Category Archives: Cue Sheets

Beyond the Sierras

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Title: Beyond the Sierras

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “PAstorale” from L’Arlesienne by Bizet
  2. Southern California: “Symphonic Color Classic No. 1” by Kempinski (RED)
  3. McCoy runs from mine entrance: “Symphonic Color Classic No. 1” by Kempinski (LT. BLUE)
  4. McCoy putting notches into revolver handle: Repeat No. 2 (RED)
  5. From the north, stranger: Repeat No. 3 (LT. BLUE)
  6. Why Carlos, that’s no way to talk: Repeat No. 2 (RED)
  7. Handkerchief on ground: “Symphonic Color Classic No. 1” by Kempinski (WHITE)
  8. Let’s settle this argument later: “Idyl Pastorale” by Savino
  9. My master prepared: Repeat No. 7 (WHITE)
  10. That night: “Sorella” by Clere
  11. Dancers stop—orchestra on screen: “Spanish Dance No. 1” by Moszkowski
  12. Exterior scene (garden): “Lisette” by Engel
  13. Get out of my sight: Repeat No. 11 “Spanish Dance No. 1”
  14. Exterior scene (garden): Repeat No. 7 (WHITE)
  15. Lovers interrupted: Repeat No. 11 “Spanish Dance No. 1”
  16. End of dance—orchestra on screen: “In a Canoe” by Zamecnik
  17. Senor why do you not unmask?: “Symphonic Color Classic No. 1” by Kempinski (RED)
  18. I never find it necessary: “Ondes Mysterieuses” by Franceschi
  19. None disputed your honor: Repeat No. 17 (RED)
  20. Shot fired after man falls on floor: “Adagio Elegiaque” by Wieniawski
  21. No gun play boys: “Dram. Hurry No. 1” by Baron
  22. I warn you Owens: Repeat NO. 20 “Adagio Elegiaque”
  23. Go to your homes: Repeat No. 17 (RED)
  24. Owens lost no time: “Dramatic Love Scene” by Axt
  25. Rosa found refuge at home: “Symphonic Color Classic No. 1” by Kempinski (LT. BLUE)
  26. Owens’ gang: Repeat No. 17 (RED)
  27. Fade-out after title: “Say if he comes”: “The Season’s Greetings” by Marquardt
  28. Exterior scene after two girls run out of room: “Symphonic Color Classic No. 1” by Kempinski (WHITE)
  29. Lovers interrupted: Repeat No. 27 “Season’s Greetings”
  30. I am sorry you must leave so soon: Repeat No. 28 (WHITE)
  31. Stop abrupt as door opens (slight pause, then segue): Repeat No. 25 (LT. BLUE)
  32. Reach for the sky: “Symphonic Color Classic No. 1” by Kempinski (RED)
  33. Fade-out after horsemen ride off: “Misterioso No. 3” by Andino
  34. Owens and girl seen: Repeat No. 32 (RED)
  35. Owens takes off his hat: Repeat No. 33 “Misterioso No. 3”
  36. Masked man comes to rescue: “Lover’s Quarrel” by Baron
  37. McCoy masking Owens: “Misterioso Furioso” by Affrunti
  38. Play twice and segue: “Symphonic Color Classic No. 1” by Kempinski (LT. BLUE)
  39. End of fight—Owens pulled off screen: “Dawn of Spring” by Grimm
  40. Stop this fiendish torture: Repeat No. 32 (RED)
  41. McCoy puts on mask: “Symphonic Color Classic No. 1” by Kempinski (WHITE)

Proper orchestral rest period is Nos. 20 to 29 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 22YFKMnqGg

Download: PDF

Beware of Blondes

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Title: Beware of Blondes

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Flapperette” by Greer
  2. Dark street—man prowling about: “Marche Pittoresque” by Cazabon
  3. Jeffrey Blake: “Elopement” by Carrozzini
  4. In the office of John Maitland: “Scherzoso” by Friml
  5. Salesman enters telephone booth: CROOK’S THEME, “Witty Witch” by Finck
  6. The first day out: “Frolic” by Borch
  7. Harry appears on deck: Repeat Crook’s theme No. 5
  8. Salon: “Fiora” by Markush
  9. All right, Mary: “Flocons de Neige” by Bradford
  10. Harry in stateroom: Repeat Crook’s theme No. 5
  11. Flash-back to deck: “Giggles and Chuckles” by Fincks
  12. Harry and pal appear: “Sarcasm” by Kempinski
  13. Ballroom: “Dream Kisses” by Jerome
  14. Fanchon and Harry appear on deck: “Adventure d’Amour” by Bradford
  15. Thank you very much: LOVER’S THEME, “All Day Long” by Stanley
  16. What are you doing in my cabin?: “Rushing Waters” by Savino
  17. I happened to overhear: “Marche Mignonne” by Poldini
  18. On a balmy tropical night: Repeat Lover’s theme No. 15
  19. Well, let’s see what the emerald: “Day of Doom” by Joels
  20. The last night on board: “Valse Minore” by Oriental Ballet by Riesenfeld
  21. He drinks champagne: “The Tragic Discovery” by Patou
  22. In dock in Honolulu Harbor: “The Rebelion” by Patou
  23. In Honolulu: “Hawaiiana” by Kaiulaua
  24. He sees Harry on street: “La Foret Perfide” by Gabriel Marie
  25. Headquarters of Crooks: “Agitato No. 1” by Kempinski
  26. Since it is useless: “Warriors Bold” by Joels
  27. Police leave room: “Marche Mysterieuse” by Schad
  28. I told you once, Jeff: “Amorous Adventure” by Bradford
  29. Here’s a wire from the boss: Repeat Lover’s theme No. 15

Source: Carl Braun Collection

SFSMA ID: 26x2J2ukLt

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Ben-Hur

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Title: Ben-Hur

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1925

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Trumpet Fanfare” from Oriental Suite by Luz
  2. Ben Hur: “Pearls Of My Soul” by Marquardt
  3. It was the 24th day: “The Knights’ Tournament” by Herbert (YELLOW)
  4. Two weary travelers: “Ave Maria” by Schubert
  5. Far to the southward; “The Heavens Are Telling” by Haydn
  6. And in the even: Repeat No. 4 “Ave Maria”
  7. The place is sanctified: Repeat No. 5 “The Heavens Are Telling”
  8. And they came with great haste: “Sanctuary of the Heart” by Ketelbey (BROWN)
  9. But year after year: Repeat No. 3 (YELLOW)
  10. There was disquiet: “Pavane” by Ravel (DARK GREEN)
  11. The young prince: “The Happy Warrior” by Kahl
  12. Old lady has pigeon: “Yearning” by Schoenfeld (WHITE)
  13. Pigeon flies from girl: “The Flight Of the Bumble Bee” by Korsakow
  14. Ben Hur catches pigeon: Repeat No. 12 (WHITE)
  15. Ben Hur walks off after girl leaves with pigeon: “Processional” by Clutsam (PURPLE)
  16. My mother and sister will be rejoiced: “At the Hamlet” by Godard
  17. Another to greet you: Repeat No. 15 (PURPLE)
  18. Forget I am a Jew: “Prologue” by Kilenyi
  19. Oh, if he would only: “Trumpet Fanfare” by Oriental Suite by Luz
  20. One scene: “Processional” by Clutsam (PURPLE)
  21. Ben Hur pushes stone from roof: “Furioso” by Savino
  22. The way of death: “Sorrow” by Macat (BLACK)
  23. A carpenter shop: “Sanctuary of the Heart” by Ketelbey (BROWN)
  24. The vengeful arm of Rome: “Facing Death” by Becce
  25. Then for a time: “The Toilers” by Axt
  26. Lookout of mast shows: “Hurry” by Langey
  27. Unshackle that slave; Repeat No. 25 “The Toilers”
  28. Ship deck scene: Repeat No. 26 “Hurry”
  29. Battle begins: “Battle Music No. 5” by Wiedermann
  30. Two days later: “Romance of Autumn” by Marquardt
  31. It was your final: “Pathetique No. 9” by Norton
  32. Tiem passed: “Joyous Allegro” by Engleman
  33. But Rome knew naught: “Pavane” by Ravel (DARK GREEN)
  34. While in the maze: Repeat No. 22 (BLACK)
  35. In the land of Israel: Repeat No. 23 (BROWN)
  36. Antioch: “Araby” by Johns
  37. He should drive goats: “Orient Express” by Benoit
  38. Driver falls from chariot: “Dram. Tension No. 11” by Norton
  39. Young Arrius announced to Simondies: “Yearning” by Schoenfeld (WHITE)
  40. Ben Hur walks from girl—Esther: “Sadness” by Engleman
  41. Ester follows Ben Hur to Portierres: Repeat No. 39 (WHITE)
  42. Servant enters after title—“Wear it always”: “Spirit of Spring” by Reiser
  43. For your belief: “Broken Vows” by Kempinski
  44. Across the river: “Processional” by Clutsam (PURPLE)
  45. Messala dismissed friends: “Bayaderes” from Babylon by Elie
  46. At the end of the days training: “Persian March” by Herbert
  47. Even Iras: Repeat No. 45 “Bayaderes”
  48. Guests re-enter tent: Repeat No. 46 “Persian March”
  49. Horses leave tent: Repeat No. 45 “Bayaderes”
  50. If you are as slow: “Romance of Autumn” by Marquardt
  51. Simonides on screen: Continue No. 50 quietly
  52. End of scene after Esther pulls cloak from shoulders: Repeat No. 44 (PURPLE)
  53. On the morrow: “Farcical Allegro” by Aborn
  54. Ben Hur interrupts Messala and Jew: “Bataille” by Silver
  55. Vile slave: “Fanfare” from Oriental Suite by Luz
  56. Once scene: “Comedy Excitement” by Zamecnik
  57. Horses on screen: Repeat No. 55 “Fanfare”
  58. One scene: “The Cossack Batallion” by Schoenfeld
  59. Horses with trumpeters on screen: Repeat No. 55 “Fanfare”
  60. One scene: “Symphonic Incidentals No. 2” by Marquardt
  61. White flags drop: “Symphonic Incidentals No. 5” by Marquardt
  62. Wheels of Messala’s car broken off: “Arretez-Le” by Roberty
  63. To end of race: “Devil Dogs” by Marquardt
  64. Face of race scene after stretcher is carried across screen: “Despair” by Kalbe
  65. Hail, Ilderim: “War March of Priests” by Mendelssohn
  66. Mark you Simonides: “Yearning” by Schoenfeld (WHITE)
  67. Fade after Ben Hur rides from tent: “Sanctuary of the Heart” by Ketelbey (BROWN)
  68. From among the humble fishermen: Repeat No. 65 “War March of the Priests”
  69. A new governor: “Sorrow” by Macat (BROWN)
  70. Now when the even was come: Repeat no. 67 (BROWN)
  71. And in that same hour: “Prattle” by Lowitz
  72. Ben Hur dismounts from white horse: Repeat no. 69 (BLACK)
  73. Lepers see Ben Hur asleep: “Lament” by Herrmann
  74. After Ben Hur awakes: Repeat No. 66 (WHITE)
  75. Horseman shows on screen: Repeat No. 69 (BLACK)
  76. And when they had bound him: “Grand Appassionato” by Becce
  77. In the valley of the lepers: “Elegie and Appassionato” by Savino
  78. And so Pilate delivered: Repeat No. 76 “Grant Appassionato”
  79. And a voice came to him: Repeat no. 77 “Elegie and Appassionato”
  80. There was a darkness; “Destruction” by Lowtiz
  81. And over the plains: “Unfold Ye Portals” by Gounod
  82. Weeping may endure for a night: “I Know That My Redeemer Liveth” by Handel

