou Beckons On Sammy: “The Whisper Song” by Friend
  3. Soldiers Start Drilling Again: “Marche Lorraine” by Ganne
  4. Company—Dismissed!: “Amo” by Robyn
  5. Sergeant Coucou Calls Sammy And Pal: Repeat No.35 “Le Pere de la Victoire”
  6. Guard Those Riff Magicians: “Karma” by Herbert
  7. Riff Magician Unties Knot Under Table: “A Game of Tag” by Trinkaus
  8. Riff Magician Beckons To Sammy: Repeat No.42 “Karma”
  9. Riff Magician Shows Five Finger Tip Lit Up: “Queer Antics” by Zamecnik
  10. Shoot Those Two Prisoners: “Eccitamento” by Retlaw
  11. Trumpeter Seen: Short Trumpet Call

SEGUE: “Excitement and Hurry” by Hoffman

  1. Couple Seen In Automobile: Repeat No.13 “Diane”
  2. Man Is Shot: “Agitato Dramatico” by Fresco
  3. Sammy and Pal Run Over To Wounded Man: “Prelude Dramatique” by Srawley
  4. Sammy and Pal Seen In Riff Village: “Before the Caliph’s Palace” by Trinkaus
  5. Man Seen In Tower: Orchestra Tacet—Oriental Gong by Drummer
  6. Sammy and Pal Enter Doorway: “Orientale” by Cui

NOTE: Play in Fox-Trot tempo.

  1. Mimi!: Repeat No.1 “Madelon”
  2. Where’s The Girl?: “A Critical Moment” by Becce
  3. Abu Ben Abu: “Egyptian Echoes” by Black
  4. By The Beard Of The: “Constantinople” by Carltn
  5. Man Seen In Tower: Gong by Drummer
  6. Riffs Start Chase For Americans: “Warriors Bold” by Joels
  7. Sammy and Pal Slide Into Pool: “Comedy Allegro” by Haines
  8. Change of Scene To Military Barracks: Repeat No.39 “Marche Lorraine”
  9. My Brave Americans!: “Stars and Stripes” by Sousa (Trio)
  10. My Hero!: Repeat No.1 “Madelon”
  11. Sergeant Coucou Punches Sammy’s Nose: SAMMY THEME “Morning from ‘Peery Gynt Suite No.1’” by Grieg

Source: Carl Braun Collection

SFSMA ID: tWCDAw5bHM

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Phyllis Of The Follies

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Title: Phyllis Of The Follies

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Fairy Feet” by Finck
  2. Insert—Letter: “There Ought To Be A Law Against That” by Friend

NOTE: Play very quietly throughout entire sequence.

  1. You’re A Great Lawyer, Decker: “Canzonetta” by Carrozzini
  2. Hello, Honeybunch: “Polly” by Zamecnik
  3. A Man’s Greatest Asset Is: “Leaves At Play” by McElwain
  4. Decker Selecting Gown From Wardrobe: “Le Retour” by Bizet
  5. Decker Drives Away: “Dolly Dimples” by Alter
  6. When Two Follies Girls Go Into Conference: “Love’s Enchantment” by Brookes
  7. Decker Greets Clyde: “Histoire de Blondinette” by Gillet
  8. Decker Starts Victrola: “It All Depends On You” by Henderson
  9. Three Hours Later: THEME “Girl Of My Dreams” by Clapp
  10. Girls In Boudoir: “Chatter” by Khan
  11. Phyllis Appears At Entrance: Repeat Theme No.11
  12. Insert—Telegram: “Garden Whispers” by Herkan
  13. I Just Got Back: “Flocons de Neige” by Bradford
  14. Say, What’s The Idea: “The Scandel-Mongers” by Patou
  15. Clyde Meets Phyllis: Repeat No.4 “Polly”
  16. Let Me Present: “So That’s The Kind Of A Girl You Are” by Burke
  17. Clyde Hurries Toward Phyllis: “Doux Murmure” by Gillet
  18. What Was The Reason: “Broken Hearted” by Henderson
  19. Clyde Pacing The Floor: “Impression Dramatique” by Bradford
  20. Decker Enters Room—Speaks To Phyllis: “Adventure d’Amour” by Bradford
  21. Pack Up, We’re Leaving Town: “Elopement” by Carrozzini
  22. Phyllis Enters Room: “Love’s Impulse” by Jacquet
  23. My Roadster In A Hurry: “Restless Bows” by Srawley
  24. Phyllis On Balcony: Repeat Theme No.11