Proper orchestral rest period is Nos. 30 to 43 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 84QSNV9zv2

Download: PDF

The Bellamy Trial

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Title: The Bellamy Trial

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Devil Dogs” by Marquardt
  2. After weekly smoke screen: “Intermezzo Perpetual” by Lowitz
  3. Interior courtroom scene: “Yearning” by Schoenfeld (WHITE)
  4. Order in the courtroom: “Symphonic Incidentals No. 13” by Marquardt
  5. End of the first attorney’s speech: “La Confession” by Morgan
  6. Well, peoples: “Symphonic Incidentals No. 11” by Marquardt (RED)
  7. Then one cop say to me: “Colinette” by Harms
  8. Luigi Orsini, did you kill: Repeat No. 3 (WHITE)
  9. Doctor Richard: “Fury” by Zamecnik (DK. BLUE)
  10. Doctor is this the place: “Excerpts from Sakuntala” by Goldmark
  11. Recess for lunch: “Idlewilde” by Gottschalk
  12. Farnell’s a million miles away: Repeat No. 6 (RED)
  13. Yes I told Pat Ives’ wife: “Golden Sand” by Finck
  14. You see Sue: Repeat No. 6 (RED)
  15. The day of the murder: “Joy Through Tears” by Schertzinger
  16. Shy strike that out: “Stealthy Escape” by Zamecnik (BLACK)
  17. Husband walks from wife after title—“Not tonight”: “Happy Moods” by Marquardt
  18. Children led upstairs by nurse: Repeat No. 16 (BLACK)
  19. Attorney shows knife and letters to witness: Repeat No. 3 (WHITE)
  20. Don’t be afraid Mother: “Slumbers” by Kempinski
  21. Katie O’Connor: “Pine Tree Echoes” by Schoenfeld
  22. Newspaper article on screen: “Vengeance” by Franceschi
  23. We’ll drive over to the movies: “Symphonic Incidentals No. 11” by Marquardt (RED)
  24. But your wife didn’t return home: “Fury” by Zamecnik (DK. BLUE)
  25. Really, Mr. Bellamy: “Dram. Tension No. 2” by Ancliffe
  26. Patrick Ives: “Adoree” by Friml
  27. Clerk read these letters: “Jeanette” by Salcede
  28. I don’t write: Repeat No. 26 “Adoree”
  29. Doctor Barrett: Repeat No. 24 (DK. BLUE)
  30. Judge stops arguing attorneys: “True Love” by Ketelbey
  31. You heard Mr. Bellamy’s testimony: Repeat No. 24 (DK. BLUE)
  32. Then what did you do at that cottage: “Reproach” by Zamecnik
  33. Fade-back to witness on stand: “Yearning” by Schoenfeld (WHITE)
  34. I’d like to have Stephen Bellamy: Repeat No. 23 (RED)
  35. Mimi had always been afraid of the dark: Repeat No. 33 (WHITE)
  36. Attorney addressing jury: Repeat No. 24 (DK. BLUE)
  37. The electric chair: “Romance d’Amour” by Schoenfeld
  38. Clock on screen: Repeat No. 24 (DK. BLUE)
  39. Bring that man here: “Rosemary” by Reynard
  40. And on the night of the murder: Repeat No. 16 (BLACK)
  41. And as they were leaving: “Melodic Agitato” by Savino
  42. Jury returns to the courtroom: “Remorse” by Lowitz
  43. Reporter at court window waves: Repeat No. 41 “Melodic Agitato”
  44. Newspaper article on screen: Repeat No. 33 (WHITE)
  45. Reporters leaving courtroom: Repeat No. 23 (RED)
  46. Mother sits down by judge and tells story: Repeat No. 16 (BLACK)
  47. Old lady enters cottage after note on screen: Repeat No. 23 (RED)
  48. My boy has been so happy: Repeat No. 24 (DK. BLUE)
  49. Woman stabbed: Repeat No. 20 “Slumbers”

Proper orchestral rest period is Nos. 15 to 25 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: ddqHy7D9Sv

Download: PDF

Behind the German Lines

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Title: Behind the German Lines

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Ilka” by Doppler
  2. As Abraham Lincoln said: “Glory, Glory Hallelujah” by Steffe
  3. In the summer of 1914: “Impression Dramatique” by Bradford
  4. But beneath: “Storm Music” by Ketelbey
  5. On July 28th Austria Hungary declared war: “Austrian Hymn” by Harris
  6. Russia was informed: “Lord God, Protect the Czar” by Lake
  7. Berlin: “Pro Patria” by See
  8. The French government: “Mourir Pour la Patrie” by Lake
  9. The main forces of the German army: “Die Meistersinger von Berlin” by Lincke
  10. Belgium wishing to remain neutral: “La Branaconne” by Lake’
  11. London—August 4th: “British Grenadiers” by DeWitt
  12. The chancellor: “Furioso No. 34” by Brockton
  13. The Liege forts were reduced to ruins: “In the Midst of the Typhoon” by Leuscher
  14. The German army won a great victory: “Germany Forever” by See (trio)
  15. Believing: “Our Favorite Regiment” by Ertl
  16. Again the French: “Unfinished Symphony” by Schubert
  17. Insert—“Le matin”: “Robespierre Overture” by Litolff
  18. A new plan: “The Battle” by Borch
  19. In Paris: “Battle-Tumult-Blaze” by Becce
  20. September 9th: “Nibelungen March” by Wagner (trio)
  21. A strategic retirement: “Military Scene” by O’Hare
  22. September 9th—10:20 A.M.: “Hurry No. 3” by Lake
  23. As it was the French: “Robespierre Overture” by Litolff
  24. On the Aisne front: “Echoes of the Fatherland” by Henneberg
  25. But while the armies were: “Marche Russe” by Ganne
  26. The people of eastern Prussia: “Vulcano” by Rapee-Axt
  27. But without success: Repeat No. 18 “The Battle”
  28. East Prussia free: “Doxology” by Salter
  29. It was Hindenburg’s great triumph: “Battle Agitato No. 16” by Minot
  30. But Hindenburg: Repeat No. 20 “Nibelungen March” (trio)
  31. By now in the west: “Distress” by Breil
  32. The hour for German’s volunteers: “Nocturne” by Chopin (from letter C)
  33. Ypres—1914: “Battle of Ypres” by Borch
  34. The Belgians called in a new force: “Violent Gale” by Leuschner
  35. The silence of desolation: “Poem Erotique” by MacDowell
  36. The German army: “Tempest” by Ketelbey
  37. It was concluded: “Dramatic Appeal” by Jores
  38. Then while preparing: “Salvo” by Gabriel Marie
  39. News of the Turkish: “Film Theme No. 18” by Iwanow-Roberts
  40. Control of the Dardenelles: “The Destruction of the Temple” by Darcieux
  41. On Nov. 17th it ceased: “The Sacrifice” by Patou
  42. Germany introduced a new weapon: “Tragic Moments” by Becce
  43. The first phase of the war: “Rosemary” by Wheeler
  44. And Christmas still found: “Sacred Night, Holy Night” by Borch
  45. Soldiers hurry out: “An Argument” by Breil
  46. England to starve: “Rule Britannia” by Lake
  47. Italy declared war: “Garibaldi’s Hymn” by Lake
  48. Italy did not: “The Toilers” by Axt
  49. Along the Izanzo: “Hors de L’Abime” by Mazot
  50. For months: “Battle Music” by Riesenfeld
  51. In 1916: Repeat No. 20 “Nibelungen March” (trio)
  52. More men had to be raised: “Premier Amour” by Benoist
  53. In Jan. 1917: “Storm” by Eggert
  54. This caused America: Repeat No. 2 “Glory, Glory Hallelujah”
  55. The central powers: “Storm, Strife or Tempest” by Ancliffe
  56. At last—Russian revolution: “Marche Slave” by Tschaikowsky (from letter M)
  57. At the beginning of 1918: “Kaiser Friedrich” by Friedemann
  58. Had they but seen: “Daughters of the Revolution” by Lampe (trio)
  59. Hindenburg planned to break: “Military Hurry No. 1” by Levy
  60. But it was a futile task: “Columbia, the Gem of the Ocean”
  61. An American army began to arrive: “Over There” by Cohan
  62. No man’s land: “Storm, Tempest” by Wiedermann
  63. French and American: Repeat No. 19 “Battle-Tumult-Blaze”
  64. And so the war ended: “Lamento” from Pique Dame by Tschaikowsky
  65. General von Hindenburg: “Largo” by Haendel

Source: Carl Braun Collection

SFSMA ID: DJLol7XEER

Download: PDF

Becky

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Title: Becky

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Un peu d’Amour” by Silesu (WHITE)
  2. Among the great battles of life: “Incid. Symphony No. 37” by Hintz
  3. Sally O’Neil shows on screen: “Captain Cupid” by Bratton
  4. Sally O’Neil walks from counter with basket: “Bayaderes” from Babylon by Elie (DARK GREEN)
  5. Sally O’Neil falls into cart: “Happy Jacqueline” by Mondrone
  6. Old woman bumps into Sally O’Neil: “Ardent Longing” by Schlothen
  7. You gave me this: “Entr’acte Lovelorn” by Wood
  8. And salad and cheese: “Un peu d’Amour” by Silesu (WHITE)
  9. Kiss: “The Lure of Crimson” by Marquardt
  10. Girl sets clothing from clothes rack: Repeat No. 8 (WHITE)
  11. Girl closes door and runs upstairs: “A Love Lesson” by Fresco
  12. Own Moore and Sally O’Neil at Victrola: “My Heart At Thy Sweet Voice” by St. Saens
  13. Girl stops singing after Owen Moore stops record: Repeat No. 8 (WHITE)
  14. Fade-out as girl runs to Victrola: “March of the Mannikens” by Onivas
  15. Sally O’Neil falls on stage: “Dance of the Marionettes” by Herbert
  16. The opening night: Repeat No. 14 “March of the Mannikens”
  17. Chorus dances off screen: “Faust” by Gounod (letters V and W)
  18. Pretty soon Becky will come out: “Faust” by Gounod (letter U)
  19. Becky comes from tower; “Faust” by Gounod (letter F)
  20. After curtain is down: “Then You’ll Remember Me” by Balfe
  21. At Spiegelberg’s picnic: “Bavaderes” from Babylon by Elie (DARK GREEN)
  22. After all, the night is young: “Sing Me A Baby Song” by Donaldson
  23. One dancing scene: Repeat No. 21 (DARK GREEN)
  24. I presume you are waiting: “Nocturne” by Chenoweth
  25. The next morning: “Budding Blossoms” by Schoenfeld
  26. Rich man enters girl’s room with box of flowers: “Andante Amoroso” by Axt (LIGHT GREEN)
  27. Bed breaks down: “Lady Lilly” by Fresco
  28. Kiss after chewing gum business: Repeat No. 26 (LIGHT GREEN)
  29. Nan is so: “Give Me AS Night In June” by Friend
  30. Owen Moore shows on screen: Repeat No. 21 (DARK GREEN)
  31. During the next three weeks: Repeat No. 26 (LIGHT GREEN)
  32. Girl gest out of carriage: “Un peu d’Amour” by Silesu (WHITE)
  33. Shortly after: “Souvenir” by Drdla
  34. Exterior scene: “Chez Mere Grand” by Mouton
  35. Becky and men leave punch table and enter to party: “Pop Goes the Weasel” by Reeg
  36. Girl and old man stop dancing: “The Charleston” (piano)
  37. Old man kicks girl as she falls down: Repeat No. 21 (DARK GREEN)
  38. But why shouldn’t we elope: “Cavatina” by Bohn
  39. Be sure and carry: “Santiago” by Corbin
  40. People applaud after bedroom scene: “Alone At Night” by Marquardt
  41. Note to John on screen: “Haste” by Sanders
  42. Make yourself at home, dear: “Farewell” by Kuhne
  43. Take a tip from me: “Appassionato No. 3” by Axt
  44. Becky enters door to two men: Repeat No. 3 “Appassionato No. 3”
  45. Door opened—rich girl shows: “Ballade d’Amour” by Sanders
  46. If anybody calls: Repeat No. 32 (WHITE)

Proper orchestral rest period is Nos. 21 to 32 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: ZAh1iFUqDJ

Download: PDF

Beautiful but Dumb

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Title: Beautiful but Dumb

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Spring Zephyrs” by Castillo
  2. Janet in office: JANET THEME, “Forget Me Not” by Macbeth
  3. Tad in outer office: “Rustic Caprice” by St. Clair
  4. Mae, one of the inside girls: “How Could Red Riding Hood?” by Randolph
  5. Flash-back to Jim and customer: “Little Flower Garden” by Breil
  6. I never think of Janet: “Amorous Adventure” by Bradford
  7. Come to my apartment: “Daisy the Clairvoyant” by Schuler
  8. Dial of clock: Repeat Janet Theme No. 2
  9. The surprise party: “Dolly Dimples” by Alter
  10. Janet close-up after treatments: “I Think You’re Wonderful” by Little
  11. She starts to remove clothes: “Buffoons” by Hadley
  12. As I love old two-for-one: “The Big Batter and Egg Man” by Friend
  13. That was: “Could I?” by Ager
  14. Must you wear those cheaters?: “Garden Whispers” by Herkan
  15. Watch me, I’ll show you: “She Knows Her Onions” by Yellen
  16. Getting kissed is easier than I thought: “Air de Ballet” by Herbert
  17. You practice. I’ll dress: “Googily Goo” by Davis
  18. Friend enters: Repeat No. 12 “The Big Butter and Egg Man”
  19. Janet opens door: “It Had to Be You” by Jones
  20. I thought you were too busy: “Scherzoso” by Friml
  21. I’m taking them to: “Felix the Cat” by Wendling
  22. Exit of cabaret cat act: “Flocons de Neige” by Bradford
  23. Alley cat blues: “Maria” by Kaufman
  24. Dancing starts: “Starlight and Tulips” by Wendling
  25. Janet turns and recognizes Jim: Repeat No. 19 “It Had to Be You”
  26. Dancing starts once more: “When Twilight Comes” by Tandler
  27. They enter hallway: LOVE THEME, “Magic Love” by Bradford
  28. The morning after: “Avril Frileux” by Mouton
  29. Janet enters office: “Miss Dolly Dollars” by Herbert
  30. Change to scene on couch: Repeat Love Theme No. 27
  31. Jim embraces and kisses Janet: “Kiss Me Again” by Herbert
  32. Lights extinguished: “Sarabande Perpetuelle” by Bradford
  33. Jim at desk—Janet in bed: “At Dawn” by Delje
  34. New girl enters office: “Sweet Lavender” by Wheeler
  35. Janet and Mae: “Sincerely” by Byford
  36. Flash-back to Jim at desk: “Forgive Me” by Ager
  37. Janet before mirror: “The Baker’s Boy and the Chimney Sweep” from The Debutante by Herbert
  38. Janet reclines on divan: Repeat No. 31 “Kiss Me Again”
  39. Jim appears at door: “Broken Hearted” by Henderson
  40. Janet, I need you: Repeat Love Theme No. 27
  41. Office—girls enter: “Dainty Blossoms” by Kahn
  42. Janet enters: Repeat Janet Theme No. 2
  43. Jim reads from note book: Repeat Love Theme No. 27

Source: Carl Braun Collection

SFSMA ID: alZQIxVztg

Download: PDF

Beau Broadway

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Title: Beau Broadway

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Your Love Is All” by Zamecnik (WHITE)
  2. Broadway: “Rain Or Shine” by Ager
  3. Play one chorus and segue: “Roses and Thorns” by Loraine
  4. Lambert’s training camp: “Laughing Beauties” by Berge
  5. The doctor says: “Berceuse d’Amour” by Marquardt
  6. Within a few weeks: “Cinderella” by Loraine
  7. Cody at telephone: “Songe d’Automne” by Joyce
  8. End of telephoning: “Poppy Love Theme” by Luz (GRAY)
  9. Boy goes out of house—closes door: “Lady Lilly” by Fresco
  10. Everything is fixed: “Silver Fingers” by Mallory
  11. Good-night Daddy: Repeat No. 8 (GRAY)
  12. Scene showing children’s: “Misterioso Drammatico” by Savino (RED)
  13. End of telephoning: “Noetturno” by Grieg
  14. Sunday morning: “Midsummer” by Maquarre
  15. Fade-out of Cody with dress: “Largo” by Haendel
  16. Congregation rises to sing: “Rock of Ages from A. B. C. Sacred Set” by Luz (full organ)
  17. Madame Clair: “Dance of the Sylphes” by Marquardt
  18. Girl has coat on: Repeat No. 12 (RED)
  19. I’ve come to try on: “A Regret” by Byford
  20. Lambert’s birthday: “Mountain Trails” by Schoenfeld
  21. Look at that measly cake: “Whispering Hope” by Dews
  22. It’s all right dear: “Bridal Paths” by Langford
  23. Congratulations: “Sweet Smiles” by Waldteufel
  24. Take it or leave it: “Misterioso Drammatico” by Savino (RED)
  25. May I bring my friends in?: “Just Like A Melody—Out of the Sky” by Donaldson
  26. Dancers stop: “A Love Lesson” by Fresco
  27. That’s the trouble: Repeat No. 24 (RED)
  28. I want you to meet: “Poppy Love Theme” by Luz (GRAY)
  29. Killer Gordon vs: “Cheer Up” by Kaufman
  30. Gong rings: “Six Furlongs” by Bub
  31. Gong rings: “La Fiancee” by Hartz
  32. Gong rings: Repeat No. 30 “Six Furlongs”
  33. End of fight—man knocked out: “Step On It” by Kaufman
  34. After fight: “Hidden Love” by Marquardt
  35. Where’s Mona?: “Appassionato No. 4” by Axt (DARK BLUE)
  36. Don’t worry honey: “Your Love Is All” by Zamecnik (WHITE)
  37. If you open that door: Repeat No. 35 (DARK BLUE)
  38. Mona: Repeat No. 36 (WHITE)

Proper orchestral rest period is Nos. 18 to 26 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: VU0KJvfz2x