Source: Carl Braun Collection

SFSMA ID: rLmWctF946

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Phantom of the Opera

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Title: Phantom of the Opera

Author: N/A

Publisher: Belwin Inc., 1925

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: N/A

OCLC Number:

Contents:

PHANTOM MYSTERY THEME: “Second Movement of Prelude To A Mystery Drama” by Baron

PHANTOM LOVE THEME: “Trio of Pastel Menuet” by Paradis

CHRISTINE LOVE THEME: “Because You Say Good-Bye (Dramatic Love Song)” by Levy

  1. At Screening: PHANTOM MYSTERY THEME
  2. Gaston Leroux, The Famous: Continue to action
  3. But Who Thinks Of Cellars: “Birds and Butterflies” by Levy
  4. Orchestra Conductor In View: “Faust Waltz” by Gounod
  5. Christine, My Love, When: CHRISTINE LOVE THEME
  6. At The Height of The Most: PHANTOM MYSTERY THEME
  7. In The Cellars Of: “Gruesome Mysterioso” by Borch
  8. Carlotta, Favorite Prima Donna: “Dramatic Recitative No.1” by Levy
  9. Come, I’ll Show You Where I Saw Him: Continue FF
  10. Meanwhile In Christine’s Dressing Room: “Elegie” by Baron
  11. I Shall Sing For You: “Majestic Mysterioso” by Kilenyi
  12. The Following Day In A: CHRISTINE LOVE THEME
  13. Carlotta Was Strangely Ill On: “Spinning Song” by Faust
  14. Who Occupies Box 5: PHANTOM MYSTERY THEME
  15. Moved As By Celestial: “Opening of ‘Faust Selection’” by Gounod (Hawkes Edition only.)
  16. Christine Fainting Back-Stage: “Dramatic Suspense” by Winkler
  17. Bearded Man Leaving Christine’s Room: PHANTOM MYSTERY THEME
  18. Another Discordant Note: “Sinister Theme” by Vely
  19. At The Office of M. Faure: “Dramatic Tension” by Levy
  20. The Following Evening: “Faust Jewel Song” by Gounod
  21. Flickering of Lights: Tacet, ad. Lib. (Tympani rolls only until.)
  22. Chandelier Crashing Down: Effect of tremendous crash
  23. People Rushing Out of Opera House: “Furioso” by Shepard
  24. Christine Enters Her Dressing Room: “Tragic Theme” by Vely

NOTE: Begin pp then to action.

  1. The Phantom’s Last Line: “Dramatic Reproach” by Berge

NOTE: Produce effects of peculiar sounding gong, three times.

  1. Because I Love You: “Notte Mysteriosa” by Becce
  2. You, You Are The Phantom: PHANTOM MYSTERY THEME
  3. Close-Up of Christine Sleeping In Bed: “Dramatic Agitato” by Hough

NOTE: Begin pp then to action.

  1. The Night Passed: CHRISTINE LOVE THEME
  2. Phantom At Organ: PHANTOM LOVE THEME (Organ solo, “Trio of Pastel Menuet” by Paradis.)
  3. Since First I Saw Your Face: Tacet
  4. Yet Listen, There Sounds: Repeat former organ solo one octave lower. Same as Cue No.29
  5. Christine Tears Off Mask: Tympani Roll FF followed by “PHANTOM MYSTERY THEME.”
  6. I Shall Prove To You: PHANTOM LOVE THEME

NOTE: To be played with orchestra.

  1. In The Midst Of His: CHRISTINE LOVE THEME
  2. One Night Each Year: “First Concert Waltz” by Durand
  3. Beneath Your Dancing Feet: PHANTOM MYSTERY THEME
  4. High Above Paris: CHRISTINE LOVE THEME

NOTE: Read notes heading cue sheet.