Download: PDF

The Battle of Sexes

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Title: The Battle of Sexes

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Symphonic Incidentals No. 1” by Marquardt
  2. Manicurist sits down at barber chair: “Strande D’Ostende” by Hintz
  3. I see by the papers: “Bayaderes” from Babylon by Elie (DK. GREEN)
  4. Fade-out of girl in barber chair: “Twinkling” by Hauenschild (YELLOW)
  5. Mother has shawl on shoulders: “Adoree” by Friml (WHITE)
  6. Mother dries her eyes: Repeat No. 4 (YELLOW)
  7. Family seated at dining room table: “Symphonic Incidentals No. 6” by Marquardt (RED)
  8. Dining room table scene: Repeat No. 4 (YELLOW)
  9. Fade-out of dining room table scene: Repeat No. 3 (DK. GREEN)
  10. Such a man: “Serenade Petite” by Zamecnik
  11. Girl in room alone after family leaves: Repeat No. 7 (RED)
  12. Rat seen on floor: “Misterioso Burlesque” by Savino
  13. Man in room laughs: “Symphonic Incidentals No. 10” by Marquardt
  14. Door closed after title: “Shut the door”: Repeat No. 7 (RED)
  15. Man runs from couch for glass of water: “Bayaderes” from Babylon by Elie (DK. GREEN)
  16. Fade as man looks at himself in mirror to girl at piano: Piano ad lib to Screen
  17. Man enters girl’s room—maid takes coat: “Symphonic Incidentals No. 6” by Marquardt (RED)
  18. Girl begins to play piano and sing: “Rose in the Bod” by Forster
  19. Fade-out of girl singing: “Miss Mischief” by Kempinski
  20. Man falls on bed: Repeat No. 17 (RED)
  21. Fade-out of plotters on couch: Repeat No. 19 “Miss Mischief”
  22. Fade-out as man leaves room dressed: “Twinkling” by Hauenschild (YELLOW)
  23. Fade-out after title—“Please Mumsey”: “Cocotte” by Tyson
  24. Do you think I can get anywhere: “Poppy Love Theme” by Luz
  25. Fade-out as family leaves house to cabaret: “That’s My Weakness Now” by Green
  26. Girl at table eating: Repeat No. 24 “Poppy Love Theme”
  27. End of act—people enter cabaret: Repeat No. 25 “That’s My Weakness Now”
  28. Man shows money—wraps into girl’s hair: Repeat No. 17 (RED)
  29. Family at table have bill: “Out of the Dawn” by Donaldson
  30. Vampire kisses man: “Symphonic Incidentals No. 19” by Marquardt
  31. Wife motions and begins to walk: Repeat No. 29 “Out of the Dawn”
  32. People stop dancing and applaud: “Anything You Say” by Donaldson
  33. May 1: “Just Another Night” by Donaldson
  34. Man takes off his shoes in cabaret: “Broken Vows” by Kempinski
  35. More night work: “Adoree” by Friml
  36. I can’t tonight: “Symphonic Incidentals No. 6” by Marquardt (RED)
  37. Husband walks from wife (segue quick): “Melodic Appassionato No. 1” by Marquardt
  38. Husband walks out of room—stops in hall: Repeat No. 35 (WHITE)
  39. Husband walks out of hall: Repeat No. 37 “Melodic Appassionato”
  40. Daughter has mother’s head on her lap: Repeat No. 35 (WHITE)
  41. Fade-out of mother and daughter: “Misterioso No. 2” by Hintz
  42. Young man walks out of room: “Appassionato Lirico” by Bradford
  43. Girl lies down on couch: “Bayaderes” from Babylon by Elie (DK. GREEN)
  44. Fade-out of girl on couch: “The Answer In Your Eyes” by Savino
  45. Fade after maid closes hall door: “Symphonic Incidentals No. 13” by Marquardt
  46. Daughter drags mother from edge of roof: “Adoree” by Friml (WHITE)
  47. Daughter walks from mother: Repeat No. 41 “Misterioso No. 2”
  48. Stop short as vampire opens curtains and sees girl: “Symphonic Incidentals No. 1” by Marquardt
  49. Cane ringing doorbell: “Symphonic Incidentals No. 6” by Marquardt (RED)
  50. Every time you get a few drinks in you: “Mysterious Tension” by Axt
  51. Just be quiet: Repeat No. 49 (RED)
  52. Man sees cane on piano: Repeat No. 50 “Mysterious Tension”
  53. Father sees daughter in man’s arms: Repeat No. 37 “Melodic Appassionato”
  54. Girl doesn’t let father leave room after title—“You’d hit me”: “Romance” by Kardanoff
  55. Daughter runs off screen with mother: “Inspiration” by Edwards
  56. Fade-out of father in room: “Twinkling” by Hauenschild (YELLOW)
  57. We’ve saved the biggest present: Repeat No. 46 (WHITE)

Proper orchestral rest period is Nos. 34 to 44 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: mMgtCZo8he

Download: PDF

The Barker

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Title: The Barker

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Carnival Frolics” by Lakay
  2. Carrie starts to dance: “Hawaiian March and One-Step” by Berger
  3. All for a thin dime: “Sakes Alive” by Howard
  4. Hello Dad: BOY THEME, “The Evening Hour” by Kussner
  5. Interior of tent—Hawaiian dance: “Hilo” by Kaili
  6. Carrie finishes dance: CARRIE THEME, “Chanson Algerian” by Bradford
  7. Chris, this is Lou: “Love Song” by Wright
  8. Carrie, I’ve got a surprise for you: “Changing Moods” by Jacquet
  9. Exterior flash: “Rural Flirts” by Bradford
  10. Chris and Nifty seated on bunk: Repeat Boy Theme No. 4
  11. I’m sorry Carrie: Repeat Carrie Theme No. 6
  12. I’ve got a quart of mule: “Blue Law Blues” by Lake
  13. Well kid, how do you like: “That’s My Weakness Now” by Green
  14. We’d better put him to bed: “Implorations” by Pasternack
  15. Carrie opens satchel—takes out revolver: “Vehement Desire” by Bradford
  16. Chris and Nifty in dark room: “Destiny’s Call” by Jacquet
  17. Flash-back to Chris and Nifty: Repeat Boy Theme No. 4
  18. Flash-back to plotting girls: “Hovering Shadows” by Hahn
  19. Like father, like son: “La Petite Coryphee” by Tracy
  20. Gee, I bet you must have been: LOVE THEME, “I’ll Never Forget” by Kahn
  21. Engine seen: “Sarabande Perpetuelle” by Bradford
  22. Holiday in Mill Town: “Strawberries” by Kaufman
  23. Man takes hold of Lou’s leg: “Ferocity” by Carrozzini
  24. Nifty bending over Chris: Repeat Boy Theme No. 4
  25. Nifty leaves room: Repeat No. 7 “Love Song”
  26. Let’s get married first: Repeat Love Theme No. 20
  27. Nifty appears: “The Spectre” by Engleman
  28. Chris wants to marry me: “Melodie Poetique” by Huerter
  29. Chris and Nifty in state room alone: “Preludio” by Cordova
  30. Insert—Elmer F. Post—Justice of the Peace: “Let a Smile be Your Umbrella” by Fain
  31. See if you can find Nifty: “Elegie” by Ernst
  32. I said I’d pay you: “Baker’s Boy and the Chimney Sweep” by Herbert
  33. Nifty enters tent: “Andante” from Pathetique Symphony No. 6 by Tschaikowsky
  34. And in case you’d like to know: “Allegro Agitato” by Hahn
  35. Exterior of train: Repeat Boy Theme No. 4
  36. Carrie enters deserted state room: “All Alone” by Berlin
  37. Another barker: “Hawaiiana” by Kaiulaua
  38. Carrie at counter: Repeat Carrie Theme No. 6
  39. Nifty falls to ground: “Elopement” by Carrozzini
  40. How’s business: “Razz Berries” by Banta
  41. Carrie starts to dance: “On the Beach at Waikiki” by Lake
  42. I have a job in Chicago: Repeat Boy Theme No. 4
  43. Nifty leaves platform: Repeat Carrie Theme No. 6
  44. You too get in there: Repeat Boy Theme No. 4

Source: Carl Braun Collection

SFSMA ID: i97gk2lmFQ

Download: PDF

Baby Mine

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Title: Baby Mine

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Beneath the Balcony” by Lacombe (YELLOW)
  2. The lucky ones: “Six Furlongs” by Bub
  3. Fade to college boy sharpening razor: “There’s A Trick In Pickin’ A Chick-Chick-Chicken” by Tobias
  4. Boy opens window: Wind Effect by Drummer and Organist
  5. Papers blown out of window: “Symphonic Incidentals No. 10” by Marquardt (LT. BLUE)
  6. Fade-out of Charlotte Greenwood: “Entr’ Act To A Comedy” by Axt
  7. Champion being examined by young doctor: “Aubade Fleurie” by Ganne
  8. Champ on doctor’s table stops moving legs: “A Busy Thoroughfare” by Baron
  9. Jimmie’s favorite subject: “Lucky In Love” by Henderson (WHITE)
  10. Woman with toothache at door: “Heap Big Injun” by Sawyer
  11. Woman takes boy out of house: “I’m Sitting On Top of the World” by Henderson
  12. Telephone bell rings: “Serenata amara” by Culotta
  13. Fade-out of Karl Dane at telephone to girl: “Lucky In Love” by Henderson (WHITE)
  14. Telephone bell: Repeat No. 12 “Serenata amara”
  15. I lost my fur: “Beneath the Balcony” by Lacombe (YELLOW)
  16. Oswald’s failure: “Intermezzo Giocoso” by Egener
  17. Girl shows on screen after boys walk off: Repeat No. 15 (YELLOW)
  18. Charlotte Greenwood shows in mirror: “Figaro’s Wedding” by Mozart
  19. Karl Dane brought back into room: Repeat No. 15 (YELLOW)
  20. Karl Dane pushes Greenwood on couch: “Pacific Train” by Gabriel Marie
  21. Sweetheart: “Mountain Laurel” by Allen
  22. Preparing for the wedding: “The Kewpies’ Redezvous” by Kempinski
  23. He’s so nervous. He’s speechless: “Burlesque on Mendelssohn’s Wedding March” by Kempinski
  24. Love’s awakening: “Lucky In Love” by Henderson (WHITE)
  25. For the next twelve months: “Love Sparks” by Holzmann
  26. Child taken off screen: “Symphonic Incidentals No. 10” by Marquardt (LT. BLUE)
  27. Oswald enters room with baby toys: “Cupid’s Surprise” by Gross
  28. The one on my left needs something: Repeat No. 26 (LT. BLUE)
  29. Lilliputian baby brought into room: “The Jolly Rover” by Schoenfeld
  30. Baby puts liquor into milk bottle: Repeat No. 26 (LT. BLUE)
  31. What was your idea: “Lucky In Love” by Henderson (WHITE)

Proper orchestral rest period is Nos. 12 to 21 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: bkDeqBr9HM

Download: PDF

Baby Cyclone

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Title: Baby Cyclone

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Budding Blossoms” by Schoenfeld
  2. Good old Sandy: “Love’s Voyage” by Barrett
  3. Cody puts dog out of window: “Scherzo Silhouette” by Marquardt (RED)
  4. Goodbye: “Alice” by Hauenschild
  5. Shut up and you can carry home an elephant: “Star Eyes” by Evans
  6. Fade-out of girl on street screaming: “Just Another Light” by Donaldson
  7. Fade-out of telephoning scenes: “Captain Cupid” by Bratton
  8. Play once and segue: “Alluring Coquetry” by Baron
  9. Fade as man falls over park bench: “Flirtation” by Cross
  10. Cody gets ready to bathe dog: “Lunita” by Loraine
  11. Lew Cody falls over coal pile: Repeat No. 3 (RED)
  12. I see you hiding there: “Lovelight” by Adams
  13. Lew Cody seen standing on street: Repeat No. 3 (RED)
  14. Who ever said: “Thrills” by Sanders (LT. BLUE)
  15. Close-up of detective after Aileen Pringle goes off screen: “On the Mountain” by Frommel
  16. Somebody has separated you from your brains: Repeat No. 3 (RED)
  17. Your fiancé is untrue to you: Repeat No. 14 (LT. BLUE)
  18. Don’t weaken: Repeat No. 3 (RED)
  19. What’s this all about: “Thrills” by Sanders (LT. BLUE)
  20. Certainly I am gonna take you: “Great Snakes” by Reeves
  21. Play once and segue: “Two In a Bar” by Copping
  22. Play once and segue: “Staggering Uncertainty” by Lakay
  23. Stop with effects as electric light globe bursts: “Un Pensee Tendre” by Cazabon
  24. Men on floor get up: “Spring Fancies” by Marquardt
  25. Dog put out in hall: “Misterioso No. 1” by Langey
  26. Girl in bed touches burglar’s head: Repeat No. 3 (RED)
  27. I’ll let you escape: “A Remembered Kiss” by Vannah
  28. Just married: “Wedding March” by Mendelssohn
  29. Bride throws bouquet back to bridesmaid: Repeat No. 6 “Just Another Night”

Proper orchestral rest period is Nos. 13 to 19 inclusive.

Note: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: AVpgSAnKK0

Download: PDF

The Angel of Broadway

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Title: The Angel of Broadway

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At screening: “Lead, Kindly Light” by Dykes
  2. Jerry looks at girl beside him: “Largo” from New World Symphony by Dvorak
  3. People walking in street: “Budding Spring” by Platzmann
  4. Band starts playing: “Glory, Glory, Hallelujah” by Steffe (direct cue)
  5. Taxi seen at curb: “Red Pepper” by Lodge
  6. Jerry gets in motor truck: “Just a Girl That Men Forget” by Garren
  7. After Gertie enters house: “Broadway” by Dubin
  8. Babe puts bonnet on: “Miss Mischief” by Kempinski
  9. People at tables seen: “Gold and Silver” by Lehar
  10. Girls come running in: “Roll ‘Em Girls” by Heath
  11. Shimmy dancer seen: “Ukulele Lady” by Whiting
  12. Babe and man in dressing room: “A Lesson in Flirtation” by Roberts
  13. Each night found: “Come to the Fountain” by Stebbins
  14. I bin a drunk: “I’m a Pilgrim”
  15. Band starts playing: “Holy Ghost, With Light Divine” by Gottschalk (direct cue)

Note: The lyrics “Follow Me” were written to fit this composition.

  1. Doughnuts: “Potatoe Bug Parade” by Cobb
  2. Jerry seizes man: “Furioso” by Savino
  3. Babe and Jerry sit down: “Melodie” by Tschaikowsky
  4. Babe and Jerry outside door: “Pierrette Flirts” by Fresco
  5. So salvation Sal: “Soubrette” by Silbert
  6. She starts singing: Repeat No. 15 “Holy Ghost, With Light Divine” (direct cue)
  7. Six salvation girls turn showing backs: Repeat No. 15 “Holy Ghost, With Light Divine”
  8. Jerry and Captain Mary seen: Repeat No. 18 “Melodie”
  9. Girls dancing in café: “Ain’t We Carrin’ On” by Frisch
  10. You can’t mock God: “The Omnipotence” by Schubert
  11. Girl dancing in café: Repeat No. 11 “Ukulele Lady”
  12. Babe in dressing room: “Desire” by Siewert
  13. Night after night: “In Love” by Friml
  14. Old woman seen outside: “Ashes of the Past” by Leroux
  15. Christmas week: “Christmas Bells” by Rapee
  16. Jerry sees Babe: “Emotional Conflict” by Becce
  17. Bertha and waiter in offer: “Whims” by Savino
  18. Babe looks into mirror after Lonnie leaves: Repeat No 25 “The Omnipotence”
  19. ½ After Babe leaves room: Repeat No. 8 “Miss Mischief”
  20. Babe starts singing: Repeat No. 15 “Holy Ghost, With Light Divine” (direct cue)
  21. Man joins Jerry outside café: “Lure of Crimson” by Marquardt
  22. Girl seen dancing: Repeat No. 15 “Holy Ghost, With Light Divine”
  23. Babe enters her room: “Disenchantment” by Bizet
  24. Babe knocks glass from Jerry’s hand: “Anger” by Casadesus
  25. Insert—Salvation Army ribbon: “Tragic Andante” by Savino
  26. Salvation Army girl appears in mirror: Repeat No. 25 “The Omnipotence”
  27. Babe leaves room: “Folly” by Franceschi
  28. Jerry seen in street: “Tragico, con moto” (Drigo’s Cinema Classics)
  29. Babe and man in motor: “Poursuite Dramatique” (Drigo’s Cinema Classics)
  30. Babe approaches dying girl’s bed: “Pathetique Symphony No. 6” by Tschaikowsky
  31. Jerry’s hand reaching for Gertie’s hand: Repeat No. 2 “Largo”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: MxvowWdiPI

Download: PDF

The Avenging Rider

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Title: The Avenging Rider

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “The Night Riders” by Axt
  2. The boundary line: “Destiny’s Call” by Jacquet
  3. A month later: “Symphonious Melody” by Mendelssohn
  4. Here’s another letter: “Mam ‘zelle Coquette” by Gilmer
  5. So you inherited a half interest: “Sarcasm” by Kempinski
  6. Tom and friends walk away: “Love Song” by Wright
  7. Insert—photograph of Miss Sally Sheridan: “Red Hair” by Snydor
  8. The round up: “Cheer-Up” by Kaufman
  9. Percival Doolittle: “Babbling Brook” by Golden
  10. Girls climb into carriage: “Ain’t We Got Fun” by Jones
  11. Carriage starts off: “Where Do We Go From Here” by O’Hara
  12. Horses start to run: “Dance of the Furies” by Gluck
  13. Sally falls into Tom’s arms: LOVE THEME, “Little Irish Rose” by Zamecnik
  14. What are you men doing here: “The Captive” by Savino
  15. Carriage drives up to house: “Flocons de Neige” by Bradford
  16. Girls appear in gym suits: “Spring Cleaning” by Bradford
  17. Bullying a girl, eh: “Turbulence” by Borch
  18. Look me over, Mr. Larkin: “Little Man” by Ball
  19. Sally alone musing: LOVE THEME, “Little Irish Rose” by Zamecnik
  20. Never had the long ranch: “Varsity Drag” by DeSylva
  21. They walk toward refreshment table: “Little Man” by Ball
  22. Tom enters room, Dancing starts: Varsity Drag” by DeSylva
  23. Sheriff enters: “Implorations” by Pasternack
  24. Sheriff falls from horse: “Emotional Agitato” by Savino
  25. Again on the hunt for evidence: “The Spectre” by Engleman
  26. Girls appear: “Flapperette” by Mills
  27. Sally close-up—walks toward Tom: LOVE THEME, “Little Irish Rose” by Zamecnik
  28. I’ve been looking for you, Meyers: “Ill at Ease” by Jacquet
  29. Flash to girls and outlaw: Allegro Misterioso” by Kempinsky
  30. Come, girls: “Flapperette” by Mills
  31. “Buddy” rising with hat: “Athalia” by Mendelssohn
  32. Girls dancing on grass: “Vanity” by Jackson
  33. “Buddy” strikes Gordon on head: “Sarabunde Perpetuelle” by Bradford
  34. Tom mounts horse: “Scherzo Serioso” by Lowitz
  35. We sure fixed him: “Around the Sundial” by Castillo
  36. Sheriff leaves with prisoner: LOVE THEME, “Little Irish Rose” by Zamecnik

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: Sx4xyIdFIt

Download: PDF

The Arizona Wildcat

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Title: The Arizona Wildcat

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: THEME, “When I Look At You” by Jones
  2. The West where everything: “Junella” by Kahn
  3. Kids fighting in roadway: “”Elopement” by Carrozzini
  4. The greatest rodeo on earth: “Wild and Woolly” by Minot
  5. Here comes Virginia: “The Jolly Hunters” by Egener
  6. Virginia’s horse and carriage run away: “Hurry No. 2” by Langey
  7. You’re awfully brave, Tom: Repeat Theme No. 1
  8. Close-up of mail box: “One Sweet Letter From You” by Warren
  9. With the passing years: “Stampede” by Simon
  10. Tom Phelan: “Evening On the Ranch” by Stahlberg
  11. The fast and furious business: “The Cavalry Wiggle” by Brockenshire
  12. Cowboy is knocked out of barn: “Tex” by Stahlberg
  13. Mix gets off his horse: “Garden Whispers” by Herkan
  14. The Schuyler winter home: “Cupid’s Surprise” by Gross
  15. The beautiful day: Repeat No. 10 “Evening On the Ranch”
  16. Virginia and her aunt at railroad station: “Rodeo Love” by Raymond
  17. Stage coach horses run away: “The Flight” by Savino
  18. Stage coach in rapids: “Eccitamento” by Retlaw
  19. Mix saves Virginia: Repeat Theme No. 1
  20. A week later; “Kowboy Komedy” by Aborn
  21. Virginia gets on horse: “Horsie! Keep Your Tail Up” by Hirsch
  22. Change of scene to Virginia in stable: Repeat No. 4 “Wild and Woolly”
  23. Mix saves Virginia: Repeat Theme No. 1
  24. The next morning: “Sweet Lavender” by Wheeler
  25. You have been wonderful: Repeat Theme No. 1
  26. Weeks without word from Virginia: “Happy Moods” by Marquardt
  27. At the Schuyler home: “Dainty Blossoms” by Kahn
  28. An hour before the game: “Roxy and His Gang” by Krueger
  29. Mix gets hit on head: “Uneasiness” by Mendelssohn
  30. Polo game starts: Repeat No. 11 “Cavalry Wiggle”
  31. Mix gets up from under the horse in wagon: “Dance of the Furies” by Gluck
  32. Men fall off polo horses during game: “Burlesque on Chopin’s Funeral March” by Kempinski
  33. Mix seen riding down mountainside towards polo field: “Moaning Trombone” by Bethel
  34. As a shield for their: “Rhythmic Misterioso” by Damesek
  35. Flask-back to game: “The Booster” by Lake
  36. Insert of note: “An Argument” by Breil
  37. Virginia is at the Van Acker’s home—hurry up: “Excitement” by Breil
  38. After Van Acker is handcuffed: Repeat Theme No. 1

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 8ZJBkbbE4c

Download: PDF

Arizona Cyclone

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Title: Arizona Cyclone

Author: M. Winkler

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: M. Winkler

OCLC Number:

Contents:

  1. THEME: “Love’s Sweet Hour” by Otvos. In the event the above mentioned THEME is not in your Library or unknown to you, you may substitute: “A Place of Dreams” by Grass [or] “Love in May” by Beau.