  1. He Is A Monster: Continue FF.
  2. She Has Betrayed Me: Continue to action
  3. Flash Back To Masque Ball: Repeat “First Concert Waltz” by Durand
  4. Interior of Police Prefect’s Office: “Mysterioso Dramatico” by Aborn
  5. The Ballet Girls Danced: “Faust Waltz” by Gounod
  6. Curtain Falling: CHRISTINE LOVE THEME
  7. Christine Leaving Room: “Creepy Creeps” by Borch
  8. Man Sees Hanging Body: “Mournful Agitato” by Hilse
  9. Flicker of Lights: “Faust Selection” by Gounod

NOTE: Use opening of Selection arranged by Myddleton. (Hawkes Edition.)

  1. Fear For His Brother: “Mysterioso Dramatico No.61” by Borch
  2. Flicker of Lights in Opera House: “Allegro Infernale” by Baron

NOTE: Play to action.

  1. I Am A Messenger: “Misterioso Agitato” by Smith
  2. I Am Human Like Other Men: Tacet, just produce effects of peculiar gong.

NOTE: Read notes heading Cue Sheet.

  1. Your Voice Sounds Near: PHANTOM MYSTERY THEME
  2. Phantom At Organ: PHANTOM LOVE THEME

NOTE: As organ solo.

  1. Phantom Stops Playing Organ: “Mysterioso Dramatique No.54” by Borch
  2. Phantom At Organ: PHANTOM MYSTERY THEME

NOTE: Read notes heading Cue Sheet.

  1. Torrents of Water Rushing Through Cellars: “Half Reel Furioso” by Levy

NOTE: Read notes heading Cue Sheet.

  1. Viroflay, The Scene Of The: CHRISTINE LOVE THEME

Source: Carl Braun Collection

SFSMA ID: qPDtGZXMau

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Pajamas

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Title: Pajamas

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At Screening: THEME “I’ll Dream of You” by Shilkret
  2. Speed Law Sign Seen: “Step On It” by Kaufman
  3. Young Lady, This Has: “Comedy Allegro” by Haines

NOTE: Play “PP” and to action.

  1. The Wade Home: “Happy Moods” by Marquardt
  2. Egbert For Rest: “Lazy” by Berlin
  3. Your Father Wants: “A Gay Lothario” by Bierman
  4. Come On—Let’s Swim!: “En Visite” by McDonald
  5. John Weston: “Johnny On The Spot” by Roberts
  6. Don’t Think Too Seriously: “Miss Mischief” by Kempinski
  7. Help! Cramp!: “Help! Help!” by Kovacs
  8. Well Weston! What Happened: “The Water Bug” by Miles
  9. That Young Man: Repeat No.9 “Miss Mischief”
  10. Board of Directors At Conference Table: “Grandioso” by Fassio (Play “PP”)
  11. Change of Scene To Living Room: “Polly” by Zamecnik
  12. Group Seated At Dining Room Table: “The Joker” by Srawley
  13. You Can’t Annoy Me: “Light Agitato” by Noyes
  14. Are You Going To Let: Repeat No.8 “Johnny On The Spot”
  15. Father Enters John Weston’s Room: “Babillage” by Castillo
  16. Aeroplane Starts: “Scherzando Hurry” by Frey
  17. Into The Canadian Rockies: “In The Clouds” by Rapee-Axt
  18. Young Man Lands In Parachute: “Scene Pastorale” by Tours
  19. Close-Up of Wrecked Aeroplane: “Love In Arcady” by Wood
  20. Stay On Your Own Side: “Waterfall” by Zamecnik
  21. Change of Scene to Father: “In The Ruins” by Kempinski
  22. Change of Scene to Camp Again: “Desolation” by Savino
  23. That’s My Fish!: “Love’s Impulse” by Jacquet
  24. I’m Sorry I Lost My: Repeat Theme No.1
  25. Change of Scene To Men Carrying Canoe: “Rustic Allegro” by Savino
  26. Good Morning!: Repeat Theme No.1
  27. Help! Cramp!: Repeat No.10 “Help! Help!”
  28. What’s The Matter: Repeat Theme No.1
  29. Change of Scene To Canoe: Repeat No.28 “Rustic Allegro”
  30. Change of Scene To John and Angela: Repeat Theme No.1
  31. Canoe Seen With Rescue Party Again: Repeat No.28 “Rustic Allegro”
  32. Change of Scene To Close-Up of John Weston: “In Arcadia” by Sellars
  33. Change of Scene To Blue Print Of Rescue Party: “Screening Preludes No.1” by Rapee-Axt
  34. John and Angela Seen: Repeat Theme No.1
  35. Angela Leaves John After Kiss: Repeat No.26 “Love’s Impulse”
  36. Rescue Party Seen: “Woodland Whispers” by Czibulka
  37. Let’s Stay Here: Repeat Theme No.1
  38. Please, John: “Grand Appassionato” by Becce
  39. John Leaves Angela: “In The Dell” by Frommel
  40. Angela and John See Each Other: “Rapture” by Zamecnik
  41. You Big Loafer: Repeat Theme No.1