    Contents:

     

    1. At screening: “Comedy Allegro” by Berg
    2. Wonder who owns: Theme
    3. Kathleen’s father: “Love Among Flowers” by Frommel
    4. My new foreman: “Sinister Theme” by Vely
    5. Meanwhile, Larry’s double: “Aeroplane Galop” by Winter
    6. I’ve got a hunch: “Burlesque” of Lucia Sextette by Kempinski
    7. Meanwhile, Hop-Toad: “The Crook” by Peele
    8. Ain’t forked a saddle in years: “Capricious Anette” by Borch
    9. Monkey fires shot: “Sinister Presto” by Bradford
    10. Run it your own way: “Dramatic Tension” by Levy
    11. Ah! Just in time: “Farcical Allegro” by Aborn
    12. Night found: “Cryptic Shadows” by Becce
    13. Drag him over there: “Phantom Visions” by Stevenson
    14. In that case suppose you: “Agitato Misterioso” by Peele
    15. Midnight—with the fearless: “Comedy Allegro” by Noyes
    16. Well, I’m back: “Dramatic Reproach” by Berge
    17. Morning in Hop-Toad: “Commotion” by Minot
    18. Larry escapes: “Galop No. 7” by Minot
    19. While at the Ranch: “Allegro Infernale” by Aborn
    20. You old buzzard: “Galloping Furies” by Rapee
    21. We’re after the Cyclone: “Allegro Infernale” by Aborn

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: emqQYhmve7

Download: PDF

Anybody here seen Kelly?

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Title: Anybody Here Seen Kelly?

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Has Anybody Here Seen Kelly” by Harms
  2. France: “Yankee Doodle Boy” by Cohan
  3. Jeanette, I want to give you a picture: “The Rose of No. Man’s Land” by Caddigan
  4. Kelly and girls enter: “Burlesque on ‘Home Sweet Home’” by Kempinski
  5. You must come to America and be my wife: “K-K-K-Katy” by O’Hara
  6. Jeanette appears on stairs: “When Yankee Doodle Learns of Parlez Vous Francais” by Nelson
  7. Kelly enters room—sees Jeanette weeping: THEME, “Douce Fievre” by Y’Ener
  8. I’m such a famous man: “The Blarney Stone” by Engleman
  9. Mother enters: “Animal Cartoonix No. 2” by Aborn
  10. Tomorrow we entrain for home: “Home Sweet Home”
  11. Close-up of Jeanette: “I’m On My Way Home” by Berlin
  12. With the passing months: “Repeat Theme No. 7
  13. Officer on ship blows whistle: “Sarabande Perpetuelle” by Bradford
  14. Hand placed on her shoulder: “Hunkatin” by Levy
  15. Jeanette standing in park: “My New York” by Berlin
  16. Can’t you see this is: Repeat Theme No. 7
  17. Jeanette speaks to man: Repeat No. 1 “Has Anybody Here Seen Kelly”
  18. Jeanette sees Kelly: “Mon Homme” by Yvain
  19. Dublin flats: “Mrs. Casey” by Hoschna
  20. Jeanette scrubbing window: Repeat Theme No. 7
  21. Jeanette kisses Kelly: Repeat No. 18 “Mon Homme”
  22. Kelly at wash stand: “Nellie Kelly I Love You” by Cohan
  23. Kelly sees prayer book: “Eilm Theme No. 7” by Roberts
  24. Jeanette hurries into kitchen: “Lucky in Love” by Hendersson
  25. Family row across court: “Spring Cleaning” by Bardford
  26. Marriage is like that: Repeat Theme No. 7
  27. Jeanette writing: Repeat No. 1 “Has Anybody Here Seen Kelly”
  28. Inspector appears: “Repeat No. 14 “Hunkatin”
  29. Jeanette ducks under his arm: “Gigue” by Bradford
  30. Insert—writing paper: “Mon Homme” by Yvain
  31. Kelly enters: “Repeat No. 1 “Has Anybody Here Seen Kelly”
  32. Insert—Do your feet hurt?: Repeat No. 30 “Mon Homme”
  33. Jeanette in room alone, very sad: Repeat Theme No. 7
  34. Knock at door: “Who’s Who?” by Morris
  35. How long do you think: “The Seething Mod” by Varnier
  36. Kelly sets for final knock-out: “Big Boy” by Ager
  37. Kelly picks up ring: “Dawn” by Savino
  38. Jeanette enters office: Repeat No. 14 “Hunkatin”
  39. They’re deporting your girl: “Hurry No. 33” by Minot
  40. Are you Jeanette: Repeat No. 1 “Has Anybody Here Seen Kelly”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: AHt5GJ0Qgq

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Annie Laurie

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Title: Annie Laurie

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

 

  1. At screening: “Annie Laurie” (DARK BLUE)

Segue: “Annie Laurie” (WHITE)

  1. Hurling defiance: “Recitative Heroique” by Rapee (RED)
  2. Family runs from house with torches: “A Keltic Lament” by Foulds
  3. Stately and arrogant: “Bonnie Blue Bonnets” by DeVille
  4. For the festivities: “Annie Laurie” (YELLOW)

Segue: “Annie Laurie” (WHITE)

  1. Eh! And he thinks so too: “Bide-A-Wee” by Loraine
  2. Exterior scene after Lillian Gish breaks egg: Repeat No. 2 (RED)
  3. Creighton Hale walks to two girls at glass of water: “Defense of Honor” by Zamecnik (LIGHT BLUE)
  4. Two girls show at water: “Scotch Lullaby” by Von Kunits (GRAY)
  5. Men attack girl: Repeat No. 8 (LIGHT BLUE)
  6. Cattle driven through gate: “Keep Row” from Hielan Lassie by Hildreth
  7. Horseman stops dancers: Repeat No. 8 (LIGHT BLUE)
  8. For anxious weeks: Repeat No. 2 (RED)
  9. After argument girls meet at fence: Repeat No. 9 (GRAY)
  10. Enid goes back to Mac Donald: Repeat No. 2 (RED)
  11. With Campbell and Mac Donald: “Babbie Waltz” by Furst (from No. 1)
  12. Scotland’s fate: “My Love She’s But a Lassie Yet” by Asher (light and guitar)
  13. Lillian Gish cuts strings of guitar: “The Swing O’ the Kilt” by Ewing
  14. ‘Twas but a joke: “Annie Laurie” (YELLOW)
  15. The Camerons: Repeat No. 18 “Swing of the Kilt”
  16. Marchers stop and men shake hands: Repeat No. 17 (WHITE)
  17. Hold your tongues: “Annie Laurie” (DARK BLUE)
  18. Man sits on lion statue: “Recitative Heroique” by Rapee (RED)
  19. We’ll be off: “The Bonnie Brier Bush” by Ellis
  20. Close-up of Enid and donkey at gate: “Scotch Lullaby” by Von Kunits (GRAY)
  21. Fade-out of scene at gate: “Mystic Romance” by Srawley
  22. Lillian Gish comes through gate: Repeat No. 22 (DARK BLUE)
  23. Man walks away from Lillian Gish and water shows: Repeat No. 19 (YELLOW)
  24. Man carries Lillian Gish across brook of water: Repeat No. 22 (DARK BLUE)
  25. Lillian Gish enters room where girl friend: “Repeat No. 25 (GRAY)
  26. Lillian Gish stands up from seat: “Rye Reel” by Lansing
  27. Lillian Gish walks to man: Repeat No. 25 (GRAY)
  28. Come along: “Annie Laurie” (YELLOW)
  29. Man lifts Lillian Gish in arms: “Annie Laurie” (WHITE)
  30. Man kissing Lillian Gish: “Annie Laurie” (DARK BLUE)
  31. Lillian Gish leaves man: Repeat No. 34 (WHITE)
  32. The Chieftains went into: “Belle of the Highlands” by Derwin
  33. Did you shoot: “Recitative Heroique” by Rapee (RED)
  34. Call the Clan: “The Keel Row” by Ascher
  35. MacDonald has given the word: Repeat No. 34 (WHITE)

Segue: “Annie Laurie” (DARK BLUE)

  1. Ian MacDonald we are off: Repeat No. 34 (WHITE)
  2. I’m taking you home: “Annie Laurie” (DARK BLUE)
  3. Lillian Gish walks off screen: “Appassionato No. 2” by Axt
  4. Lillian Gish breaks from men: Repeat No. 42 (DARK BLUE)
  5. The Campbells’ hatred: Repeat No. 38 (RED)
  6. Fade-out of king: “Memories Eternal” by Torke
  7. Fade-out after title: “If they knew the truth”: Repeat no. 38 (RED)
  8. Fade-out as Ian MacDonald drinks: “Defense of Honor” by Zamecnik (LIGHT BLUE)
  9. Lillian Gish calls to lover: “Annie Laurie” (WHITE)
  10. I have no’ forgotten: Repeat No. 42 (DARK BLUE)
  11. Bring the pipers: “Highland Scotch No. 1” by Ascher
  12. Ian MacDonald stops pipers when Lillian Gish is seen at door: Repeat No. 42 (DARK BLUE)
  13. And if you do: Repeat No. 49 (WHITE)
  14. MacDonald exits: “Scotch Lullaby” by Von Kunits (GRAY)
  15. End of scene showing two girls after one snow scene: “Pomp and Circumstance” by Elgar
  16. So the Campbells were quartered: “Recitative Heroique” by Rapee (RED)
  17. Shawl put over map: “Fascinating Night” by Renyi
  18. Map shows: “Repeat No. 56 (RED)
  19. Campbell snickers after title: “Donald Campbell, God will punish you”: “The Last Lullaby” by Baron
  20. Drink to: “By the Shrine of the Sun” by Elliott
  21. Fade-out of lovers in each other’s arms: Repeat No. 49 (WHITE)
  22. Wagon drives off screen: Repeat No. 56 (RED)
  23. Shot: “Hurry No. 2” by Levy
  24. Man on high cliff with torch: “Cynical Scherzando” by Axt
  25. Wagon upsets: “Defense of Honor” by Zamecnik (LIGHT BLUE)
  26. Lillian Gish show: Repeat No. 56 (RED)
  27. Lillian Gish moves and resumes journey: Repeat No. 65 (LIGHT BLUE)
  28. Beacon light is lit: “Johnnie Raw” by Remick
  29. Smash down the door: “Incid. Symphony No. 17” by Schertzinger
  30. Again the king ordered: “Pomp and Pageantry” by Schertzinger
  31. Ian MacDonald, will you accept this: “Annie Laurie” (DARK BLUE)
  32. Swords raised into air: “Annie Laurie” (YELLOW)

Segue: “Annie Laurie” (WHITE)

Proper orchestral rest period is Nos. 41 to 54 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designates the Mood or Emotion, and is used as a code for such repetition.

The Music Buyers Corporation of 1520 Broadway, New York City, has printed an addition to the song “ANNIE LAURIE” in three distinct arrangements on one sheet.

No. 1—A light Polka arrangement

No. 2—A melodious arrangement for Love Theme

No. 3—A Dramatic Appassionata arrangement based on the melody “ANNIE LAURIE”

These interpretations of the well known ballad ‘ANNIE LAURIE” are very essential.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: ZWoUwnDe3y

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Annapolis

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Title: Annapolis (partial)

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

    1. At screening: “Boys of Annapolis” by Groman
    2. The chapel: “The Ensign” by Brown
    3. A few miles outside: “The Coquette” by Deppen
    4. Weighed, measured and examined: “The Butterflies’ Coquetry” by Voelker
    5. Bill and Herb start argument: “Gigue” by Grety-Mottl
    6. Goodbye “Bulge”: “Faunes et Bacchantes” by Razigade
    7. [cut off]
    8. Fall in: Repeat No. 1 “Boys of Annapolis”
    9. The plebe year begins: “On the Pier” by Goldman
    10. Maneuvers start: “Military Scene” by O’Hare
    11. Discipline: “Minnesota March” by Sousa
    12. Boys racking guns in armory: “La Fete du Hameau” by Gillet
    13. Why Mr. Curtis: “Around the Sundial” by Castillo
    14. Berry and Herb in sail boat: “La Petite Demoiselle” by Claypoole
    15. On the morning before the big dance: “Ambling Along” by Axt
    16. Trolley car stops: THEME, “My Annapolis” by Weinberg-Bibo
    17. Eagerly awaiting developments: “The Interrupted Rendez-vous” by Goublier

    [rest missing]

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 38ymqjSo13

Download: PDF

The Angel of Broadway

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Title: The Angel of Broadway

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

    1. At screening: “Lead, Kindly Light” by Dykes
    2. Jerry looks at girl beside him: “Largo” from New World Symphony by Dvorak
    3. People walking in street: “Budding Spring” by Platzmann
    4. Band starts playing: “Glory, Glory, Hallelujah” by Steffe (direct cue)
    5. Taxi seen at curb: “Red Pepper” by Lodge
    6. Jerry gets in motor truck: “Just a Girl That Men Forget” by Garren
    7. After Gertie enters house: “Broadway” by Dubin
    8. Babe puts bonnet on: “Miss Mischief” by Kempinski
    9. People at tables seen: “Gold and Silver” by Lehar
    10. Girls come running in: “Roll ‘Em Girls” by Heath
    11. Shimmy dancer seen: “Ukulele Lady” by Whiting
    12. Babe and man in dressing room: “A Lesson in Flirtation” by Roberts
    13. Each night found: “Come to the Fountain” by Stebbins
    14. I bin a drunk: “I’m a Pilgrim”
    15. Band starts playing: “Holy Ghost, With Light Divine” by Gottschalk (direct cue)

    Note: The lyrics “Follow Me” were written to fit this composition.

    1. Doughnuts: “Potatoe Bug Parade” by Cobb
    2. Jerry seizes man: “Furioso” by Savino
    3. Babe and Jerry sit down: “Melodie” by Tschaikowsky
    4. Babe and Jerry outside door: “Pierrette Flirts” by Fresco
    5. So salvation Sal: “Soubrette” by Silbert
    6. She starts singing: Repeat No. 15 “Holy Ghost, With Light Divine” (direct cue)
    7. Six salvation girls turn showing backs: Repeat No. 15 “Holy Ghost, With Light Divine”
    8. Jerry and Captain Mary seen: Repeat No. 18 “Melodie”
    9. Girls dancing in café: “Ain’t We Carrin’ On” by Frisch
    10. You can’t mock God: “The Omnipotence” by Schubert
    11. Girl dancing in café: Repeat No. 11 “Ukulele Lady”
    12. Babe in dressing room: “Desire” by Siewert
    13. Night after night: “In Love” by Friml
    14. Old woman seen outside: “Ashes of the Past” by Leroux
    15. Christmas week: “Christmas Bells” by Rapee
    16. Jerry sees Babe: “Emotional Conflict” by Becce
    17. Bertha and waiter in offer: “Whims” by Savino
    18. Babe looks into mirror after Lonnie leaves: Repeat No 25 “The Omnipotence”
    19. ½ After Babe leaves room: Repeat No. 8 “Miss Mischief”
    20. Babe starts singing: Repeat No. 15 “Holy Ghost, With Light Divine” (direct cue)
    21. Man joins Jerry outside café: “Lure of Crimson” by Marquardt
    22. Girl seen dancing: Repeat No. 15 “Holy Ghost, With Light Divine”
    23. Babe enters her room: “Disenchantment” by Bizet
    24. Babe knocks glass from Jerry’s hand: “Anger” by Casadesus
    25. Insert—Salvation Army ribbon: “Tragic Andante” by Savino
    26. Salvation Army girl appears in mirror: Repeat No. 25 “The Omnipotence”
    27. Babe leaves room: “Folly” by Franceschi
    28. Jerry seen in street: “Tragico, con moto” (Drigo’s Cinema Classics)
    29. Babe and man in motor: “Poursuite Dramatique” (Drigo’s Cinema Classics)
    30. Babe approaches dying girl’s bed: “Pathetique Symphony No. 6” by Tschaikowsky
    31. Jerry’s hand reaching for Gertie’s hand: Repeat No. 2 “Largo”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: CUMqM1bMvf

Download: PDF

Almost Human

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Title: Almost Human

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At screening: “Charleston Hound” by Williams
  2. Well, my tale begins: “It Looks Like a Big Night Tonight” by Van Alstyne
  3. Came dawn and how!: “Curse of an Aching Heart” by Piantodoss
  4. A few months later: “The Baby Looks Like Me” by Murtagh
  5. Don’t cry mother: “Tears” by Reyer
  6. That night was terrible: “Someone Must Pay” by Willoughby
  7. During the next: “I Ain’t Got Nobody” by Graham
  8. Nurse takes child away: “Lonesome” by Bergman
  9. Man and dog seen: “Johnny on the Spot” by Roberts
  10. Child falls into water: “Hurry No. 21” by Langey
  11. Boy places girl on ground: “Romance” by d’Ambrosio
  12. Well we went to John’s: “Lovelight” by Adams
  13. My name is Mary: THEME, “Mary Lou” by Lyman
  14. She and Mr. John are: “Merry Playmates” by Howgill
  15. For a week: “Pollywog’s Frolic” by Rapee
  16. Mary and John seen: “Love in Arcady” by Wood
  17. I want to marry you: Repeat Theme No. 13
  18. You can ‘t do this: “Reproach” by Zamecnik
  19. So they got married: “Fairyland” by Huerter
  20. Dancers seen thru glass doors: “Who Wouldn’t” by Kahn
  21. Girl opens door comes outside: “Valse Charme” by Miles
  22. Mary see John and girl: “Quandry” by Schad
  23. Then instead of: “Letter of Farewell” by Godard
  24. So for the first time: “Sanctuary of the Heart” by Ketelby
  25. After this brilliant trick: “Regret” by Zamecnik
  26. Mother: “Eccitamento” by Retlaw
  27. A few months later: “A Little Peach” by Colin
  28. My boy I haven’t: “In the Clover” by Thurban
  29. Tha night after: “In the Middle of the Night” by Rose
  30. Servants carry trunks: “Swing Along” by Cook
  31. Mary and dog follow Hank: “Uneasiness” by Mendelssohn
  32. Policeman starts after Hank: “The Chase” by Smith
  33. John and Mother seen beside auto: “Step With Pep” by Kaufman
  34. Hank stops in front of John’s car: “Here I Am” by Henderson
  35. Mary’s dog I wonder: Repeat No. 4 “Baby Looks Like Me”:
  36. Mary arrives in wagon: Repeat Theme No. 13
  37. Three dogs seen watching: “For Your Boy and My Boy” by Van Alstyne

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: lYUFkyEf7y

Download: PDF

All at Sea

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Title: All at Sea

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “He’s the Last Word” by Donaldson
  2. Sailor pulls seat back off chair: “Are We Downhearted? No!” by Davis
  3. Sailors fight in aisle: “American National Melodies” by Asher
  4. Sailors sit down in seats: “Flirting Lovers:” by Kempinski
  5. Banana skin on floor: “O Mister” by Frey
  6. Sailor hypnotized: “Spring Song” by Mendelssohn
  7. If you could only cook: “A Breezy Evening” by Howgill
  8. This Marine says: “Panic” by Varnier
  9. Sailor lying on floor: “Midnight Parade” by Marquardt
  10. ‘Cause you’re in the Navy now: “The Simpleton” by Delille
  11. Play once and segue: “Parade of the Mummers” by Schoenfeld
  12. After three weeks: “Colonial Bogey” by Chappell
  13. Sailors halt—stack rifles: “Silly Billy” by Bendix
  14. Stop abrupt with crash as big gun is fired: “The Town Clown” by Lake
  15. There’s the Marine base: “Happy Moods” by Marquardt
  16. Either get us: “Merry Pranks” by Rapee-Axt
  17. The gobs gave: “We Love It” by Warren
  18. Dancers stop and sit down: “Rendez-vous Valse” by Rosey
  19. Woman hypnotizes sailor: “Burlesque on Lange’s Flower Song” by Kempinski
  20. Fireman turns on water in hose: “On the Track” by Bub
  21. What do you think: “Nuthin’ Doin’” by Chappell
  22. Sailor at girl’s door: “Love Bound” Rupp (WHITE)
  23. Crowd of sailors get into fire trucks: “The Speedway” by Bub
  24. Play once and segue: “Storm Galop” by Komzak
  25. Life net shown: “Allegro Buffonesco” by Kempinski
  26. Shake, old pal: Repeat No. 22 (WHITE)

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: qipAeaPQLJ

Download: PDF

The Albany Night Boat

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Title: The Albany Night Boat