Source: Carl Braun Collection

SFSMA ID: SpA9NzlxbH

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Painting The Town

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Title: Painting The Town

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At Screening: “Shoot” by Kaufman
  2. Undershirts Have Gone Out: “Zip” by Frey

NOTE: Racing motor effects.

  1. Hector Talking To Patsy: “I Love Me” by Mahoney
  2. Patsy’s Picture On Wall: “If I Had A Girl Like You” by Henderson
  3. Picture Removed From Wall: “It Had To Be You” by Jones
  4. The Fine Will Be A Hundred Dollars: “Poor Relations” by Bendix
  5. Times Square: “Broadway” by Dubin
  6. Curtain Down: “Ouch” by Kaufman
  7. Patsy Appears With Escort: THEME “It All Depends On You” by Henderson
  8. Sorry We Have An Appointment: “I’m On My Merry Way” by Whiting
  9. Drunk Rises From Auto: “Two In A Bar” by Copping
  10. Interior—Guests: “Oh Mister” by Frey

NOTE: Catch effect of smashing watches on table.

  1. I Suggest Miss Patsy: Play “Black Bottom”
  2. Hector Starts Fantastic Eccentric Dance: “Dans du Ventre” by Clark

NOTE: Play in jazz tempo; catch fall.

  1. Men Smoking Cigars—They Explode: Repeat No.2 “Zip”
  2. Tell Mr. Tyson He’s Wanted On The Phone: Repeat Theme No.9

NOTE: Piano and orchestra alternate on pick-ups following screen.

  1. Slips Don’t Count: “Ain’t She Sweet?” by Ager
  2. Drunk Appears: “Blue Law Blues” by Lake
  3. Flash-Back To Patsy and Hector: Repeat No.17 “Ain’t She Sweet?”
  4. Patsy Lived: “The Joker” by Srawley
  5. What Are You Doing Here?: “Elopement” by Carrozzini
  6. Drunk On Bed: “Lucy Is Loose Again Tonight” by Woods
  7. Don’t Let Her In: “Rush Hours” by Sanders
  8. The Fire Department Has Been: “Illusions” by Ring-Hager
  9. Hector and Tyson Enter Outer Office: “Flocons de Neige” by Bradford
  10. Tyson Appears From Inner Office: “Coming of Spring” by Godard
  11. Hector Winds Up Toy Mouse: “Air Thrills” by Sanders
  12. Hector Lands In Commissioner’s Office: Repeat No.3 “I Love Me”

NOTE: Catch cigar explosion.

  1. Hector Walks From Office: “I’m Sitting On Top of the World” by Henderson
  2. Following Morning: “I Can’t Get Over A Girl Like You” by Ruskin
  3. Hector Starts To Dream—Visions: Repeat Theme No.9
  4. The Hour For The Demonstration: “Speed” by Frey

NOTE: Catch crash.

  1. After Crash: “Melancholic Appassionato” by Rapee
  2. Love Refuses To Admit Defeat: “That’s What I Call a Pal” by Nelson
  3. Traynor Enters With Contracts: “Enigma” by Borch
  4. Hector Enters Office: “Appassionato No.2” by Axt
  5. Patsy Sounds Alarm: “The Skyrocket” by Frey

NOTE: Wild riding auto effects.

  1. Right On The Dot: Repeat No.3 “I Love Me”
  2. Patsy and Hector In Auto—Ride Off: Repeat Theme No.9

Source: Carl Braun Collection

SFSMA ID: 6NGUsFVL24

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