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Fleurette” by Axt
  2. If the Hudson River night boat: “Underneath the Stars” by Spencer
  3. Search light flashes on yacht: “Sarabande Perpetuelle” by Bradford
  4. Betty in bed: “Batifolage” by Baron
  5. Flash-back to Steve and Ken at light: “Debutante” by Rapee-Axt
  6. How can I ever thank you: “The Evening Hour” by Kussner
  7. Where do you live?: “Princess Pat Fox-Trot” by Herbert
  8. Steve starts to play harmonica: STEVE THEME, “A Good Man Is Hard to Find” by Green
  9. Steve worked on a fast schedule: “You’re the First Thing I Think of” by Stanley
  10. Betty appears: “When You’re Smiling” by Fisher
  11. At Sunday breakfast: “Persiflage” by Francis
  12. Luna Park: “Up and At ‘Em” by Pettis
  13. Come on. Let’s go: “Aerial Stunts” by Schulze
  14. Coaster stops: BETTY THEME, “The First Kiss” by Robinson
  15. They enter boarding house: “Garden Whispers” by Herkan
  16. Didn’t we have a wonderful time?: BETTY THEME, “The First Kiss” by Robinson
  17. It’s awfully late: “Flapperette” by Greer
  18. Steve, we’re going to be married: “Forest Murmurs” by Friml
  19. Wedding ceremony: “Together” by Henderson
  20. Steve kisses Betty: Repeat No. 7 “Princess Pat Fox-Trot”
  21. Enter cottage: “The Little White House:” by Hanley
  22. It’s a great bargain: “Amorous Adventure” by Bradford
  23. Why not rent me: Repeat No. 7 “Princess Pat Fox-Trot”
  24. What’s wrong Honey?: “Broken Dreams” by Spitalny
  25. When a husband helps in the kitchen: “I’m Sitting On Top of the World” by Henderson
  26. Betty sits on Ken’s knee: Repeat Betty Theme No. 14
  27. Steve enters—fakes pain in his side: “Second Misterioso a la Valse” by Savino
  28. After dinner: “Air de Ballet” by Massenet
  29. If you’re sick stay here: “Love Triumphant” by Joels
  30. Betty and Ken at light: Repeat No. 2 “Underneath the Stars”
  31. There’s breakers ahead: “Appassionato Lirico” by Berge
  32. Ken puts arm around Betty: Repeat Betty Theme No. 14
  33. Steve and Ken walking: “Third Misterioso a la Valse” by Savino
  34. Betty ironing—Steve enters: “The Spectre” by Engleman
  35. Is there anything I can do?: “Implorations” by Pasternack
  36. I’ve been crazy about you: “Appassionato No. 1” by Rapee-Axt
  37. All right. I’ll wait: “In the Depths” by Herkan
  38. Betty lying on floor unconscious: Repeat Betty Theme No. 14

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: YlidkPLr0i

Download: PDF

The Air Legion

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Title: The Air Legion

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1916

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: AVIATOR THEME, “Across the Rockies” by Brown
  2. Lakeview: “Air Flight” by Zamecnik
  3. Plane hauled into hangar: Repeat Aviator Theme No. 1
  4. Sally enters room: “Gage d’Amour” by Janssen
  5. A few days later: “Butterflies” by Steinke
  6. I’m Chief Rogers: “Sunset” by Ancliffe
  7. That’s Dawson the field manager: “Little Flower Garden” by Breil
  8. For a week David waited: Repeat No. 5 “Butterflies”
  9. This is Sally’s garden: “Love Song” by Wright
  10. Come on out: “Polly” by Zamecnik
  11. Aviator whistling—injured: “Appassionato No. 1” by Kempinski
  12. Why not let Grayburn fly: Repeat Aviator Theme No. 1
  13. Motor starts: Repeat No. 2 “Air Flight”
  14. Sally at window: “By the Lake” by Lange
  15. On return trip: Repeat No. 2 “Air Flight”
  16. A sudden electric storm: “Furioso” by Savino
  17. I cracked up: “Comedy Allegro” by Ancliffe
  18. Steve lands safely: PAL THEME, “Wings” by Zamecnik
  19. I guess they think: “Dramatic Andante” by Kempinski
  20. That was cruel Sally: Repeat Pal Theme No. 18
  21. David’s constant appeals: LOVE THEME, “Underneath the Falling Leaves” by Sherman
  22. Bill has a bum ankle: “Melodic Agitato” by Savino
  23. I suppose you think it’s nice: “Gigue” by Bradford
  24. David beside plane: “Appassionato No. 3” by Axt
  25. David, I thought you might like to know: Repeat Love Theme No. 21
  26. I’ll make good: “Dilemma” by Savino (2nd. Move.)
  27. Sally and David together: Repeat Love Theme No. 21
  28. If you hurry: “In the Clouds” by Rapee-Axt
  29. Dave and Steve land safely: Repeat Aviator Theme No. 1
  30. I’m glad I’ll be in bed tonight: “Ill At Ease” by Jacquet
  31. David looks at faded flower: Repeat Pal Theme No. 18
  32. And Lakeview is broadcasting: “An Argument” by Breil
  33. Exterior: “Feroce ed Agitato” by Eggert
  34. Rogers and Grayburn have taken off: “Storm” by Eggert
  35. Plane lands safely: “Dramatic Tension” by Ancliffe
  36. I cracked up: Repeat Pal Theme No. 18
  37. A permanent route: Repeat Love Theme No. 21

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: h2TUdHHYlW

Download: PDF

The Air Circus

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Title: The Air Circus

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

    1. At screening: “Through the Air” by Rothafel
    2. The world is in the air: “Gamboling” by Bierman
    3. A little town: “Step On It” by Kaufman
    4. Aeroplane crashes: “Zigzag” by Ferber
    5. Two boys get into auto: “Hustle Bustle” by Delille
    6. Ann Blake—a gold star: “Mother of Mine” by Jolson
    7. Pictures seen on wall: “Daughters of the Revolution” by Lampe (trio)
    8. You want me to be: Repeat No. 6 “Mother of Mine”
    9. Picture of brother seen on wall: “Short Taps” – muted trumpet

    SEGUE: “In Despair” by Berge

    1. Young man runs in with baggage: Repeat “Hustle Bustle”
    2. Mother comes into room: Repeat No. 6 “Mother of Mine”
    3. Close-up of gold star: “Midsummer Night’s Serenade” by Albeniz
    4. Girl and boy seen: “Bye-Bye Pretty Baby” by Gardner
    5. Flash-back to mother and son: Repeat No. 12 “Midsummer Night’s Serenade”
    6. Son kisses mother good-bye: Repeat No. 6 “Mother of Mine”
    7. Boys leave in automobile: “I may Be Gone for a Long Long Time”
    8. California, here they come: “California, Here I Come” by Jolson (direct cue)

    Segue: “Razzle-Dazzle” by Lenzberg

    1. Sue—some of the best: “Sweet Sue—Just You” by Young
    2. Aviation field seen: “eagles of America” by Godfrey
    3. Young man picks up photograph: Use brass call of “Over There” – 4 bars muted – slowly

    Segue: “My Buddy” by Donaldson

    1. Flash-back to aeroplane: Repeat No. 18 “Sweet Sue”
    2. You’re just too late: “That’s a Lot of Bunk” by Henshaw
    3. I think I’ll name: Repeat No. 18 “Sweet Sue”
    4. The glory of flying: “Aeronaut” by Jackson
    5. In learning to taxi: “Taxi” by Kaufman
    6. Propellor[sic] cuts up aeroplane: “In the Hall of the Mountain King” by Grieg
    7. Postman seen: Repeat No. 6 “Mother of Mine”
    8. Change of scene to aviation field: Repeat No. 24 “Aeronaut”
    9. Sue comes over to young man: Repeat No. 18 “Sweet Sue”
    10. All aeroplanes start off: ‘Air Thrills” by Sanders
    11. A boarding house: “Ten Little Miles From Town” by Kahn
    12. Boys see Sue: Repeat No. 18 “Sweet Sue”
    13. Young man grabs Sue: “That’s My Weakness Now” by Green
    14. Aviation field seen: Repeat No. 24 “Aeronaut”
    15. Speed! You go up: Repeat No. 18 “Sweet Sue”
    16. Aeroplane starts: “Motion” by Carbonara
    17. Change of scene to mother: Repeat No. 6 “Mother of Mine”
    18. After Mother is seen second time: “Flying Hurry” by Carbonara
    19. Aeroplane crashes: “Dramatic Tension” by Axt
    20. Fear of the air: Repeat No. 24 “aeronaut”
    21. I can’t go up, Speed: “The Crisis” by Pasternack
    22. Fight starts: “Help! Help!” by Kovacs
    23. Fighting boys see Jerry McSwiggin: “Funeral March of a Marionet” by Gounod
    24. McSwiggin walks away from boys: “Eccitamento” by Retlaw
    25. Change to two instructors outside of house: “Despondency” by Williams
    26. Solo day: Repeat No. 12 “Through the Air”
    27. Speed gets out of aeroplane: Repeat No. 18 “Sweet Sue”
    28. Speed looks up at aeroplane: Repeat No. 30 ‘Air Thrills”
    29. Hop up and do ti alone: “A Critical Moment” by Becce
    30. Buddy starts to fly the second time: “Symphonic Incidentals No. 9” by Marquardt
    31. Nose dive landing of aeroplane: “Solace” by Kay
    32. Change to jazz party: “Oh Baby Don’t We Get Along” by Henderson
    33. Change of scene to Buddy: “Darkness” by Brunelli
    34. Flash-back to party: “Don’ the New Low Down” by McHugh
    35. Speed comes out on porch: Repeat No. 18 “Sweet Sue”
    36. Mother arrives: Repeat No. 6 “Mother of Mine”

    Note: When mother enters house—play jazz record on phonograph to cover sequence

    1. Mother, I’ve failed: “Dolores” by Kay
    2. Flash-back to party: “Imagination” by Harms
    3. Clipped wings: “The Aeroplane” by Ring-Hager
    4. Everybody seen running: “Mess Call”
    5. Graduation day: Repeat No. 19 “Eagles of America”
    6. Landing gear of aeroplane falls: “Galop Dramatique” by Baron
    7. Buddy gets into aeroplane: “In the Clouds” by Rapee-Axt
    8. After Speed lands in parachute: Repeat No. 18 “Sweet Sue”
    9. Close-up of Buddy in aeroplane flying: Repeat No. 6 “Mother of Mine”

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 12B9gXWjdC

Download: PDF